Coralie Fargeat
Coralie Fargeat (lang; born 24 November 1976) is a French filmmaker. She gained recognition with her debut feature film, Revenge (2017), for which she received awards from several independent film festivals. Her follow-up feature, The Substance (2024), a satirical body horror film, earned her the Cannes Film Festival Award for Best Screenplay as well as three Academy Award nominations for Best Picture, Best Director, and Best Original Screenplay.
Also recorded as Coralie Virginie Géraldine Fargeat
Coralie Fargeat

Jay Dixit · Jay Dixit / WikiPortraits · CC BY-SA 4.0
- Name
- Coralie Fargeat
- Born
- 24 November 1976
- Birthplace
- Paris, France
- Occupation
- * Director
- Full name
- Coralie Virginie Géraldine Fargeat.
- Nationality
- France.
- Education
- Sciences Po and La Fémis.
- Known for
- Revenge and The Substance.
- Honours
- Best Screenplay Award and Sitges Film Festival Best Director award.
- Languages
- French and English.
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Coralie Fargeat (lang; born 24 November 1976) is a French filmmaker. She gained recognition with her debut feature film, Revenge (2017), for which she received awards from several independent film festivals. Her follow-up feature, The Substance (2024), a satirical body horror film, earned her the Cannes Film Festival Award for Best Screenplay as well as three Academy Award nominations for Best Picture, Best Director, and Best Original Screenplay.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Coralie Fargeat (born 1976) is a French director, film director and film producer, among other activities. The director was born Coralie Virginie Géraldine Fargeat in 16th arrondissement of Paris.
Coralie Fargeat studied at La Fémis, Paris Institute of Political Studies and Sciences Po. The director is a member of Collectif 50/50.
Works include Revenge and The Substance. Languages used include English and French. Coralie Fargeat received Best Screenplay Award and Sitges Film Festival Best Director award.
Composed from admitted, traceable facts · 26 September 2026
VALÉORINE
Reference Check
Propose documentary evidence for Coralie Fargeat. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q60837652 · wikipedia · Coralie Fargeat
In this article
Biography
Biography
Coralie Fargeat studied at Sciences Po and La Fémis. The recorded working language is French and English. Works named in the authority record are Revenge and The Substance. Distinctions recorded are Best Screenplay Award and Sitges Film Festival Best Director award.

Actress Coralie Fargeat at the 75th Berlin International Film Festival
Harald Krichel · Harald Krichel / WikiPortraits
Key facts
Key facts
• Name — Coralie Fargeat • Born — 24 November 1976 • Birthplace — Paris, France • Occupation — * Director • screenwriter • producer • Years Active — 2003–present • Notable Works — Revenge The Substance
Early life
Early life
Fargeat was born and raised in Paris. She decided to be a filmmaker when she was 16 or 17 years old. Fargeat studied at Sciences Po before beginning work on film sets. In 2010, Fargeat attended La Fémis, a prestigious cinema school in Paris. She was selected to be in its Atelier Scénario, a year-long screenwriting workshop. In an interview with Seventh Row, she said: "...I first arrived with a project that was completely genre. It was about a woman who thinks that she’s being chased and attacked by insects, and she goes crazy. When I came to the workshop with that idea, everyone looked at me like I was an alien! It’s not at all the kind of projects that are usually read and developed there." While attending La Fémis, Fargeat and a group of her director friends created a collective called La Squadra, where they all tried to edit their features together, facing similar difficulties as they each wanted to create genre films. They met twice a week and invited filmmakers and industry professionals to share their success stories with them, which helped them to gain a more realistic understanding of the film world, how it works, and the logistics of how to get their stories told.
