Donald Harris

Harris earned a bachelor's degree and a master's degree in music from the University of Michigan. He completed further studies at the Tanglewood Music Center and the Centre Français d'Humanisme Musical in Aix-en-Provence. He studied with Ross Lee Finney, Max Deutsch, Nadia Boulanger, Boris Blacher, Lukas Foss, and André Jolivet. He founded the Contemporary Music Festival at Ohio State in 2000. Prior to joining the faculty at Ohio State, he served on the faculties and as an administrator of the New England Conservatory of Music and the Hartt School of Music. From 1954 to 1968, Harris lived in Paris, where he served as music consultant to the United States Information Agency and produced the city's first postwar Festival of Contemporary American Music. A documentary about Harris entitled Sonata 1957 was produced by Daniel Beliavsky through opus1films in 2011. It explores Harris's development in mid-20th-century Paris, when pre-war musical thought bridged with post-war experimentation.

Donald Harris studied at University of Michigan. Training under Nadia Boulanger, Ross Lee Finney and Lukas Foss is recorded. Employment is recorded with Ohio State University, New England Conservatory and The Hartt School. Distinctions recorded are Guggenheim Fellowship, Fulbright Scholarship, Arts and Letters Award in Music and honorary doctor of the Ohio State University.

• Name — Donald Harris • Born — 7 April 1931 • Birthplace — St. Paul, Minnesota, US • Died — 29 March 2016 • Place of death — Columbus, Ohio, US • Education — * University of Michigan • Tanglewood Music Center • Occupation — * Classical composer • Academic teacher • Organization — Ohio State University Donald Harris (April 7, 1931, in St. Paul, Minnesota March 29, 2016, in Columbus, Ohio) was an American composer who taught music at Ohio State University for 22 years. He was Dean of the College of the Arts from 1988 to 1997. Harris earned a bachelor's degree and a master's degree in music from the University of Michigan. He completed further studies at the Tanglewood Music Center and the Centre Français d'Humanisme Musical in Aix-en-Provence. He studied with Ross Lee Finney, Max Deutsch, Nadia Boulanger, Boris Blacher, Lukas Foss, and André Jolivet. He founded the Contemporary Music Festival at Ohio State in 2000. Prior to joining the faculty at Ohio State, he served on the faculties and as an administrator of the New England Conservatory of Music and the Hartt School of Music. From 1954 to 1968, Harris lived in Paris, where he served as music consultant to the United States Information Agency and produced the city's first postwar Festival of Contemporary American Music. A documentary about Harris entitled Sonata 1957 was produced by Daniel Beliavsky through opus1films in 2011. It explores Harris's development in mid-20th-century Paris, when pre-war musical thought bridged with post-war experimentation.

• The Legend Of John Henry (1954) ballet for orchestra • The Golden Deer (1955) ballet for orchestra • Intervals (1959) dance work for chamber ensemble

• Piano Sonata (1957) • Fantasy For Violin & Piano (1957) • Symphony In Two Movements (1958–1961) • String Quartet (1965) • Ludus (1966) for ten instruments • Ludus II (1973) for five instruments • On Variations (1976) for chamber orchestra • Charmes (1971–1980; unfinished) for soprano and orchestra; after the poems of Paul Valéry • For The Night To Wear (1978) for mezzo-soprano and chamber ensemble; after the Hortense Flexner poem • Balladen (1979) for solo piano • Of Hartford In A Purple Light (1979) for soprano with piano accompaniment; after the Wallace Stevens poem • Prelude To A Concert In Connecticut (1981) for orchestra • Les Mains (1983) for mezzo-soprano with piano accompaniment; after the Marguerite Yourcenar poem • Meditations (1984) for solo organ, commissioned by the South Congregational-First Baptist Church, New Britain, Connecticut, and its organist and music director, Richard Coffey, to honor the 10th anniversary of the Cooper Memorial Organ. Includes memorials to Thomas Putsche (Ralph Vaughan Williams' Sine Nomine) and Norman Dinerstein (Kol Nidre). • Three Fanfares For Four Horns (1984) • Canzona & Carol (1986) for double brass quintet and timpani • Pierrot Lieder (1988) for soprano and chamber ensemble; after the Albert Giraud poem • Mermaid Variations (1992) for chamber orchestra • String Quartet #2 (2002) • A Lyric Fanfare (2003) for orchestra • Five Tempi (Ludus III) (2004) for chamber ensemble • Symphony No. 2 (2006–11) for large orchestra; co-commissioned by the Koussevitzky Music Foundation and Columbus Symphony Orchestra • Kaleidoscope (2007) for orchestra