Chuck Willis

He was known as 'The King of the Stroll' for his performance of the 1950s dance, the Stroll.

• Name — Chuck Willis • Birth Name — Harold Willis • Born — 31 January 1926 • Birthplace — Atlanta, Georgia, U.S. • Died — 10 April 1958 • Place of death — Chicago, Illinois, U.S. • Genre — * Rhythm and blues • blues • rock and roll • Occupation — Singer, songwriter • Years Active — 1949–1958 • Label — * OKeh • Atlantic

Willis was born in Atlanta, Georgia, in 1926. He was spotted at a talent contest by Atlanta radio disc jockey Zenas Sears, who became his manager and helped him to sign with Columbia Records in 1951. After one single, Willis began recording on a Columbia subsidiary, Okeh. During his stay at Okeh, he established himself as a popular R&B singer and songwriter, performing material that he wrote himself. In 1956, he moved to Atlantic Records where he had immediate success with "It's Too Late", "Juanita" and "Love Me Cherry". His most successful recording was "C.C. Rider", which topped the US Billboard R&B chart in 1957 and also crossed over and sold well in the pop market. Jerry Wexler said it was Willis's surprising idea to "do an old standard" instead of one of his own songs. "C.C. Rider" was a remake of a twelve-bar blues, performed by Ma Rainey in Atlanta before Willis was born. Its relaxed beat, combined with a mellow vibraphone backing and chorus, inspired the emergence of the popular dance, the Stroll. When performing on stage Willis and his group would do this step side to side. Dick Clark played "C. C. Rider" on American Bandstand, and "The Stroll" became a popular dance. Willis's follow-up was "Betty and Dupree", another "stroll" song and a similar "old standard", which also did well. Wexler said that Dick Clark used "Betty and Dupree" on American Bandstand to accompany "The Stroll," and that is how Willis became known as "King of The Stroll." Willis' single "Going to the River", a song by Dave Bartholomew and Fats Domino, was a prototype for his "stroll" sound, reaching No.4 on the R&B chart. Willis performed wearing a turban (a gimmick suggested to him by his friend Screamin' Jay Hawkins) and was also known as the "Sheik of Shake." In the early 1950s he hosted and performed on a weekly Saturday night television show in Atlanta, which featured guest artists such as Ray Charles and Sam Cooke who were passing through town. Zenas Sears said that Willis was a better songwriter than a performer, but also said, "On the TV show... Chuck would do five or six different numbers every week. He moved very well, he handled himself very well and put everyone at ease." He was a solid, if not spectacular, performer on the road as well, and "was one of the few artists who would treat a band properly," according to Roy Gaines, who was Willis's bandleader and guitarist.

Willis approached songwriting with painstaking craftsmanship and the result was literate, soulful and melancholy. He did not introduce a song in the studio until it was a polished product and fully worked out in his mind. He used a variety of methods. Zenas Sears said Willis would drive around in the car singing into a reel-to-reel tape recorder. Sears said, "If he'd lived he would have been recognized for that [his songwriting]." Roy Gaines recalled, "He'd lock up in a hotel room and wouldn't see anyone for 3-4 days or a week. When he wrote 'It's Too Late,' he was in his room for a week." Ruth Brown, who toured with Willis, said he would write on yellow legal pads. Brown said, "I asked him, because he had such a good song going, I said, 'Chuck, why don't you write me a tune? And he did. He wrote, "Oh What a Dream".'" Jerry Wexler said Willis would bring a full set of lyrics into the studio and then work out the arrangements with the band. Zenas Sears said, "[N]o one helped him with his songs. He always wrote a great deal."

Willis had suffered from stomach ulcers for many years. He was known to drink a lot. During surgery in Chicago, Willis died of peritonitis on April 10, 1958, at the age of 32. His death occurred while at the peak of his career, just after the release of his last single, "What Am I Living For", backed by "Hang Up My Rock and Roll Shoes". "Hang Up My Rock & Roll Shoes" was actually the A-side of the single but, upon his death, "What Am I Living For" became the more popular of the two songs. "What Am I Living For" sold over one million copies, and was awarded a gold disc. It was also the top R&B disc of 1958. This was the first rock and roll record released in stereo, "engineered by Tom Dowd of Atlantic Records". When Willis died, he owed a lot of money to the US government, because, according to Zenas Sears, "he paid the band out of his own pocket without ever deducting taxes.... When he died, his wife had the house, she had the fur coats and the Cadillac, but there was no money."

