Daniel Filipacchi
Daniel Filipacchi (born 12 January 1928) is the Chairman Emeritus of Hachette Filipacchi Médias and a French collector of surrealist art.
Daniel Filipacchi

Laura Rose · Public domain
- Name
- Daniel Filipacchi
- Born
- 12 January 1928
- Birthplace
- Paris, France
- Spouse
- Sondra Peterson
- Nationality
- France
- Occupation
- art collector · publisher · radio personality · photographer
- Honours
- Le Vaudeville prize
- Languages
- French
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Daniel Filipacchi (born 12 January 1928) is the Chairman Emeritus of Hachette Filipacchi Médias and a French collector of surrealist art.
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wikidata · Q1160659 · wikipedia · Daniel Filipacchi
In this article
Key facts
Key facts
• Name — Daniel Filipacchi • Born — 12 January 1928 • Birthplace — Paris, France • Spouse — Sondra Peterson • Children — 3, including Amanda
Career
Career
• Illustration — Filipacchi in 1958 Filipacchi wrote and worked as a photographer for Paris Match from its founding in 1949 by Jean Prouvost. Filipacchi later claimed never to have enjoyed taking photographs, despite earning early notoriety as a "well-mannered paparazzo". While working at Paris Match and as a photographer for another of Prouvost's titles, Marie Claire, Filipacchi promoted jazz concerts and ran a record label. In the early 1960s, at a time when jazz was not played on government-owned French radio stations, Filipacchi (a widely acknowledged jazz expert) and Frank Ténot hosted an immensely popular show on Europe 1 called Pour ceux qui aiment le jazz ("For those who love jazz"). In the 1960s, he presented a rock and roll radio show modeled after Dick Clark's American Bandstand and called Salut les copains, which launched the musical genre of yé-yé. The show's success led to his creation of a magazine of the same name. The latter was eventually renamed as Salut! and built a circulation of one million copies. Filipacchi played American and French rock music on this radio show beginning in the early 1960s. Both he and this show are credited with playing important roles in the formation of the 1960s youth culture in France. Filipacchi acquired the venerable Cahiers du cinéma in 1964. Cahiers was in serious financial trouble and its owners appealed to Filipacchi to buy a majority share in order to save it from ruin. He hired a number of new people and redesigned the journal to look more modern, zippy, and youth-appealing. The revolutionary May 1968 events in France affected the subsequent evolution of Cahiers into a more political forum, under the influence of Maoist director Jean-Luc Godard and others. Filipacchi lost interest in the magazine and sold his share in 1969. But he remained involved in that world, starting more magazines and acquiring others, such as Paris Match in 1976. He owned specialty magazines, for instance, some were for teenage girls (such as Mademoiselle Age Tendre) and others for men (such as Lui), which Filipacchi had founded in 1963 with Jacques Lanzmann. He also acquired Newlook and French editions of American magazines Playboy and Penthouse. In February 1979 Filipacchi bought the then-defunct Look. He hired Jann Wenner to run it in May 1979 but the revival was a failure, and Filipacchi fired the entire staff in July 1979.
Art collecting
Art collecting
ARTnews has repeatedly listed Filipacchi among the world's top art collectors. Art from Filipacchi's collection formed part of the 1996 exhibit Private Passions at the Musée d'Art Moderne de la Ville de Paris. His collection (along with that of his best friend, the record producer Nesuhi Ertegün) was exhibited at the Guggenheim in New York in 1999 in Surrealism: Two Private Eyes, the Nesuhi Ertegun and Daniel Filipacchi Collections - an event described by The New York Times as a "powerful exhibition", large enough to "pack the Solomon R. Guggenheim Museum from ceiling to lobby". Although Filipacchi sued the Paris gallery which sold him a fake "Max Ernst" painting in 2006 for US$7 million, he called its notorious forger Wolfgang Beltracchi (freed on 9 January 2015 after serving three years in prison for his forgeries) a "genius" in a 2012 interview.
Personal life
Personal life
His father, Henri Filipacchi, who was born in İzmir, Turkey, descended from shipowners from Venice, hence the Italian family name. Filipacchi has three children. The eldest of these, Mimi, was from an early marriage. He then had two children with fashion model Sondra Peterson: Craig and novelist Amanda Filipacchi.

