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Artist

Domènec Fita i Molat

Domènec Fita i Molat (10 August 1927 – 9 November 2020) was a Spanish artist. Having studied in different schools of classical fine arts (Girona, Olot and Barcelona), his work was gradually stripped of academicism, as evidenced already in his first notable works: the Recumbent Christ (1958), the Cathedral of Girona, and Saint Benedict (1961) the abbey of Montserrat. The mural painting or on different media, initially and primarily of religious subjects, but also the drawing (themes retrat (portrait), nus (knot) and bestiari (bestiary), ceramics, concrete, stained glass, the use of polyurethane, stone, and alabaster, iron, steel, wood and various other materials have shaped the course of fifteen years of intensive work, producing a multi-faceted and difficult rating, which has derived a radical abstraction, based on a systematic search, serial and unpredictable, avoiding the isms in use.

Also recorded as Domenec Fita i Molat

Domènec Fita i Molat

Domènec Fita treballant al seu estudi, 1991

Jordicc · CC BY-SA 3.0

Name
Domènec Fita
Birth Name
Domènec Fita i Molat
Born
10 August 1927
Birthplace
Girona
Died
9 November 2020
Field
Painting, Drawing, Sculpture, Stained glass, Ceramics, Engraving
Training
School of Arts and Crafts Olot, School of Fine Arts in Girona, College of Fine Arts of Saint George in Barcelona
Awards
In 1984 he was appointed academic member of the Royal Catalan Academy of Fine Arts of Saint George.
Nationality
Spain
Occupation
sculptor · painter
Fields
painting · facility · Fountain Archive
Honours
Saint George's Cross

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Domènec Fita i Molat (10 August 1927 – 9 November 2020) was a Spanish artist. Having studied in different schools of classical fine arts (Girona, Olot and Barcelona), his work was gradually stripped of academicism, as evidenced already in his first notable works: the Recumbent Christ (1958), the Cathedral of Girona, and Saint Benedict (1961) the abbey of Montserrat. The mural painting or on different media, initially and primarily of religious subjects, but also the drawing (themes retrat (portrait), nus (knot) and bestiari (bestiary), ceramics, concrete, stained glass, the use of polyurethane, stone, and alabaster, iron, steel, wood and various other materials have shaped the course of fifteen years of intensive work, producing a multi-faceted and difficult rating, which has derived a radical abstraction, based on a systematic search, serial and unpredictable, avoiding the isms in use.

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wikidata · Q4892859 · wikipedia · Domènec Fita i Molat

In this article

  1. 01Biography
  2. 02Notes, references and evidence

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