Career
Career
• Illustration — Fargeat in 2018 Fargeat's first short film Le télégramme was released in 2003, a film about two women awaiting a postman's delivery during World War II. The film won 13 awards at several film festivals. In 2007, Fargeat co-created Les Fées cloches [fr] with Anne-Elisabeth Blateau, a comedy mini-series which she also directed. Fargeat released her short follow-up Reality+ in 2014. The sci-fi tale received a nomination for the Jury Award at the Tribeca Film Festival. Fargeat is best known for her debut feature film Revenge (2017), a revenge thriller about a young woman who is raped and left for dead. Inspired by other revenge movies such as Kill Bill', Rambo, and Mad Max, Fargeat was interested in exploring a character who would seem "weak" to others and the audience, but during the film would undergo a transformation into a "kind of superhero" that would set out to get her revenge. The film had its world premiere at the 2017 Toronto International Film Festival in the festival's Midnight Madness section, and was selected to be screened at 23 additional film festivals. Moreover, the release and success of Revenge was the long needed stimulus for once again discussing the lack of diversity in horror filmmaking, and filmmaking as a whole. Fargeat herself encouraged conversations regarding this topic, opening up about her long desire to challenge the male perspective in the film industry. In 2022, Fargeat directed an episode of the Netflix series The Sandman, "Chapter 9: Collectors." In this episode, Fargeat’s style is very evident through her distinct color palette, emphasis on atmospheric elements, and focus on the grotesque. For example, in Revenge and The Substance (2024), Fargeat implements an eye-catching neon color palette which carries over into The Sandman. With Revenge and The Substance containing deep reds, cold blues, and contrasting blacks and whites to convey emotions and feelings. The Sandman falls directly into this color palette as well. Also, Fargeat did not rely on dialogue in The Sandman in the same way she did not in Revenge and The Substance, whereas she instead directed emphasis on the atmospheric and visual storytelling aspects. This creates a tension that would otherwise not be as strongly felt within the viewers. Her focus on the grotesque elements are an important aspect of the stories she tells. While The Sandman was nowhere near as graphic as her feature films such as Revenge or The Substance, her thematic interest in the darker and more grotesque aspects of human nature are clearly reflected in the portrayal of the “collectors” and their unsettling motivations. Fargeat's second feature film was The Substance (2024), a body horror film starring Demi Moore, Margaret Qualley, and Dennis Quaid. The film premiered in competition at the 2024 Cannes Film Festival to a strong, critical, but positive, reception, with a 13-minute ovation. Fargeat went on to win the festival's Best Screenplay award for the film. In June 2025, Fargeat was invited to join the Academy of Motion Picture Arts and Sciences. Fargeat is a member and one of the founding signatories of Collectif 50/50, a group established with the purpose of working towards gender equality across the film industry. Fargeat is a member and one of the founding signatories of Collectif 50/50, a French organization by French film directors Céline Sciamma and Rebecca Zlotowski. The Collectif 50/50 was first known as the Le Deuxième Regard back when it was first established in 2013 before becoming known as the Collectif 5050x2020 in 2018 following the Harvey Weinstein sexual abuse case that same year. Being created by film and audiovisual professionals, the Collectif 50/50 took its first action at the Cannes Film Festival by calling together 82 women directors from the film industry on the red carpet. The Collectif 50/50 is committed to working towards implementing greater gender equality and diversity throughout the male dominated field. Collectif 50/50 creates studies, puts plans of action into development, constructs tools and offers a wide variety of incentives to higher ups and actors/actresses in the industry with the goal of advancing positive change within the industry.
Filmography
Filmography
Feature film • Year — Title — Director — Writer — Producer — Editor • 2017 — Revenge • 2024 — The Substance Short film • Year — Title — Director — Writer • 2003 — Le télégramme • 2014 — Reality+ Television • Year — Title — Notes • 2008–2014 — Les Fées Cloches — Co-creator and starred as Pata • 2022 — The Sandman — Episode: "Collectors"
Identity
Identity
Coralie Fargeat is recorded with the occupation film director. Recorded as screenwriter, film producer and director.
Filmmaking style and influences
Fargeat is fascinated with the suspension of disbelief, and is a fan of using imagery and symbols to express something simple in a powerful way. She is fascinated with films that are able to create their own world and manage to exist outside the realm of reality, citing revenge films like Kill Bill and Rambo as examples of this. In making graphic or gore-filled movies, Fargeat finds that balancing violent scenes with humor makes the violence more tolerable. Fargeat believes that films that fill themselves with homages and references can push the viewer away from being able to identify with the film. She describes this separation as "second-degree moments" and chooses to stay away from excessive references. Fargeat finds it crucial to approach film and filmmaking with a genuine and sincere vision, stating she tries to "embrace [her] subject in its choices, its biases, its excesses, in its faults too" to achieve this. When in pre-production for Revenge, she stated that actress Matilda Lutz was chosen for the part partially because of her extensive trust in Fargeat, something that was important to her for the creation of the film. Fargeat lists David Cronenberg, John Carpenter, David Lynch, Paul Verhoeven, and Michael Haneke as filmmakers who have influenced her, as well as crediting several South Korean filmmakers as stylistic inspiration.
