Dominique Barrière

The authorities additionally record the headings D. Barrière, Domenicus Barrière, Domenique Barrière, Dominique Barriere and D. Barriere. His recorded language was French.

Work by Dominique Barrière is held by Nationalmuseum, Auckland Art Gallery, Ghent University Library and Prints and Photographs Department of the Bibliothèque nationale de France.

10 works under this name are catalogued by Wikidata Query Service, The Metropolitan Museum of Art and Wellcome Collection. Their recorded dates run from 1630 to 1666.

Lieven Cruyl’s veduti (or city views), dated 1666, held by Ghent University Library, inventory BHSL.RES.1991. (Half-Title with a stone gate and garden view), held by Q214867, inventory 1983.119.1.b. Landscape with a Mill, dated 1650, held by Q214867, inventory 2001.18.1. Utsikt över Rom, vänstra delen, dated 1649, held by Nationalmuseum, inventory NMH 2330/1863. Utsikt över Rom, högra delen, dated 1649, held by Nationalmuseum, inventory NMH 2329/1863. Decoration ordered by Cardinal de Retz in the Church of San Luigi, Rome, for the Saint's Feast Day, dated 1665, etching, held by The Metropolitan Museum of Art, inventory 51.501.2924. Framed Port scene with two figures, pen and brown ink, brown wash, over black chalk, heightened with white, held by The Metropolitan Museum of Art, inventory 1975.131.89. The Feast of the Resurrection in Piazza Navona, Rome, 1650, dated ca. 1650, etching, held by The Metropolitan Museum of Art, inventory 49.50.270. Faith, Hope, and Charity, dated 1630?–78, etching and engraving, held by The Metropolitan Museum of Art, inventory 67.809.37. Apollo in his chariot. Etching by D. Barrière, 1662, after A. Giorgetti., dated 1662, held by Wellcome Collection.

Work associated with this heading is recorded in 7 named public collections.

Q214867: 3 recorded objects, read from the institution's own published catalogue. Prints in the National Gallery of Art: 3 recorded objects, read from the institution's own published catalogue. Ghent University Library: 2 recorded objects, read from the institution's own published catalogue. King Baudouin Foundation: 2 recorded objects, read from the institution's own published catalogue. Nationalmuseum: 2 recorded objects, read from the institution's own published catalogue. The Metropolitan Museum of Art: 16 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 1 recorded object, read from the institution's own published catalogue.

5 scholarly publications naming this subject were located in the registry of record.

Barrière, Dominique, Benezit Dictionary of Artists, 2011. Barrière, Dominique, Oxford Art Online, 2003. Barrière, Benezit Dictionary of Artists, 2011. Barrière, Antoine, Benezit Dictionary of Artists, 2011. Barrière, Françoise, Oxford Music Online, 2001.

6 digitised items associated with this heading are catalogued by Internet Archive.

Embarkation of St. Ursula (1665) — Internet Archive. Bellerophon Vanquishing the Chimera | Dominique Barriere — Internet Archive. Landscape with Mercury (1668) — Internet Archive. Hesperides sive de Malorum Aureorum cultura et usu Libri Quatuor (1646) — Internet Archive. Framed Port scene with two figures — Internet Archive. Decoration ordered by Cardinal de Retz in the Church of San Luigi, Rome, for the Saint's Feast Day (1665) — Internet Archive.

This article draws on 5 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 5 means 5 genuinely separate publishers of record. 15 further registers were consulted and returned nothing for this heading.

the recorded working language is French.

Places of work recorded in the authority are Rome.

Work by Dominique Barrière is recorded in the collections of Nationalmuseum, Auckland Art Gallery, Ghent University Library, Prints and Photographs Department of the Bibliothèque nationale de France and Print Collection.