Charlotte de Witte

Charlotte de Witte was recorded at birth as Charlotte Aloïs de Witte. She also worked under the name Raving George. The authorities additionally record the headings Charlotte Aloïs de Witte, Charly de Witte and Raving George. Her recorded languages were Dutch and English.

4 works under this name are catalogued by Wikidata Query Service, The Metropolitan Museum of Art and The Art Institute of Chicago. Their recorded dates run from 1585 to 1650.

You're Mine. Interior of the Oude Kerk, Delft, dated probably 1650, oil on wood, held by The Metropolitan Museum of Art, inventory 2001.403. The Annunciation, dated ca. 1585, oil on wood, held by The Metropolitan Museum of Art, inventory 2011.75. Supper at Emmaus, dated 1590/95, pen and brown ink and brush and black ink wash, with opaque white watercolor, on tan laid paper prepared with yellow ocher, incised with graphite for transfer, held by The Art Institute of Chicago, inventory 1972.23.

Work associated with this heading is recorded in 2 named public collections.

The Metropolitan Museum of Art: 37 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 132681 recorded objects, read from the institution's own published catalogue.

2 scholarly publications naming this subject were located in the registry of record.

Recensie van: De vlucht van de witte ballonnen. Opgroeien met oorlogstrauma's / Charlotte Berghaeghe, WT. Tijdschrift over de geschiedenis van de Vlaamse beweging, 2015. Witte, de, Benezit Dictionary of Artists, 2011.

the recorded working language is Dutch and English.

Subjects and genres recorded for the work are electronic and techno. Len Faki is recorded as an influence.

Distinctions recorded are International Dance Music Awards.