Cresilas
Kresilas (Greek: Κρησίλας Krēsílas; c. 480 – c. 410 BC) was a Greek sculptor in the Classical period (5th century BC), from Kydonia.
Also recorded as Kresilas · Cresilla
Cresilas

Copy of Ktesilas · Jastrow (2006) · Public domain
- Born
- 480. · Kydonia.
- Died
- 410.
- Occupation
- sculptor.
- Fields
- art of sculpture.
- Known for
- Pericles with the Corinthian helmet.
- Languages
- Ancient Greek.
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Kresilas (Greek: Κρησίλας Krēsílas; c. 480 – c. 410 BC) was a Greek sculptor in the Classical period (5th century BC), from Kydonia.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Cresilas (480–410) was a sculptor. The sculptor was born in Kydonia.
Cresilas lived in Athens and Kydonia. Activity centred on art of sculpture.
Among the works is Pericles with the Corinthian helmet. Languages used include Ancient Greek.
Composed from admitted, traceable facts · 26 September 2026
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- Identity
- resolved
- Independent source families
- 0
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Authority files
wikidata · Q450661 · wikipedia · Kresilas
In this article
Biography
Biography
He was trained in Argos and then worked in Athens at the time of the Peloponnesian War, as a follower of the idealistic portraiture of Myron. He is best known for his statue Pericles with the Corinthian helmet.
The recorded working language is Ancient Greek. The field of work recorded is art of sculpture. Myron is recorded as an influence. Places of work recorded in the authority are Athens. Residence is recorded at Kydonia and Athens. Works named in the authority record are Pericles with the Corinthian helmet.
Kresilas hailed from the city-state of Kydonia, on the island of Crete. He was trained in Argos as a student of Dorotheos, with whom he worked at Delphi and Hermione. Between 450 and 420 BC he worked mainly in Athens, as a follower of Myron's school and in the post-Phidias period he brought elements of compactness due to the Peloponnesian period. Roman writer Pliny the Elder wrote of a competition between the four sculptors Polykleitos, Phidias, Kresilas, and Phradmon, on the best statues of Amazons for the Temple of Artemis at Ephesus. Each sculptor placed himself at first place, but Phidias, Kresilas, and Phradmon had all put Polykleitos at second place, thus, Polykleitos won, Pheidias came second, and Kresilas third.
Work
Work
In Athens he created, for example, a bronze statue of Pericles (440–430 BC) with the Corinthian helmet upon the head as a sign of his position as strategos. Pliny the Elder said of it: "a work worthy of the title; it is a marvellous thing about this art that it can make famous men even more famous". Its base was found in the Athenian Acropolis; it was doubtless the bronze that Pausanias saw there (Pausanias I.25.1, I.28.2). It seems the series of Pericles portrait busts derive from it, of which there are examples at the Vatican Museums, British Museum (found at Hadrian's Villa at Tivoli, and owned by Charles Townley) and Altes Museum. Kresilas also created the wounded men and a dying Amazon for Ephesus in concurrence (in a competition with Phidias and Polykleitos), possibly the model for many copies, one of which is the wounded Amazon of Kresilas (volnerata; Pliny, Nat. Hist. xxxiv. 75) in the Vatican Museums. He has also been identified as the originator of the Velletri type of Athena statue (Athena of Velletri). He created a Diomedes statue according to Homer's description.
"Cresilla"
"Cresilla"
In 1804 CE, Kresilas was mistakenly identified as a woman named "Cresilla" by Matilda Betham, who thought "she" had placed third behind Polykleitos and Phidias in a competition to sculpt seven Amazons for the Temple of Artemis at Ephesus. As a result, Kresilas was mistakenly included in artist Judy Chicago's symbolic history of women in Western civilization, The Dinner Party.
Life and career
Dated record
Life and career
The full dated record · 2 entries
410
Cresilas died.
480
Cresilas born.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Kydonia and Athens.
Residences
Kydonia.
Birth place
Primary material
Documents and archives
scholarly publication
- Cresilas, Greek sculptor, active c. 440–410 BCE, Oxford Classical Dictionary, 2015
Scholarly · Crossref registry · 2015
Institutional database
- Wikidata, structured authority record Q450661: Cresilas
Scholarly · Wikimedia Foundation
reference work
- “Kresilas”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Hurwit, p. 131; Politt, p. 69; Furtwängler, pp. 115–116.
- 2.Giuliano 1987, p. 686
- 3.Hurwit, p. 154; Politt, p. 226; Pliny, Natural History 34.53 (pp. 166–167); The Metropolitan Museum of Art Guide 7. "Wounded Amazon" p. 306; Furtwängler, pp. 128–141
- 4.Politt, p. 69; Pliny, Natural History 34.74–75 (pp. 182–183).
- 5.Barr, Sandra M. Making Something Out of Next to Nothing: Bartolomeo Cavaceppi and the Major Restorations of Myron's "Discobolus". 134. 2008. 9781109028539.
- 6.Matilda Betham. A Biographical Dictionary of the Celebrated Women Or Every Age and Country. By Matilda Betham. B. Crosby and Company Stationers'Court, Ludgate-Hill, Tegg and Castleman, Warwick-Lane; and E. LLoyd, Harley-Street, Cavendish-Square. 297–98. 1804.
- 7.Brooklyn Museum. Elizabeth A. Sackler Center for Feminist Art: The Dinner Party: Heritage Floor: Cresilla. 21 March 2007.
Bibliography printed in the source article · 9
- Furtwängler, Adolf, Masterpieces of Greek Sculpture: A Series of Essays on the History of Art, Volume 2, Charles Scribner's Sons, 1895.
- Hurwit, Jeffrey M., Artists and Signatures in Ancient Greece, Cambridge University Press, 2015. .
- Metropolitan Museum of Art (New York, N.Y.), Philippe De Montebello, The Metropolitan Museum of Art Guide, Metropolitan Museum of Art, 1994. .
- Pliny. Natural History, Volume IX: Books 33–35. Translated by H. Rackham. Loeb Classical Library 394. Cambridge, MA: Harvard University Press, 1952.
- Politt, J. J., The Art of Ancient Greece: Sources and Documents, Cambridge University Press, 1990. .
- Metzler. Der Neue Pauly Vol. 6. 1999. 3-476-01476-2.
- Pietro Orlandini. Enciclopedia dell'arte antica classica e orientale. Istituto della enciclopedia italiana. 4. 1961.
- De Agostini. Le Muse. 3. 1965.
- Antonio. Arte greca : Dall'età classica all'età ellenistica. Il saggiatore. 1987.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
VerifiedInstitutional database
Wikidata, structured authority record Q450661: CresilasWikimedia Foundation
Verifiedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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