Primary material
Documents and archives
scholarly publication
- 7. Gender and the Body in the Works of Julia Ducournau and Coralie Fargeat, French Horror, 2026
Scholarly · Crossref registry · 2026
- The Process of Self Acceptance as Portrayed in The Substance Film (2024) by Coralie Fargeat, English Language, Linguistics, Literature, And Education Journal, 2025
Scholarly · Crossref registry · 2025
reference work
- “Coralie Fargeat”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q60837652: Coralie Fargeat
General reference · Wikidata
Awards and nominations
• Award — Year — Category — Work — Result • Festival International du Film d'Amiens — 2004 — Prix des enfants de la Licorne — Le télégramme • Fajr International Film Festival — 2005 — International Competition – Best Short Narrative Film| International Competition – Best Short Narrative Film • Corti Da Sogni Antonio Ricci International Short Film Festival — 2015 — European Sogni Award — Reality+ • Tribeca Festival — 2016 — Jury Award for Best Narrative Short • Sitges Film Festival — 2017 — Best Director — Revenge • Citizen Kane Award for Best New Director • Monster Fest — Best International Feature • Bucheon International Fantastic Film Festival — 2018 — Best of Bucheon Award • Calgary Underground Film Festival — Best Narrative Feature|Jury Award for Best Narrative Feature • Cleveland International Film Festival — New Direction Competition • ReelWomenDirect Award for Excellence in Directing by a Woman • Fangoria Chainsaw Awards — 2019 — Best Director • Best Limited Feature • Cannes Film Festival — 2024 — Palme d'Or — The Substance • Best Screenplay • Toronto International Film Festival — 2024 — People's Choice Award: Midnight Madness • European Film Awards — 2024 — European Film — • European Screenwriter • San Diego Film Critics Society — 2024 — Best Director • Best Original Screenplay • Seattle Film Critics Society — 2024 — Best Picture • Best Director • Best Screenplay • Best Editing • Chicago Film Critics Association — 2024 — Best Director • Best Original Screenplay • Golden Globe Awards — 2025 — Best Director – Motion Picture • Best Screenplay – Motion Picture • Best Motion Picture – Musical or Comedy • Critics' Choice Movie Awards — 2025 — Best Director — • Best Original Screenplay • London Film Critics' Circle — 2025 — Director of the Year • Screenwriter of the Year • Satellite Awards — 2025 — Best Original Screenplay • Independent Spirit Awards — 2025 — Best Feature • Dorian Awards — 2025 — Film of the Year — • Director of the Year • Genre Film of the Year • Campiest Flick • Screenplay of the Year • Wilde Artist Award • Santa Barbara International Film Festival — 2025 — Outstanding Director of the Year • César Awards — 2025 — Best Foreign Film • British Academy Film Awards — 2025 — Best Direction • Best Original Screenplay • Academy Awards — 2025 — Best Picture • Best Director • Best Original Screenplay
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Best screenplay - Coralie FARGEAT for THE SUBSTANCE. Festival de Cannes. 25 May 2024.
- 2.Erbland, Kate. Coralie Fargeat and ‘The Substance’ Smash the Horror Ceiling with Historic Best Director Nod. IndieWire. January 23, 2025.
- 3.Coralie Fargeat. Academy Films.
- 4.Rencontre avec Coralie Fargeat, la réalisatrice du très énervé Revenge. EcranLarge.com. 2018-02-11.
- 5.Multier, Marine. Festival de Cannes 2024 : 8 films réalisés par des diplômé.e.s et plus de 160 aux génériques de 62 films dont 16 produits par des diplômé.e.s. La Fémis. 2024-04-29.
