Denzil Best
Denzil DaCosta Best (April 27, 1917 – May 24, 1965) was an American jazz percussionist and composer born in New York City. He was a prominent bebop drummer in the 1950s and early 1960s.
Also recorded as Denzil DaCosta Best
Denzil Best
William P. Gottlieb · This image has been extracted from another file · Public domain
- Born
- 1917 · New York City.
- Died
- 1965 · New York City.
- Nationality
- United States
- Occupation
- composer · drummer · musician
- Fields
- jazz
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Denzil DaCosta Best (April 27, 1917 – May 24, 1965) was an American jazz percussionist and composer born in New York City. He was a prominent bebop drummer in the 1950s and early 1960s.
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Denzil Best (1917–1965) was a composer, drummer and jazz musician, among other activities, of American nationality. The composer was born and died in New York City. The work spans jazz.
Composed from admitted, traceable facts · 26 September 2026
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Biography
Biography
Best was born in New York City, into a musical Caribbean family originally from Barbados. Trained on piano, trumpet, and bass, he concentrated on the drums starting in 1943. Between 1943 and 1944, he worked with Ben Webster, and subsequently with Coleman Hawkins (1944–45), Illinois Jacquet (1946) and Chubby Jackson. The drummer was known to sit in at Minton's Playhouse. He took part in a recording with George Shearing in 1948 and was a founding member of his Quartet, remaining there until 1952. In 1949, he played on a recording session with Lennie Tristano for Capitol and also recorded later with Lee Konitz. In a 1953 car accident he fractured both legs and was forced into temporary retirement until 1954, when he played with Artie Shaw, and then in a trio with Erroll Garner (1955–57), including Garner's live album Concert by the Sea. Best subsequently played with Phineas Newborn, Nina Simone, Billie Holiday and Tyree Glenn, and in October 1962 appeared on the first album by Sheila Jordan (Portrait of Sheila). He suffered from paralysis after this and was no longer able to play; he died aged 48 in 1965, after falling down a staircase in a New York City Subway station.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1965
Denzil Best died at New York City.
Compositions
Best composed several bebop tunes, including "Move" (which was featured in an arrangement by John Lewis on the seminal 1949 & 1950 recordings released in 1957 on the Miles Davis Capitol album, Birth of the Cool), "Wee", "Nothing but D. Best", and "Dee Dee's Dance", and with Thelonious Monk, "Bemsha Swing". Best's composition "45 Degree Angle" was recorded by Herbie Nichols and Mary Lou Williams.
Influence
Unlike many bebop percussionists, who loaded the musical space with accents against the prevailing meter and thus created rhythmic intensity, Best resumed the legato development of Jo Jones. He played on the beat and rarely used loud accents. Playing in this way he was not only a model for cool jazz but also influenced countless bar combos. Best was renowned for his brush work: fellow drummer Jake Hanna said that he "might be the best brush player of all drummers", and Elvin Jones listed Best in his top three.
Discography
With Erroll Garner Concert by the Sea (Columbia, 1955) With Sheila Jordan Portrait of Sheila (Blue Note, 1962) With Lee Konitz Subconscious-Lee (Prestige, 1950) With Phineas Newborn, Jr. Fabulous Phineas (RCA Victor, 1958) With Seldon Powell We Paid Our Dues! (Epic, 1961) With Lennie Tristano Crosscurrents (Capitol, 1949 [1972])
Bill Harris, Denzil Best, Flip Phillips, Billy Bauer, Lennie Tristano, Chubby Jackson, 1947. Pied Piper, NYC. ca. September 1947. Photography by William P. Gottlieb.
William P. Gottlieb · This image is available from the United States Library of Congress 's Music Division under the digital ID gottlieb.07061. This tag does not indicate the copyright status of the attached work. A norma
Denzil Best, Billy Bauer, and Chubby Jackson, Pied Piper, New York
William P. Gottlieb · http: section=ver01 size=1024 from=
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Korall, Burt, Drummin' Men: The Heartbeat of Jazz The Bebop Years, Oxford University Press, USA, 2004, p. 23.
- 2.Rosenthal, David, H. Hard Bop: Jazz and Black Music 1955–1965. Oxford University Press. 0-19-505869-0.
- 3.Korall (2004), p. 28.
- 4.Korall (2004), p. 29.
- 5.Falzerano, Chet (1995), Gretsch Drums: The Legacy of "That Great Gretsch Sound", Hal Leonard Corporation.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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