Christian Bérard

• Born — 20 August 1902 • Birthplace — Paris, France • Died — 11 February 1949 • Place of death — Paris, France • Other Names — Bebè

Born in Paris in 1902, Bérard studied at the Lycée Janson de Sailly as a child. In 1920, he entered the Academie Ranson, where his style was influenced by Édouard Vuillard and Maurice Denis.

Bérard showed his first exhibition in 1925, at the Gallery Pierre. From the start of his career, he had an interest in theatrical scenery and costume designs, and played an important role in the development of theatrical design in the 1930s and 1940s. In the early 1930s, Bérard worked with Jean-Michel Frank, painting screens, wood-work and drawing projects for carpets. In 1935, his friend Solange d'Ayen helped Vogue magazine editor-in-chief Edna Woolman Chase persuade him to work for Vogue as a fashion illustrator. He also worked as a fashion illustrator for Coco Chanel, Elsa Schiaparelli, and Nina Ricci. Bérard's most renowned achievement was probably his lustrous, magical designs for Jean Cocteau's film La Belle et la Bête (1946). Bérard died suddenly from a heart attack on 11 February 1949, on the stage of the Théâtre Marigny. Francis Poulenc's Stabat Mater (1950) was composed in his memory, and Jean Cocteau dedicated his film Orphée (1950) to him.