Charles de Lacy

The recorded working language is English. The field of work recorded is marine art. Subjects and genres recorded for the work are marine. Work by Charles de Lacy is recorded in the collections of Royal Museums Greenwich, Cowes Maritime Museum, Russell-Cotes Art Gallery & Museum, Orleans House Gallery and Guildhall Museum, Rochester.

• Name — Charles de Lacy • Birth Name — Charles John de Lacy • Born — 1856 • Birthplace — Sunderland, County Durham • Died — 13 December 1929 (aged 73) • Place of death — Epsom, Surrey • Known for — Marine art • Training — The National Gallery

Son of Robert de Lacy, a professor of music, and his wife Eliza, Charles de Lacy was born in 1856 in Sunderland, County Durham, and grew up in the Bishopwearmouth area of the city. Although he would do much work in that area, by 1870 his family had relocated from the North East of England to Lambeth in London. While in Lambeth he married Alice Harriet Hill in 1880 and they had two daughters, Constance Rosamond De Lacy (b. 1881) and Irene Valerie Cristoforo De Lacy (b. 1901). In the matter of his death 1936 is often cited; however, the evidence suggests 1929 is correct. He died in Epsom, Surrey. He first exhibited at the Royal Academy in 1889, having undertaken training at The National Gallery. Magazines such as The Illustrated London News were among early patrons. Sources vary regarding the correct spelling of the surname: "de Lacy" or "de Lacey". Three of the cited sources say "de Lacy" (including Art UK). The Royal Museums at Greenwich (including the National Maritime Museum) use both forms. In the 1911 census entry in his own hand is written Charles John De Lacy and he says of himself "Artist, Painter and Press artist".

• The Battle Against the Spanish Armada • The Kinfauns Castle as a Troopship (National Maritime Museum) • HMS Vindictive Storming Zeebrugge Mole (during the Zeebrugge Raid) which hangs in the Britannia Royal Naval College. • The Sinking of the Lusitania • "The Funeral of queen Victoria" Porthmouth 1st February 1901 Much of his work was done as book illustration or as commercial art for shipbuilders. Amongst major publishing names who used his material were Frederick Warne & Co, Thomas Nelson, Cassell, Methuen Publishing and S.P.C.K. • Illustration — Mist in port, London (1881)