Don Moye
Donald Moye, Jr. (born May 23, 1946), known as Famoudou Don Moye, is an American jazz percussionist and drummer. He is most known for his involvement with the Art Ensemble of Chicago and is noted for his mastery of African and Caribbean percussion instruments and rhythmic techniques.
Don Moye

Tore Sætre · CC BY-SA 4.0
- Name
- Don Moye
- Birth Name
- Donald Moye, Jr.
- Born
- 23 May 1946
- Birthplace
- Rochester, New York, U.S.
- Occupation
- Musician
- Nationality
- United States
- Fields
- jazz · percussion instrument
- Education
- Wayne State University
- Languages
- English
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Documentary summary
Donald Moye, Jr. (born May 23, 1946), known as Famoudou Don Moye, is an American jazz percussionist and drummer. He is most known for his involvement with the Art Ensemble of Chicago and is noted for his mastery of African and Caribbean percussion instruments and rhythmic techniques.
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Note VALÉORINE
Don Moye (born 1946) is a composer, drummer and musician, among other activities, of American nationality. The composer was born in Rochester.
Don Moye was educated at Wayne State University. Activity centred on jazz and percussion instrument.
The work spans jazz. Languages used include English.
Composed from admitted, traceable facts · 26 September 2026
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In this article
Key facts
Key facts
• Name — Don Moye • Alias — Famoudou Don Moye • Birth Name — Donald Moye, Jr. • Born — 23 May 1946 • Birthplace — Rochester, New York, U.S. • Genre — Jazz, free jazz, avant-garde jazz • Occupation — Musician • Instrument — Drums, percussion • Years Active — 1960s–present • Label — Black Saint, AECO • Associated Acts — Detroit Free Jazz, Art Ensemble of Chicago, The Leaders
Early life and education
Early life and education
Moye was born in Rochester, New York, United States, and performed in various drum and bugle corps (including the Rochester Crusaders) during his youth, as well as church choir. Moye has commented that he really "didn't have an affinity for the bugle… and just kind of gravitated towards drums." He also took violin lessons during this time. Moye was exposed to jazz at an early age since his mother worked for a local social club, that had a jazz club next door, which hosted musicians such as Kenny Burrell and Jimmy McGriff. His family was also musically inclined; his uncles played saxophones and his father played drums. Also, his mother used to take him to various performances as a child, such as "opera under the stars" and to see Mahalia Jackson.
Career
Career
• Illustration — Don Moye Moye went on to study percussion at Wayne State University in Detroit, Michigan. Moye lived in a building with trumpeter Charles Moore, who became his mentor. Moye also played in the groups African Cultural Ensemble, which included musicians from African countries such as Ghana, and Detroit Free Jazz, which was Moore's band. It was at this time that he first encountered the Association for the Advancement of Creative Musicians (AACM) due to the revolving door of musicians in and out of Moore’s residence. In early 1968, Moore’s band traveled to Europe and Moye decided to live there for the next couple of years, touring and visiting the continent as well as Northern Africa.
Art Ensemble of Chicago and The Leaders
Art Ensemble of Chicago and The Leaders
By 1969, the AEC had become a quartet of Roscoe Mitchell, Joseph Jarman (saxophones), Lester Bowie (trumpet) and Malachi Favors Maghostut (bass), with no full-time drummer though all the musicians doubled on various percussion instruments. The group crossed the Atlantic Ocean and arrived in Europe to perform throughout the continent. Moye at the time was rehearsing and performing in Paris, France, at the American Center for Students and Artists, where musicians such as Art Taylor and Johnny Griffin practiced collectively. When Mitchell met with Moye again at the Center, he asked Moye to join his group, which was already known as the Art Ensemble of Chicago, and had issued several recordings, including three releases on the European label BYG Actual. These recordings did feature percussion but all percussion was played by Mitchell, Bowie, Favors, or Jarman. After Moye returned to the States in the early 1970s, he played with the Black Artists Group in St. Louis, Missouri before settling in the Chicago, Illinois area. He was also in a duo with fellow percussionist Steve McCall who later was a