- 6.Lazic, Elena. Coralie Fargeat: 'She can be strong, even when she is wearing a bikini.'. Seventh Row. 2017-11-07.
- 7.Carré d'art : Byron, Barbey d'Aurevilly, Dalí, Hallier, Jean-Pierre Thiollet, Anagramme Editions, 2008, p. 143.
- 8.Reality + 2016 Tribeca Festival. Tribeca.
- 9.Fargeat, Coralie. Matilda Lutz & Coralie Fargeat on women fighting back in Revenge – Exclusive Interview. YouTube. 2018-05-09.
- 10.Erbland, Kate. 'Revenge': Inside the TIFF Midnight Madness Premiere So Intense That Paramedics Were Called. IndieWire. 2017-09-13.
- 11.REVENGE. monsite.
- 12.Coralie Fargeat Essay. Cut-Throat Women.
- 13.Coralie Fargeat: The Visionary Filmmaker Redefining Horror with The Substance – projectdreamscape.org.
- 14.Fleming, Mike Jr. Demi Moore & Margaret Qualley To Star In Universal/Working Title's 'The Substance'; 'Revenge' Helmer Coralie Fargeat Directs Her Script. Deadline. 2022-01-31.
- 15.Fleming, Mike Jr. Ray Liotta Joins Demi Moore & Margaret Qualley In Coralie Fargeat's The Substance'. Deadline. 2022-02-15.
- 16.Tartaglione, Nancy. Demi Moore's 'The Substance' World Premiere Gets a 13-Minute Ovation at Cannes. Deadline. 19 May 2024.
- 17.Debruge, Peter. Cannes Awards: Female-Centered Stories Win Big in Cannes, as Sean Baker's 'Anora' Earns Palme d'Or. Variety. 25 May 2024.
- 18.THE ACADEMY INVITES 534 TO MEMBERSHIP. Academy of Motion Picture Arts and Sciences. June 26, 2025.
- 19.Les signataires Collectif 5050. collectif5050.com.
- 20.The history of the Festival. Festival de Cannes.
- 21.Presentation of Collectif 50/50. PCA.
- 22.The collectif – Collectif 50/50.
- 23.Fargeat, Coralie. Coralie Fargeat and Matilda Anna Ingrid Lutz Talk about 'Revenge'. YouTube. Build Series LDN. 2018-05-04.
- 24.Director Coralie Fargeat Talks Obsession, Inspirations, and 'Revenge'. Film School Rejects. 2018-09-18.
- 25.Cills, Hazel. Revenge Director Coralie Fargeat on Playing With Film Clichés and the Artistic Power of Blood. Jezebel. G/O Media. 2018-05-18.
- 26.Mehaute, Florence Le. Les Fées Cloches tirent leur révérence sur TF1. Télé 2 semaines. 2014-10-12.
- 27.Avant de faire sensation avec The Substance, la réalisatrice du film d'horreur du moment a été. une fée dans cette émission française de dessins animés. Jeuxvideo.com. 2024-11-15.
- 28.Amiens 2004 : palmarès. Africultures.
- 29.European Sogni Award – 2015. 2016-04-11.
- 30.Mayorga, Emilio. ‘Jupiter’s Moon’ Tops Spain’s Sitges Festival. Variety. 2017-10-14.
- 31.MONSTER FEST Announces 2017 Award Winners!. Monster Fest. 27 November 2017.
- 32.Noh, Jean. 'Revenge' takes BIFAN's Best of Bucheon Award. Screen Daily. 22 July 2018.
- 33.2018 Calgary Underground Film Festival Award Winners. Calgary Underground Film Festival.
- 34.Revenge – Cleveland International Film Festival :: March 30 – April 10, 2022. www.clevelandfilm.org.
- 35.Fangoria Resurrects the Chainsaw Awards Celebrating the Horror Movies Oscar Missed. MovieWeb. 2019-01-22.
- 36.Khaldi, Tarik. The Substance: gore and body horror In Competition. Festival de Cannes. 2024-05-19.
- 37.The 77th Festival de Cannes winners' list. Festival de Cannes. 2024-05-25.
- 38.TIFF announces its 2024 award winners. TIFF. September 15, 2024.
