Daniel Pinkham
Daniel Rogers Pinkham Jr. (June 5, 1923 – December 18, 2006) was an American composer, organist, and harpsichordist.
Daniel Pinkham
- Name
- Daniel Pinkham
- Birth Name
- Daniel Rogers Pinkham Jr.
- Born
- June 5, 1923
- Died
- December 18, 2006 (aged 83)
- Birthplace
- Lynn, Massachusetts, U.S.
- Place of death
- Natick, Massachusetts, U.S.
- Education
- Harvard University (AB, MA)
- Nationality
- United States
- Occupation
- composer · musicologist · harpsichordist · musician
- Teachers
- Nadia Boulanger
- Languages
- English
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Daniel Pinkham (5 giugno 1923 – 18 dicembre 2006) fu compositore e musicista.
Vita
La nascita di Daniel Pinkham è registrata il 5 giugno 1923 a Lynn, Massachusetts., e la morte il 18 dicembre 2006.
Istituzioni citate
Bibliothèque nationale de France · Deutsche Nationalbibliothek
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wikidata · Q4309772 · wikipedia · Daniel Pinkham
In this article
Key facts
Key facts
• Name — Daniel Pinkham • Birth Name — Daniel Rogers Pinkham Jr. • Born — June 5, 1923 • Died — December 18, 2006 (aged 83) • Birthplace — Lynn, Massachusetts, U.S. • Place of death — Natick, Massachusetts, U.S. • Partner — Andrew Paul Holman • Education — Harvard University (AB, MA) • Workplaces — Boston Conservatory New England Conservatory of Music Simmons University Harvard University Boston University • Notable Students — Gigi Gryce • Website — Daniel Pinkham
Early life and education
Early life and education
Born in Lynn, Massachusetts, into a prominent family engaged in the manufacture of patent medicines (his great-grandmother was Lydia E. Pinkham), he studied organ performance and music theory at Phillips Academy with Carl F. Pfatteicher. "The single event that changed my life was a concert [at Andover] by the Trapp Family Singers in 1939, right after they had escaped from Germany," Pinkham once recalled. "Here, suddenly, I was hearing clarity, simplicity. It shaped my whole outlook," he said in a 1981 interview with The Boston Globe. At Harvard University, he studied with Walter Piston; Aaron Copland, Archibald T. Davison, and Arthur Tillman Merritt were also among his teachers. There he completed a bachelor's degree in 1942 and a master's in 1944. He also studied harpsichord with Putnam Aldrich and Wanda Landowska, and organ with E. Power Biggs. At Tanglewood, he studied composition with Samuel Barber and Arthur Honegger, and subsequently with Nadia Boulanger.
Career
Career
Pinkham taught at the Boston Conservatory beginning in 1946, and at the New England Conservatory of Music from 1959 until his death in 2006; while there, he created and chaired the program on early music performance. In 1951, Pinkham conducted ten works by Boulanger Award winners in their Boston performance première in a special Peabody Mason Concert series commemorating the Paris Bi-Millennial year. He also taught at various times at Simmons University (1953–1954), Boston University (1953–1954), and Harvard University (1957–1958). Among Pinkham's notable students were the jazz musician and composer Gigi Gryce (1925–1983) and the composer Mark DeVoto. For forty-two years (1958–2000), Pinkham was the organist of King's Chapel in Boston, a position which gave him much exposure to and opportunity to write church-related music; the Sunday evening concert series he created there celebrated its 50th anniversary in 2007. He was also a frequent guest on the E. Power Biggs program on the CBS Radio Network. He performed regularly with the Boston Symphony Orchestra as an organist and as a harpsichordist, and he performed extensively with noted violinist Robert Brink, with whom he commissioned a duo for violin and harpsichord from Alan Hovhaness.
Personal life
Personal life
Pinkham died in Natick, Massachusetts, of chronic lymphocytic leukemia, at the age of 83. He is survived by his longtime partner, the organist Andrew Paul Holman.
Places
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Places
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Lynn.
Birth place
Natick.
Death place
Compositions
Pinkham's output represents a broad cross-section of 20th-century musical trends. He produced work in virtually every genre, from symphonies to art songs, though the preponderance of his music is religious in nature, frequently choral and/or involving organ. Much of his music was written for use in church services or other ceremonial occasions, and reflected his longstanding relationship with King's Chapel. At various points in his career, he embraced plainchant, medievally-influenced modal writing, and 17th-century forms (in the 1930s and 40s, under the influence of Stravinsky and Hindemith and reflecting his commitment to the early music revival), dodecaphony and serialism (in the 1950s and 60s), electronic music (beginning in 1970), and the neo-baroque idiom. Some of Pinkham's best-known works are designed for services: the Christmas, Advent, and Wedding cantatas, the latter of which is performed particularly often. In 2003, he gained further notice with his commissioned piece, written for the Boston Landmarks Orchestra, of Make Way for Ducklings. In keeping with the name of the ensemble, the work was designed to be performed for families at the Boston Public Garden, near the famous sculptures based on Robert McCloskey's endearing picture book. Pinkham's scholarship and work were recognized with a Fulbright Fellowship in 1950 and a Ford Foundation Fellowship in 1962. He received honorary degrees from the New England Conservatory of Music as well as from Nebraska Wesleyan University, Adrian College, Westminster Choir College, Ithaca College, and the Boston Conservatory. Pinkham's 1949 song cycle Slow, Slow, Fresh Fount was dedicated to the soprano Verna Osborne. In 1971, he wrote The Other Voices of the Trumpet for trumpet, organ, and tape, for the inaugural International Contemporary Organ Music Festival at the Hartt School of Music. In 1982, he returned to the Hartt festival to give a lecture about his own harpsichord music. In 1990, Pinkham was named Composer of the Year by the American Guild of Organists. In 1995, he was awarded the Brock Commission from the American Choral Directors Association. In 2006 Pinkham was named Musician of the Year by the Boston Musicians' Association, AFM Local 9-535.
Primary material
Documents and archives
reference work
- “Daniel Pinkham”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q4309772: Daniel Pinkham
General reference · Wikidata
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Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Daniel Pinkham, revision 1353917730 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Harold Rogers, "Contemporary Music in Boston Première", The Christian Science Monitor (May 16, 1951).
- 2.Daniel Pinkham, "Daniel Pinkham: Composer ". Daniel Pinkham home page, 2007 (Accessed 6 November 2012).
- 3.Sabine Feisst, "Pinkham, Daniel (Rogers)", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publisher, 2001).
- 4.MIT Press. The Boston Composers Project: A Bibliography of Contemporary Music. 399. 1983.
- 5.Hartt School of Music / University of Hartford. The Tenth Anniversary of the International Contemporary Organ Music Festival. 1980.
- 6.Palmer, Larry. Harpsichord News. The Diapason. 73. 873. 3. August 1982.
- 7.American Choral Directors Association.
- 8.Daniel J. Wakin. Daniel Pinkham, 83, Composer and Organist, Dies. December 21, 2006. 21 December 2006.
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General reference
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