Domenico Gargiulo

The authorities additionally record the headings Micci Spadaro, Domenico Gargiuli, Micco Spadaro Gargiulo, Nico Spadaro and Miccho Spataro. His recorded language was Italian.

Work by Domenico Gargiulo is held by Museo del Prado, Art Institute of Chicago, Moravian Gallery in Brno and Walters Art Museum.

What the record establishes about Domenico Gargiulo.

Domenico Gargiulo is recorded as a citizen of Kingdom of Naples. Domenico Gargiulo is recorded with the occupation painter. Two Nude Male Figures, One Seated and One Reclining is dated 1609/10–?1675 and held by The Metropolitan Museum of Art (inventory 17.236.12). Figure Studies: Two Standing and Two Seated Men is dated 1609/10–?1675 and held by The Metropolitan Museum of Art (inventory 17.236.46). The Departure of Jacob from the House of Laban is catalogued and held by National Museum of Medieval and Modern Art of Basilicata. Party in a villa of Poggioreale is dated 1650 and held by Musée des Beaux-Arts et d'Archéologie de Besançon (inventory 843.3.4).

The Meeting of Isaac and Rebecca is dated 1662 and held by Northampton Museum and Art Gallery (inventory 1969.6). The Landing of the Infanta Marìa at Naples is dated 1649 and held by Fundación Banco Santander (inventory 122). Piazza del Mercato during the Revolt of Masaniello is dated 1650 and held by Museo Nazionale di San Martino. Courtyard of an Inn with Classical Ruins is dated 1634 and held by Walters Art Museum (inventory 37.1851). Rebecca and Eliezer at the Well is dated 1650 and held by Statens Museum for Kunst (inventory KMSsp119). Punishment of the thefts at Masaniello's time. is dated 1647 and held by Museo Nazionale di San Martino.

Triumphal Entry of Constantine in Rome is dated 1636 and held by Museo del Prado (inventory P000238). Triumphal Entry of Vespasian in Rome is dated 1636 and held by Museo del Prado (inventory P000237). Musée des Beaux-Arts et d'Archéologie de Besançon records 1 object associated with this heading. Adoration of the Golden Calf is dated 1700 and held by Hermitage Museum (inventory ГЭ-7379). Battle scene is dated 1642 and held by Bavarian State Painting Collections (inventory 2282). Susanna and the Elders is dated 1649 and held by Moravian Gallery in Brno (inventory M_246).

The murder of Don Giuseppe Carafa is dated 1647 and held by Museo Nazionale di San Martino. The Circus Maximus in Rome is dated 1638 and held by Museo del Prado (inventory P006209). Presumed portrait of Masaniello is dated 1647 and held by Museo Nazionale di San Martino. Perspective of a Gymnasium is dated 1638 and held by Museo del Prado (inventory P006210). Thanksgiving after the plague. is dated 1657 and held by Museo Nazionale di San Martino. Bavarian State Painting Collections records 1 object associated with this heading.

The Metropolitan Museum of Art catalogues 4 works under this heading. Wikidata Query Service catalogues 21 works under this heading. Open Library catalogues 2 works under this heading.

Domenico Gargiulo is also recorded as Micci Spadaro; Domenico Gargiuli; Micco Spadaro Gargiulo; Nico Spadaro; Miccho Spataro; Nicco Spadaro.

The identifiers under which Domenico Gargiulo may be traced in institutional catalogues.

Domenico Gargiulo is established in the international name authorities as Social Networks and Archival Context w67x44z1, Bibliothèque nationale de France 12561107g, Getty Union List of Artist Names 500015190, Gemeinsame Normdatei (GND) 119244942, Library of Congress nr94038591, ISNI 0000000117480643, IdRef 061083682, VIAF 18027372 and Wikidata Q1170226.

1 scholarly publication naming this subject was located in the registry of record.

Gargiulo, Domenico (called Micco Spadaro), Painting of the Golden Age, 1993.

Bibliographic registers publish measured figures for this heading: 9 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 6 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 6 means 6 genuinely separate publishers of record. 12 further registers were consulted and returned nothing for this heading.

the recorded working language is Italian.

Places of work recorded in the authority are Naples.

Work by Domenico Gargiulo is recorded in the collections of Museo del Prado, Art Institute of Chicago, Moravian Gallery in Brno, Walters Art Museum and Statens Museum for Kunst.