- 39.Szalai, Georg. European Film Awards: 'The Substance,' 'Emilia Pérez,' 'The Room Next Door,' Daniel Craig, Ralph Fiennes, Tilda Swinton Among Nominees. The Hollywood Reporter. 2024-11-05.
- 40.Nominations 2024. European Film Academy.
- 41.2024 San Diego Film Critics Society Nominations. San Diego Film Critics Society. 2024-12-06.
- 42.Bis, Josh. "The Brutalist", "Dune: Part Two", and "Furiosa: A Mad Max Saga" Lead the 2024 Seattle Film Critics Society Nominations. Seattle Film Critics Society. 2024-12-06.
- 43.Tallerico, Brian. "The Brutalist" Leads Chicago Film Critics Association Nominees. RogerEbert.com. December 10, 2024.
- 44.Czachor, Emily Mae. Golden Globes nominations announced for 2025. See the full list of nominees. CBS News. December 9, 2024.
- 45.Buchanan, Kyle. Critics Choice Awards Winners 2025: See the Full List. The New York Times. 2025-02-08. 0362-4331.
- 46.VanHoose, Benjamin. Critics Choice Awards 2025 Nominations: 'Wicked' and 'Conclave' Lead Film Nominees. People.com. December 12, 2024.
- 47.Pulver, Andrew. Anora and The Brutalist lead London film critics' award nominations. The Guardian. 2024-12-19. 0261-3077.
- 48.2024 Nominees. International Press Academy.
- 49.Here Are Your 2025 Film Independent Spirit Awards Nominees. Film Independent. 2024-12-04.
- 50.Pedersen, Erik. Dorian Awards: ‘The Substance’ Dominates With Best Film, Performance For Demi Moore & Three Others. Deadline Hollywood. February 13, 2025.
- 51.Pedersen, Erik. Dorian Awards Nominations: ‘I Saw The TV Glow’ & ‘The Substance’ Lead Field. Deadline Hollywood. January 17, 2025.
- 52.Dinaberg, Leslie. Santa Barbara International Film Festival Celebrates Demi Moore. Santa Barbara Independent. February 7, 2025.
- 53.L'Hostis, Ninon. César 2025 : découvrez les nominations complètes de la 50ème cérémonie. Vogue France. 29 January 2025.
- 54.Here Are All the Nominations For the 2025 BAFTA Awards. TIME. January 15, 2025.
- 55.Erbland, Kate. Coralie Fargeat and ‘The Substance’ Smash the Horror Ceiling with Historic Best Director Nod. IndieWire. January 23, 2025.
- 56.The 97th Academy Awards. Academy of Motion Picture Arts and Sciences. February 6, 2025.
Bibliography printed in the source article · 6
- "Coralie Fargeat Essay". Cut-Throat Women.
- Crucchiola, Jordan, Fargeat, Coralie (2020-04-17). "A French Director Fears Parisians Aren't Taking the Coronavirus Seriously". Vulture.
- Posada, Tim. "Male Hysteria and the New Final Girl in 2018's Revenge". Performing Hysteria (2020): 189–203.
- "Director Coralie Fargeat Talks Obsession, Inspirations, and 'Revenge'". Film School Rejects. 2018-09-18.
- Fleming, Amy (2018-05-10). "'Revenge' director Coralie Fargeat on her gory riposte to the male gaze". Financial Times.
- "Rencontre avec Coralie Fargeat, la réalisatrice du très énervé Revenge". EcranLarge.com (in French). 2018-02-11.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
7. Gender and the Body in the Works of Julia Ducournau and Coralie Fargeat, French Horror, 2026Crossref registry
Institutional witnessscholarly publication
Institutional witnessreference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 15 August 2026.
Elsewhere in Film memorabilia
37,408 published records in this field, each with its sources named.
- Cora PearlPerson
- Cora Urquhart Brown-PotterPerson
- Cora WitherspoonPerson
- Coral AmigaPerson
- Coralie Trinh ThiPerson
- Corbin BernsenPerson
- Cordula TrantowPerson
- Corey AllenPerson
Best supported in this field
For owners
Own a work by Coralie Fargeat?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.