Clare West

Paramount Pictures · Internet Archive · Public domain
- Birth Name
- Clara Belle Smith
- Born
- 10 May 1879
- Birthplace
- Missouri, U.S.
- Died
- 13 March 1961
- Place of death
- Ontario, California, U.S.
- Occupation
- Costume designer
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Documentary evidence
Documentary basis
Authority files
gnd · 7655798-4 · wikidata · Q3679102
In this article
Key facts
Key facts
• Birth Name — Clara Belle Smith • Born — 10 May 1879 • Birthplace — Missouri, U.S. • Died — 13 March 1961 • Place of death — Ontario, California, U.S. • Occupation — Costume designer • Illustration — West in second row, seated, at far right
Career
Career
• Illustration — "Octopus gown" designed by West and worn by Bebe Daniels in The Affairs of Anatol (1921) West began her career spending two years designing costumes for Intolerance (released 1916) in collaboration with French designer Paul Iribe. The Babylonian costumes of the film were believed to have inspired fashion trends with an April 1917 Photoplay article entitled "Back to Babylon for New Fashions". West's impressive work led her to be given the title of "Studio Designer" at Triangle Film Corporation. Intolerance was believed to be the first Hollywood film to feature costumes designed for every cast member, including extras. West then worked on her second D. W. Griffith production, The Birth of a Nation (1915). The designs produced for the Ku Klux Klan by the film's costume designers proved influential, inspiring the current dress of the KKK. It remains unclear whether that legacy belongs to Clare West, one of her colleagues, or Griffth himself. West went into a ten-film collaboration with Cecil B. DeMille where the producer/director stated "I want clothes that will make people gasp when they see them...don't design anything anybody could possibly buy in a store" In 1923, West was contracted to Norma Talmadge and Constance Talmadge who played the "Mountain Girl" in Intolerance. West's final film was DeMille's The Road to Yesterday (1925).
Post Hollywood
Post Hollywood
West opened a dress salon in Los Angeles in 1925 which did not remain open for long. A 1930 census listed her as a department store dress designer and living in a boarding house. A 1940 census listed her as a designer for Patricia Perkins Inc.
Personal life
Personal life
West married Otis Oscar Hunley on August 24, 1898, had one child Maxwell Otis Hunley, then divorced in 1902. In 1903, West married Marshall Elmer Carriere, had three sons and divorced around 1912. Despite studio hype of her having studied fashion in New York and Paris, there is no evidence of formal studies in either location, though DeMille sent her to Paris to research and purchase materials for his The Ten Commandments (1923). In 1920, she married cinematographer Paul P. Perry but were divorced in 1922. She never married again. She died of a heart attack. West was inducted into the Costume Designers Guild Hall of Fame in 2003.
Filmography
Filmography
• The Birth of a Nation (1915) • Little Meena's Romance (1916) • Intolerance: Love's Struggle Throughout the Ages (1916) • Dust of Desire (1919) • Male and Female (1919) • Why Change Your Wife? (1920) • Something to Think About (1920) • Forbidden Fruit (1921) • The Affairs of Anatol (1921) • Saturday Night (1922) • Manslaughter (1922) • Bella Donna (1923) • Ashes of Vengeance (1923) • Hollywood (1923) - makes cameo appearance in the film • Adam's Rib (1923) • The Ten Commandments (1923) • The Song of Love (1923) • For Sale (1924) • Flirting with Love (1924) • The Navigator (1924) • In Every Woman's Life (1924) • Secrets (1924) • The Goldfish (1924) • Sherlock Jr. (1924) • The Golden Bed (1925) • The Lady (1925) • The Road to Yesterday (1925)
Primary material
Documents and archives
authority file
- Gemeinsame Normdatei 7655798-4, Clare (West).
General reference · Deutsche Nationalbibliothek
reference work
- Wikidata, structured authority record Q3679102: Clare West
Reputable secondary · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Stutesman, Drake. Clare West. Women Film Pioneers Project. Columbia University Libraries. 2013. 10.7916/d8-7r5s-ge73.
- 2.Benstock, Shari & Ferriss, Suzanne, On Fashion, Rutgers University Press, 1994, p. 181.
- 3.Munich, Adrienne Fashion in Film Indiana University Press, 2011, p. 9.
- 4.Benstock, Shari & Ferriss, Suzanne On Fashion Rutgers University Press, 1994. p. 152.
- 5.Lohmann, Christoph K. Discovering Difference: Contemporary Essays in American Culture Indiana University Press, 1993. p. 162.
- 6.McLean, Adrienne L. Costume, Makeup, and Hair Rutgers University Press, 7 Oct. 2016
- 7.Walmsley-Evans, Huw. Seams, Dreams: the Hands Behind Classic Hollywood Costumes. The Conversation. 15 December 2014.
- 8.Kinney, Alison. How the Klan Got Its Hood. The New Republic. January 8, 2016.
- 9.Butchart, Amber Jane, The Fashion of Film: How Cinema has Inspired Fashion, Hachette UK, 8 Sep. 2016. p. 68.
- 10.Leese, Elizabeth, Costume Design in the Movies: An Illustrated Guide to the Work of 157 Great Designers, Courier Corporation, 1991. p. 124.
- 11.Jorgensen, Jay & Scoggins, Donald L. Creating the Illusion (Turner Classic Movies): A Fashionable History of Hollywood Costume Designers Hachette UK, 6 Oct. 2015
- 12.Foote, Lisle Buster Keaton's Crew: The Team Behind His Silent Films McFarland, 31 Oct. 2014. p. 219.
- 13.5th CDGA (2003). Costume Designers Guild.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority file
Gemeinsame Normdatei 7655798-4, Clare (West).Deutsche Nationalbibliothek
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Fashion
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