• Year — Single (A-side, B-side) Both tracks from same album except where indicated — Label — Chart Positions — Album • US Pop — US R&B • 1951 — "It Ain't Right to Treat Me Wrong" b/w "Can't You See" (Non-album track) — Columbia 30238 — – — – — My Story • 1952 — "Here I Come" b/w "Loud Mouth Lucy" — OKeh 6873 — – — – — Non-album tracks • "My Story" b/w "Caldonia" — OKeh 6905 — – — 2 — Chuck Willis Wails the Blues • "Wrong Lake to Catch a Fish" b/w "Salty Tears" (from My Story) — OKeh 6930 — – — – — Non-album track • 1953 — "Going to the River" b/w "Baby Have Left Me Again" (Non-album track) — OKeh 6952 — – — 4 — My Story • "Don't Deceive Me" b/w "I've Been Treated Wrong Too Long" (Non-album track) — OKeh 6985 — – — 6 — Chuck Willis Wails the Blues • 1954 — "You're Still My Baby" b/w "What's Your Name" (Non-album track) — OKeh 7015 — – — 4 • "I Feel So Bad" b/w "Need One More Chance" — OKeh 7029 — – — 8 • "Change My Mind" b/w "My Heart's Been Broke Again" — OKeh 7041 — – — – — My Story • "Give and Take" b/w "I've Been Away Too Long" — OKeh 7048 — – — – — Non-album tracks • 1955 — "Lawdy Miss Mary" b/w "Love Struck" — OKeh 7051 — – — – — Chuck Willis Wails the Blues • "I Can Tell" b/w "One More Break" — OKeh 7055 — – — – • "Search My Heart" b/w "Ring-Ding-Doo" (Non-album track) — OKeh 7062 — – — – • 1956 — "It's Too Late" b/w "Kansas City Woman" — Atlantic 1098 — – — 3 — King of the Stroll • "Juanita" / — Atlantic 1112 — – — 7 • "Whatcha' Gonna Do When Your Baby Leaves You" — – — 11 • "Come on Home" b/w "It Were You" — OKeh 7067 — – — – — Non-album tracks • "Charged with Cheating" b/w "Two Spoons of Tears" (from My Story) — OKeh 7070 — – — – — Chuck Willis Wails the Blues • 1957 — "C. C. Rider" b/w "Ease the Pain" — Atlantic 1130 — 12 — 1 — King of the Stroll • "That Train Has Gone" b/w "Love Me Cherry" — Atlantic 1148 — – — – • 1958 — "Betty and Dupree" b/w "My Crying Eyes" — Atlantic 1168 — 33 — 15 • "What Am I Living For" / — Atlantic 1179 — 9 — 1 — I Remember Chuck Willis • "Hang Up My Rock and Roll Shoes" — 24 — 9 • "My Life" b/w "Thunder and Lightning" — Atlantic 1192 — 46 — 12 — King of the Stroll • "Keep A-Driving" b/w "You'll Be My Love" — Atlantic 2005 — – — 19 — I Remember Chuck Willis • 1959 — "Just One Kiss" b/w "My Baby" — Atlantic 2029 — – — –

• Year — Title — Label • 1958 — Wails the Blues — Epic LN 3425 • 1958 — King of the Stroll — Atlantic 8018 • 1962 — I Remember Chuck Willis — Atlantic 8079

• Year — Title — Label • 1980 — Chuck Willis -- My Story — CBS JC36389 (re-released by Sony on CD in 1990) • 1994 — Let's Jump Tonight -- The Best of Chuck Willis from 1951 -'56 — Sony 53619 • 2001 — I Remember Chuck Willis/King of the Stroll — Collectables COL-CD-6889 • 2006 — C.C. Rider — Atlantic Collectables [sic] COL-CD-9973