Chinese nature poetry
Illustration — Pine, Plum and Cranes, 1759, by Shen Quan (1682—1760). Hanging scroll, ink and colour on silk. The Palace Museum, Beijing.
Also recorded as Fields and Gardens poetry
Chinese nature poetry

Shen Quan · Royal Academy of Arts, part of the The Three Emperors, 1662 - 1795 exhibition which ran from 12 November 2005 - 17 April 2006 in London. Website might be taken down at some point in future. · Public domain
- Field
- nature poetry
- Region
- China
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Illustration — Pine, Plum and Cranes, 1759, by Shen Quan (1682—1760). Hanging scroll, ink and colour on silk. The Palace Museum, Beijing.
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Overview
Fields and Gardens poetry, in Chinese poetry, is a poetic movement which sparked centuries of poetic enthusiasm, generally considered to effectively date from the Six Dynasties era. Both the Chinese Landscape poetry and the Fields and Gardens poetry share a common theme of nature foremost with human beings and human thought seemingly not in main focus; however, in the case of the Fields and Gardens genre the nature that was focused upon was more domestic—the nature found in gardens, in backyards, and in the cultivated countryside. Sometimes, the poems were designed to be viewed with a particular work of art, others were intended to be "textual art" that invoked an image inside a reader's mind. Fields and Gardens poetry is one of many Classical Chinese poetry genres. One of the main practitioners of the Fields and Gardens poetry genre was Tao Yuanming (also known as Tao Qian (365–427), among other names or versions of names). Tao Yuanming has been regarded as the first great poet associated with the Fields and Gardens poetry genre. Translator and commentator David Hinton sees the Fields and Gardens genre as more of a subgenre of the Shanshui (mountains-and-waters) genre, than as a standalone, side-by-side genre under the general heading of Chinese landscape poetry.
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