Charles Frédéric Chassériau

The authorities additionally record the headings Baron Charles Frédéric Chassériau, Frédéric Chassériau, Charles Frederic Chasseriau, Baron Charles Frederic Chasseriau and Frederic Chasseriau. His recorded language was French.

He was the child of Victor Frédéric Chassériau and Elisabeth Ranson. He married Joséphine Warrain. One child is recorded: Arthur Chassériau.

Charles Frédéric Chassériau studied at École Spéciale Militaire de Saint-Cyr, Beaux-Arts de Paris and Lycée Henri-IV. He trained under Jean-François-Julien Mesnager and François-Édouard Picot.

Recorded position is municipal chief architect. He belonged to Académie de Marseille, Société nationale de protection de la nature et d'acclimatation de France and Fondation Taylor. He worked at rue de l'Université.

What the record establishes about Charles Frédéric Chassériau.

Owake! what ho! Brabantio! thieves! thieves!, plate one from Othello is dated 1844 and held by The Art Institute of Chicago (inventory 2013.703.2). Charles Frédéric Chassériau is recorded with the citizenship of France. Algerian National Theater Mahieddine Bachtarzi is dated 1853. Charles Frédéric Chassériau is recorded as architect.

Charles Frédéric Chassériau is recorded as having studied at École Spéciale Militaire de Saint-Cyr, Beaux-Arts de Paris and Lycée Henri-IV.

The identifiers under which Charles Frédéric Chassériau may be traced in institutional catalogues.

Charles Frédéric Chassériau is established in the international name authorities as Wikidata Q2959137.

5 works under this name are catalogued by Wikidata Query Service and The Art Institute of Chicago. Their recorded dates run from 1844 to 1853.

Algerian National Theater Mahieddine Bachtarzi, dated 1853. Owake! what ho! Brabantio! thieves! thieves!, plate one from Othello, dated 1844, etching, engraving, and roulette on paper, held by The Art Institute of Chicago, inventory 2013.703.2. The Willow Song, plate nine from Othello, dated 1844, etching, engraving, roulette, drypoint on off-white china paper, laid down on white wove paper, held by The Art Institute of Chicago, inventory 1955.1096. Portrait of the Baroness Chassériau, dated 1846, graphite on cream wove paper, held by The Art Institute of Chicago, inventory 1950.1409. O Spartan dog, plate fifteen from Othello, dated 1844, etching, engraving, roulette and drypoint on ivory china paper, laid down on white wove paper, held by The Art Institute of Chicago, inventory 1941.100.

Work associated with this heading is recorded in 1 named public collection.

The Art Institute of Chicago: 4 recorded objects, read from the institution's own published catalogue.

Bibliographic registers publish measured figures for this heading: 5 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 2 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 2 means 2 genuinely separate publishers of record. 22 further registers were consulted and returned nothing for this heading.

Charles Frédéric Chassériau studied at École Spéciale Militaire de Saint-Cyr, Beaux-Arts de Paris and Lycée Henri-IV. training under Jean-François-Julien Mesnager and François-Édouard Picot is recorded. the recorded working language is French.

Residence is recorded at rue de l'Université. Positions recorded include municipal chief architect. Membership is recorded of Académie de Marseille, Société nationale de protection de la nature et d'acclimatation de France and Fondation Taylor.