Cornelis Bisschop
Cornelis Bisschop (12 February 1630 – 21 January 1674) was a Dutch Golden Age painter.
Also recorded as Cornelis Bischopp · Cornelis Biscop · Cornelius Bisschop · Büschopp
Cornelis Bisschop

Cornelis Bisschop · Dordrechts Museum · Public domain
- Name
- Cornelis Bisschop
- Born
- 12 February 1630
- Birthplace
- Dordrecht
- Died
- 21 January 1674
- Field
- Painting
- Movement
- Baroque
- Nationality
- Dutch Republic
- Occupation
- painter · printmaker · draftsperson
- Teachers
- Ferdinand Bol
- Known for
- Council of war of eleven companies of the Dordrecht militia, ca 1675 · Allegory on the raid at Chatham (1667) and with a portrait of Cornelis de Witt · Girl peeling an apple
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Cornelis Bisschop (12 February 1630 – 21 January 1674) was a Dutch Golden Age painter.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Cornelis Bisschop. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Documentary basis
Authority files
wikidata · Q2520084 · wikipedia · Cornelis Bisschop
In this article
Biography
Biography
Training under Ferdinand Bol is recorded. Margaretha van Godewijk, Jacobus Bisschop and Jacob van der Roer van Dordrecht are recorded as having studied under Cornelis Bisschop. The field of work recorded is painting. Subjects and genres recorded for the work are genre, history, group portrait and portrait. Places of work recorded in the authority are Amsterdam and Dordrecht. Works named in the authority record are Council of war of eleven companies of the Dordrecht militia, ca 1675, Allegory on the raid at Chatham (1667), with a portrait of Cornelis de Witt and Girl peeling an apple. Work by Cornelis Bisschop is recorded in the collections of Metropolitan Museum of Art, Royal Museums of Fine Arts of Belgium, Detroit Institute of Arts, Hamburger Kunsthalle and National Museum in Warsaw.

Den Haag - Museum Bredius - Cornelis Bisschop (1630-1674) - Boy feeding his Cat 1660s
Txllxt
Key facts
Key facts
• Name — Cornelis Bisschop • Birth Name — Cornelis Bisschop • Born — 12 February 1630 • Birthplace — Dordrecht • Died — 21 January 1674 • Place of death — Dordrecht • Field — Painting • Movement — Baroque
Biography
Biography
He was born in Dordrecht. In ca. 1650 he was a student of Ferdinand Bol in Amsterdam. In 1653 he was back in Dordrecht, where he got married. According to Houbraken he was the first to paint carved trompe-l'œil wooden panels in such an ingenious way that they became quite popular. He painted historical allegories, portraits, still lifes, and genre-works. He was asked to paint for the Danish court, but he died unexpectedly, leaving his wife and eleven children. Of these children, two sons Abraham and Jacobus and three daughters became painters. These had been his students along with Margaretha van Godewijk who wrote an emblem about his self-portrait with a curtain, which illustrates the legend of Zeuxis. • Illustration — Kitchen interior with a woman cooking and a boy blowing flames • Illustration — Girl peeling an apple 1667 • Illustration — A Young Woman and a Cavalier • Illustration — Allegory on the Raid on the Medway
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Prints
4,138 published records in this field, each with its sources named.
- Coreen Mary SpellmanEngraver
- Corita KentEngraver
- Cornelia BarnsEngraver
- Cornelis ApostoolEngraver
- Cornelis BloemaertEngraver
- Cornelis BoelEngraver
- Cornelis BolEngraver
- Cornelis Claesz van WieringenEngraver
Best supported in this field
For owners
Own a work by Cornelis Bisschop?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.