Conrad Bernier
- Born
- 1904 · Quebec City.
- Died
- 1988 · Washington and D.C.
- Nationality
- Canada
- Occupation
- composer
In this article
Key facts
• Name — Conrad Bernier
• Born — 9 May 1904
• Birthplace — Quebec City, Canada
• Died — 1988 11 07
• Place of death — Washington, DC, U.S.
• Occupation — French-Canadian organist, composer, and teacher.
Conrad Bernier (9 May 1904 – 7 November 1988) was a French-Canadian organist, composer, conductor and teacher. For many years he was a professor at the Catholic University of America in Washington, D.C.
Early life and education
Born into a family of musicians in Quebec City, Bernier was the brother of pianist Gabrielle Bernier and cellist/journalist Maurice Bernier, and the uncle of musicians Françoys Bernier, Madeleine Bernier, and Pierre Bernier. His first teacher was his father Joseph-Arthur Bernier, who introduced him to solfège, organ, and piano. He continued his keyboard studies with Berthe Roy, and became proficient enough to inaugurate the organ of the church at Bienville when he was 13 years of age. The following year he performed on the organ of St-Sacrement Church in Quebec City. In this church he served from 1920 to 1923 as principal organist, while he was also assistant organist at St-Jean-Baptiste.
In 1923 Bernier won the Prix d'Europe to study organ in Paris. There he studied 1923–1926, taking piano with Sylvia Hérard and Simone Plé-Caussade, Music Theory with Georges Caussade (theory), and organ with the well-known organist from Bordeaux, Joseph Bonnet, for whom he also substituted at the organs of the church of St-Eustache. In 1962 he was awarded a Doctorate of Music from St. Francis, Loretto, Pennsylvania.
Professional career
In 1926 he returned to Canada for a concert tour, after which he was organist at the Church of the Visitation in Detroit for several months. His next appointment was at the Catholic University of America in Washington, D.C., where he became director of the Organ Department in 1927. He returned to Canada from time to time to teach courses between 1943 and 1947 and to give recitals and performances for the Casavant Society.
In Washington Bernier was organist at the church of Ste. Anne (1935–1969), artist in residence at The Shrine of the Most Blessed Sacrament, and also became the regular organist of the Basilica of the Shrine of the Immaculate Conception. During World War II, he was one of the three interim conductors of the Cathedral Choral Society at Washington National Cathedral.
Bernier continued to teach at Catholic University until he was named Professor Emeritus in 1974. In 1975 he played the organ for a recording of flute and organ music with Lambros Callimahos.
Bernier he continued teaching counterpoint, fugue, and composition and [organ] until the eve of his death on 7 November 1988. Among his students were Don Shirley, Helmut Braunlich, Haig Mardirosian, and Dieter Lehnhoff.
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Quebec City.
Birth place
Washington and D.C.
Death place
Selected compositions
• Croquis petit-capiens (Édition Belgo-Canadienne)
• Variations et fugue for two pianos
• Esquisse and Prière for organ
• Réverie for organ
• Mass for mixed-voice choir and two organs
• Two songs, 'Les Colombes' and 'Les Berceuses';
• Motets, published mainly by Quebec City's Procure générale de musique.
Books
• Harmonie moderne
• Traité d'improvisation à l'orgue (1962)
• Organ Method/Méthode d'orgue (Gregorian Institute of America, GIA, Toledo, Ohio, 1962).
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Conrad Bernier, revision 1371376463 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record.
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Thomas Scott Godfrey Burhrman. The American Organist. American Guild of Organists. 45. 24. 1962.
- 2.Morehouse-Gorham Company. The Living Church. 110. 20. 1945.
- 3."Conrad Bernier". The Canadian Encyclopedia.
- 4.Catholic University of America Press. The Catholic Historical Review. 7 & 13. 559. 1928.
- 5.Joel Flegler. Fanfare. J. Flegler. 3-4. 393. 1990.
- 6.Novello, Ewer & Company. The New Music Review and Church Music Review. 30-31. 105. 1931.
- 7.American Guild of Organists. The American Organist. 23, Issues 1-6. 51. 1989.
- 8.Church Music Association of America. Sacred Music. 96-97. 33. 1969.
- 9.Catholic University of America. The Catholic University Bulletin. 12-16. 6. 1944.
- 10.Organ Institute Quarterly. 7-8. 12. 1957.
- 11.Protestant Episcopal Cathedral Foundation. Cathedral Age. 55-59. 49. 1980.
- 12.American Guild of Organists. Music: the AGO & RCCO Magazine. 10. 57. 1976.
- 13.The Association. The Flutist Quarterly: The Official Magazine of the National Flute Association. 25. 1999.
- 14.Timothy Salzman. A Composer's Insight: Samuel Adler. Meredith Music Publications. 187. 1 September 2009. 978-1-57463-154-8.
- 15.Theodore Presser. Etude. T. Presser Company. 73. 3. 1955.
Citations
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 02 September 2026.
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