Conrad von Soest

Dortmund was then a leading and very prosperous member of the influential Hanseatic League.

The recorded working language is German. Places of work recorded in the authority are Dortmund and Westphalia. Works named in the authority record are Marienaltar. Work by Conrad von Soest is recorded in the collections of Bavarian State Painting Collections and Westphalian State Museum of Art and Cultural History.

• Name — Conrad von Soest • Born — 1370 • Birthplace — Dortmund • Died — 1422 • Movement — International Gothic Conrad von Soest, also Konrad in modern texts, or in Middle High German Conrad van Sost or "von Soyst", (born around 1370 in Dortmund; died soon after 1422) was the most significant Westphalian artist and painted in the so-called soft style of International Gothic. He played a leading role in the introduction of this International Courtly Style to Northern Germany around 1390 and influenced German and Northern European painting into the late 15th century. He was the master of a thriving workshop and was accepted into the social circle of the cosmopolitan patrician elite of Dortmund. Dortmund was then a leading and very prosperous member of the influential Hanseatic League.

• Illustration — Niederwildungen altarpiece from Bad Wildungen Conrad von Soest's main surviving works are influenced by French illuminated manuscripts and certain early Parisian examples of Early Netherlandish painting; his detailed knowledge of Parisian patterns and techniques points towards a sojourn in Paris as a journeyman in the 1380s: • Niederwildungen Altarpiece, a Crucifixion Altarpiece in the protestant Stadtkirche of Bad Wildungen: large winged altarpiece, originally dated 1403. It shows scenes from the Life of the Virgin and the Passion of Christ, including the oldest known depiction of glasses north of the Alps. A contemporary local chronicle (rubbed condition) is written on the reverse side of the central panel. The predella is missing. • Panel from a small portable altarpiece for the Dortmund family of Berswordt with a depiction of "St. Paul" and with "Reinoldus" as a knight on the reverse side, dated to 1404, Alte Pinakothek Munich. • Two small panels, showing "St. Odilia" and "St. Dorothea", painted around 1410, Westf. Landesmusem Münster. • Marienaltar, a large triptych with scenes from the Life of the Virgin, in the Marienkirche at Dortmund, dated to around 1420. The three panels have been cut in 1720 to fit into a huge baroque framework but are now reassembled in a modern framework. The lunette and predella of the altarpiece are lost. • Attributed: Nikolaustafel, a panel showing St. Nikolas, Nikolai Chapel at Soest.

• Illustration — Marienaltar in the Marienkirche, Dortmund.

The marriage contract ("Morgensprache"), made before witnesses, between "Conrad von Soest" and "Gertrude, daughter of Lambertes van Munster", is dated February 11, 1394. The couple was able to dispose of a considerably sum each in this contract. Another unusual aspect of the contract is the number and quality of the witnesses: 6 members of the cosmopolitan, prosperous and well-educated patriciate of Dortmund, among them the second mayor of the current council, Herrmann Klepping, the tertiary council member, Detmar Klepping, and both mayors already elected for the following council year, Arnd Sudermann and Lambert Berswordt. The wealth of the groom and the eminent witnesses may well indicate that this was a second marriage. (A master had to marry before he could open his own workshop and it would then have taken a while to earn such wealth).

According to the membership list of the Confraternity of Mary of 1396, Conrad von Soest lived in the Ostenhellweg, Dortmund's principal thoroughfare. The list also refers to two other painters resident in the Ostenhellweg, Lambert and Hermann. It is unclear whether they were his journeymen, living in his house, or masters presiding over their own workshops in the same street. Since 1954, the Landschaftsverband Westfalen-Lippe (Landscape Society Westphalia-Lippe) has awarded the Konrad-von-Soest Prize for Visual Arts, endowed with 12,800 euros.

Attribution