Daniel Filipacchi
Elliot
Life and career
Dated record
Life and career
The full dated record · 1 entries
1928
Daniel Filipacchi born at 14th arrondissement of Paris.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Stephane Groueff. My Odyssey. iUniverse. 175–. 12 February 2003. 978-1-4697-2803-2.
- 2.Dupuis, Jérôme. Daniel Filipacchi: "Je travaille mieux la nuit et réfléchis mieux sur mon bateau" (English: "I work better at night and think better on my boat"), l'Express, 29 February 2012. Filipacchi is quoted as saying "je peux bien le dire aujourd'hui : je n'ai jamais aimé faire des photographies." ("I can just as well say it today: I never liked taking photographs.") Accessed 25 May 2013.
- 3.Mark Tungate. Media Monoliths: How Great Media Brands Thrive and Survive. Kogan Page Publishers. 186. 3 June 2005. 978-0-7494-4595-9.
- 4.Roscoe Seldon Suddarth. French Stewardship of Jazz: The Case of France Musique and France Culture. University of Maryland, College Park. 37 Dead link. January 2024. 978-0-549-57192-6.
- 5.Berghahn Books. Between Marx and Coca-Cola: youth cultures in changing European societies, 1960-1980. 53. 2006. 978-1-84545-009-0.
- 6.Ashgate Publishing, Ltd. Art and Visual Culture on the French Riviera, 1956-1971: The École de Nice. 30. 2012. 978-0-7546-6471-0.
- 7.Arthur Marwick. The Sixties: Cultural Revolution in Britain, France, Italy, and the United States, C.1958-c.1974. Bloomsbury Publishing. 167. 28 September 2011. 978-1-4482-0542-4.
- 8.University of California Press. Truffaut: A Biography. 278. 2000. 978-0-520-22524-4.
- 9.Richard Brody. Everything Is Cinema: The Working Life of Jean-Luc Godard. Macmillan. 206. 13 May 2008. 978-0-8050-6886-3.
- 10.Psychology Press. Cahiers Du Cinéma: Volume Four, 1973-1978 : History, Ideology, Cultural Struggle : an Anthology from Cahiers Du Cinéma, Nos 248-292, September 1973-September 1978. 1 May 2000. 978-0-415-02988-9.
- 11.A Top French Publisher Purchases Paris-Match. The New York Times. 23. September 2, 1976.
- 12.Aaron Latham, "Rabbit, Run", New York City, Nov 27, 1972, p.54
- 13.Jacques Lanzmann — Novelist, lyricist and editor of Lui. The Independent. July 4, 2006.
- 14.Bill Marshall, Cristina Johnston, "France and the Americas: culture, politics, and history, a multidisciplinary encyclopedia", Transatlantic relations series vol.3, ABC-CLIO, 2005, , p.945
- 15.Groueff 574
- 16.Look and Rolling Stone. The New York Times. F13. July 8, 1979.
- 17.Deirdre Carmody. Look Magazine Dismisses Staff And Ends Ties to Rolling Stone: Losses by Investors Cited. The New York Times. B3. July 4, 1979.
- 18.The 2009 ARTnews 200 Top Collectors. ARTnews. 1 July 2009.
- 19.Alan Riding. French Ask: Is Art Still a Hobby?: A Paris show says modern art is being collected. The New York Times. C11. January 30, 1996.
- 20.Glueck, Grace. ART REVIEW; Trolling the Mind's Nooks and Crannies for Images. The New York Times. 31. 4 June 1999.
- 21.Hammer, Joshua. The Greatest Fake-Art Scam in History?, Vanity Fair, 10 October 2012. Retrieved 24 May 2013.
- 22.Ory, Pascal. Dictionnaire des étrangers qui ont fait la France. Robert Lafont. 547. 2013. 9782221140161.
- 23.Ecole supérieure de journalisme. Ils ont fait la presse l'histoire des journaux en France en 40 portraits. Vuibert. 2010. 978-2-311-00111-2.
- 24.Hoban, Phoebe. Brief Lives: Skin Deep. New York. 30. 14 January 1993.
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Daniel Filipacchi is recorded as art collector, publisher, radio personality and photographer.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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