member of Air with Henry Threadgil while still playing with the AEC. In the mid-1980s, Moye joined The Leaders, a jazz group consisting of AEC member Bowie, Chico Freeman, Arthur Blythe, Cecil McBee, and Kirk Lightsey. Moye has also recorded numerous solo albums as leader of his own band. Moye toured and recorded again with the AEC in the 1990s, which was dealt a blow with the 1999 death of Bowie. Moye refers to his own style of drumming as "Sun Percussion". Other groups he led in the 1990s include the Joseph Jarman/Famoudou Don Moye Magic Triangle Band and the Sun Percussion Summit (with Enoch Williamson), the latter of which was "a group dedicated to exploring the traditions of African-American percussion music."
Recognition
Recognition
• Downbeat International Critics Poll Winner – 1977, 1978, 1982 • New York Jazz Poll – 1979, 1980 • National Endowment for the Arts grants – 1974, 1981
As leader or co-leader
As leader or co-leader
• 1975 Sun Percussion, Vol. 1 – AECO • 1981 Black Paladins – Black Saint • 1983 Jam for Your Life! – AECO • 1985 Cassava Balls – Praxis • 1987 The African Tapes, Volume 1 – Praxis • 1988 The African Tapes, Volume 2 – Praxis • 1996 Afrikan Song with Enoch Williamson – AECO • 1998 Ancestral Memories: From Afrika to Chicago – Il Manifesto • 2002 A Symphony of Cities with Tatsu Aoki – Southport • 2002 Bamako Chicago Express (Live in Longiano) – Il Manifesto With the Art Ensemble of Chicago • Title — Year — Label • Chi-Congo — 1970 — Paula • Les Stances a Sophie — 1970 — Nessa • Live in Paris — 1970 — Freedom • Art Ensemble of Chicago with Fontella Bass — 1970 — America • Phase One — 1971 — America • Live at Mandell Hall — 1972 — Delmark • Bap-Tizum — 1972 — Atlantic • Fanfare for the Warriors — 1973 — Atlantic • Kabalaba — 1974 — AECO • Nice Guys — 1978 — ECM • Live in Berlin — 1979 — West Wind • Full Force — 1980 — ECM • Urban Bushmen — 1980 — ECM • Among the People — 1980 — Praxis • The Complete Live in Japan — 1984 — DIW • The Third Decade — 1984 — ECM • Naked — 1986 — DIW • Ancient to the Future — 1987 — DIW • The Alternate Express — 1989 — DIW • Art Ensemble of Soweto — 1990 — DIW • America - South Africa — 1990 — DIW • Thelonious Sphere Monk with Cecil Taylor — 1990 — DIW • Dreaming of the Masters Suite — 1990 — DIW • Live at the 6th Tokyo Music Joy — 1990 — DIW • Fundamental Destiny with Don Pullen — 1991 — AECO • Salutes the Chicago Blues Tradition — 1993 — AECO • Coming Home Jamaica — 1996 — Atlantic • Urban Magic — 1997 — Musica • Tribute to Lester — 2001 — ECM • Reunion — 2003 — Around Jazz/Il Manifesto • The Meeting — 2003 — Pi • Sirius Calling — 2004 — Pi • Non-Cognitive Aspects of the City — 2006 — Pi With The Leaders • Mudfoot (Black-Hawk, 1986) • Out Here Like This (Black Saint, 1987) • Heaven Dance (Sunnyside, 1988) as The Leaders Trio • Unforeseen Blessings (Black Saint, 1988) • Slipping and Sliding (Sound Hills, 1994)
As sideman
As sideman
With Hamiet Bluiett • Resolution (Black Saint, 1977) With Kenny Clarke, Andrew Cyrille, and Milford Graves • Pieces of Time (Soul Note, 1984) With Chico Freeman • No Time Left (Black Saint, 1979) • Spirit Sensitive (India Navigation, 1979) With Julius Hemphill • Raw Materials and Residuals (Black Saint, 1977) With Joseph Jarman • The Magic Triangle (Black Saint, 1979) with Don Pullen • Earth Passage - Density (Black Saint, 1981) With Oliver Lake • Ntu: Point from Which Creation Begins (Freedom, 1976) With Cecil McBee • Music from the Source (Enja, 1978) • Compassion (Enja, 1979) • Alternate Spaces (India Navigation, 1979) With Marcello Melis • Angedras (Black Saint, 1983) With Don Pullen • Milano Strut (Black Saint, 1978) With Alan Silva • Seasons (BYG, 1971) With Sirone • Artistry (Of The Cosmos, 1979) With Wadada Leo Smith • Spiritual Dimensions (Cuneiform, 2009) With Randy Weston • Carnival (Freedom, 1974)

Das Kirk Lightsey / Don Moye Trio auf dem INNtöne Jazzfestival 2017.
Schorle

Das Kirk Lightsey / Don Moye Trio auf dem INNtöne Jazzfestival 2017.
Schorle
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Memmott, Jim. Let’s bang the drum for this jazz master with Rochester roots. Democratandchronicle.com.
- 2.Colin Larkin. The Guinness Encyclopedia of Popular Music. Guinness Publishing. 1772. 1992. 0-85112-939-0.
- 3.Chris Kelsey. Don Moye biography at Allmusic.
- 4.Fred Jung. Fireside Chat with Don Moye. Jazzweekly.com.
- 5.History Makers: Don Moye. Thehistorymakers.com.
References
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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