Cesare Fracassini
Illustration — The Martyrs of Gorkum, now in the Vatican Museums Cesare Fracassini (or Fracassi; December 18, 1838 – December 13, 1868) was an Italian painter, mainly of large mythologic or religious topics.
Also recorded as Cesari Fracassi · Cesari Fracassini
Cesare Fracassini
Lalupa · CC BY-SA 3.0
- Born
- 1838 · Rome.
- Died
- 1868 · Rome.
- Nationality
- Kingdom of Italy
- Occupation
- painter
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Biography
While he was born to Paolo Serafini, originally from Orvieto; his father died when he was an infant and his mother remarried with a Domenico Fracassini. Cesare was born in Rome, and studied painting there with either Tommaso Minardi, or his pupils, before enrolling in the Accademia di San Luca, where he executed several frescoes for San Lorenzo fuori le Mura. He lived alongside the painter Cesare Mariani as a young man. He often collaborated or obtained commissions with his friend Paolo Mei, as well as a colleague of Guglielmo de Sanctis (a pupil of Minardi) and Bernardo Celentano. He died in 1868. One of his most important pictures is The Martyrs of Gorinchem (also called Canisio e i Martiri del Giappone), painted for a beatification ceremony in the Vatican. In 1857, he was awarded first prize at the Concorso Clementino. Among his works: • St Jerome, church of San Sebastian on via Appia • Daphne and Chloe for an exposition in Florence • Numa takes the counsel of the Egerian Nymph (1861), sipario (stage curtain) for the Teatro Argentina in Rome • Apollo and Phaeton with the Solar chariot (1862), sipario for the Teatro Apollo in Rome • Belisarius liberates Orvieto from the Goths sipario for Teatro Mancinelli, Orvieto • Canvases for San Lorenzo fuori la Mura. Fracassini was admired for his speed of painting. • Madonna del suffragio for a church in Albano • The Blessed Alacoque • Madonna degli Angeli • Portrait of Berchmans
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The biographical narrative on this page is based on the Wikipedia article Cesare Fracassini, revision 1365089138 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.O. Roux, Illustri Italiani Contemporanei, vol. II, Firenze [1908], pp. 3-42
- 2.Per il sipario del Mancinelli, esposto a Torino nel 2011 nella mostra per i 150 anni dell'Unità d'Italia, si veda qui.
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