Dust Muhammad
Illustration — The Story Of Haftvad And The Worm, from the Shahnameh by Dust Muhammad, Aga Khan Museum, c. 1540, from the Shahnameh of Shah Tahmasp Dust Muhammad, also Dust Muhammad Musawwir or "Dust Muhammad the painter" was a Persian painter of miniatures, calligrapher, and art historian, active from about 1510 to 1564. Apparently a student of Bizhad, he may be best defined as an artist trained in the Timurid tradition, who further developed his style under the Safavids.
Dust Muhammad

Dust Muhammad / Ferdowsi · This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy · CC0
- Born
- 1500 · Herat.
- Occupation
- painter · illuminator · calligrapher
- Teachers
- Kamāl ud-Dīn Behzād
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Illustration — The Story Of Haftvad And The Worm, from the Shahnameh by Dust Muhammad, Aga Khan Museum, c. 1540, from the Shahnameh of Shah Tahmasp Dust Muhammad, also Dust Muhammad Musawwir or "Dust Muhammad the painter" was a Persian painter of miniatures, calligrapher, and art historian, active from about 1510 to 1564. Apparently a student of Bizhad, he may be best defined as an artist trained in the Timurid tradition, who further developed his style under the Safavids.
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Dust Muhammad (1500–1560) was a calligrapher, illuminator and painter. Born in Herat, the calligrapher died in Qazvin. Works by Dust Muhammad are held at The Aga Khan Museum.
Composed from admitted, traceable facts · 01 October 2026
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wikidata · Q4171195 · wikipedia · Dust Muhammad
In this article
Early career
Early career
Later in life he worked in Afghanistan and India, where he was called the "Mani of the Age" by Humayun. He is likely different from Dust Muhammad Haravi, who authored a preface to the Bahram Mirza Album in 1544.
Dust Muhammad was born in Herat in the late 15th century, although the date is not known. He was a disciple of Kamāl ud-Dīn Behzād, working with teachers in Herat. Prince Bahram Mirza first spotted his talent and invited him to work in his studio. By early 1520 Muhammad moved with Behzad from Herat to Tabriz. After the death of Shah Ismail I, he remained in the service of Shah Tahmasp I, taking part in the illustration of the famous Shahnameh of Shah Tahmasp, however his contribution is much more modest than that of Sultan Mohammed or Mir Musavvir. After the death of Behzad in 1535, Muhammad left Tahmasp's court. According to some researchers, he was a nomad and he could no longer sit in the same spot.
Kabul
Kabul
In the late 1530s, he worked at the court of the ruler of Kabul, Kamran Mirza, brother of the Mughal emperor Humayun, who was in control of Kabul from 1540 to 1545 and 1547-49. Dust Muhammad arrived at the Mughal court much earlier than other, younger Safavid artists such as Mir Sayyid ‘Ali and ‘Abdussamad, who arrived in 1549. Paintings by Dust Muhammad for Humayun are known from around 1545, including the Allegory of the Celebrations for Akbar's Circumcision (1546). The interior of this piece is styled Turkmen Sultan Mohammed. Much of it takes the form of grotesque mountain elephants and other animals (especially loved by Shah Tahmasp). The emperor Humayun sits on a stone throne, and in the distance under the trees play three boys, one of whom is the future Emperor Akbar I. As of 1552, Humayun, in a letter to Rashid Khan (the ruler of Kashgar), wrote that Dust Muhammad had “long been in [his] retinue” (nisbat-i qidam-i mulāzimat dārad, had been “longtime companion of the ruler”). Humayun was based in Kabul from 1545 and 1555, interrupted by Kamran in 1547-49. Humayun called him the "Mani of the Age" in the same letter.
India
India
• Illustration — Portrait of Shah Abu'l Ma‘ali by Dust Muhammad, c. 1556. He wears the Tāj-i 'Izzat headdress of Humayun. Aga Khan Collection In 1555, and at the invitation of Emperor Humayun, he traveled to India. But Humayun died in 1556. In the early 1560s, the court of the Mughal emperors was already under Emperor Akbar I, and Dust Muhammad left India and returned to Iran. He lived out his last days in Qazvin. The exact date of his death is unknown.

Folio from an illustrated manuscript; Codices
Dust Muhammad / Ferdowsi · This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy

Folio from an illustrated manuscript; Codices
Dust Muhammad / Ferdowsi · This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Life and career
Dated record
Life and career
The full dated record · 2 entries
1500
Dust Muhammad was born in 1500.
1560
Dust Muhammad died at Qazvin.
Places
Named by the record
Places
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Herat.
Birth place
Qazvin.
Death place
Primary material
Documents and archives
reference work
- “Dust Muhammad”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q4171195: Dust Muhammad
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Parodi, Laura E. The Earliest Datable Mughal Painting. www.asianart.com. 2011.
- 2.Weis, Friederike. How the Persian Qalam Caused the Chinese Brush to Break: The Bahram Mirza Album Revisited. Muqarnas. 64. 1 January 2020. 10.1163/22118993-00371P04.
- 3.Roxburgh, David J. Prefacing the Image: The Writing of Art History in Sixteenth-century Iran. BRILL. 28. 2001. 978-90-04-11376-3.
- 4.Sakip Sabanci Müzesi. Three Capitals of Islamic Art. 40. 2008. 978-975-8362-80-6.
- 5.Parodi, Laura E. The Earliest Datable Mughal Painting. www.asianart.com. 2011.
- 6.Branfoot, 2018, p=52 "He is here shown writing an inscription, which identifies him as Shah Abu’l Ma‘ali ‘kashgarı’, states he was once close to the late emperor (referred to by his posthumous name, Jannat Ashiyani, or He who Dwells in Paradise), and attributes the work to Master Dust the Painter (Ustad Dust-i Musawwir). The dating of this small, exquisite work is far from established but, despite the appearance of a Taj-i ‘Izzat, Humayun’s posthumous name points to after the emperor’s death"
Bibliography printed in the source article · 6
- Branfoot, Crispin. Portraiture in South Asia since the Mughals: Art, Representation and History. Bloomsbury Publishing. 30 June 2018. 978-1-83860-897-2.
- Dickson M. B. / Welch S. C. The Houghton Shahnameh. - Cambridge, Mass. 1981. - Vol. 1.
- Master the art of art. - M., 1965. - T. 1.
- Weis, Friederike. How the Persian Qalam Caused the Chinese Brush to Break: The Bahram Mirza Album Revisited. Muqarnas Online. 37. 1. 63–109. 2020. 10.1163/22118993-00371P04.
- Welch, Stuart Cary. Persian Painting Five Royal Manuscripts of the Sixteenth Century. - New York. 1976.
- Welch, Stuart Cary. Wonders of the Age. - Cambridge: Fogg Art Museum, Harvard University. 1979.
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reference work
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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