César Atahualpa Rodríguez
César "Atahualpa" Rodriguez Olcay (August 26, 1889 – March 12, 1972) was a Peruvian poet; a self taught, cultural writer. Born César Augusto Rodríguez Olcay in Arequipa, he took the pseudonym, "Atahualpa", after the Arequipan poet Percy Gibson. During the period of 1908–1913, he spent a lot of time with José María Eguren, Manuel González Prada and Abraham Valdelomar, writers of stature who praised his work and considered him "la nueva expresión de la lírica nacional”- the new expression of the national lyric.
Also recorded as Cesar Rodriguez · Cesar Atahualpa Rodriguez
César Atahualpa Rodríguez
- Born
- 1889
- Died
- 1972
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César Atahualpa Rodríguez (8 settembre 1889 – 3 dicembre 1972) figura come poeta, scrittore e saggista negli archivi di autorità della Bibliothèque nationale de France e della Deutsche Nationalbibliothek.
Vita
La nascita di César Atahualpa Rodríguez è registrata l'8 settembre 1889, e la morte il 3 dicembre 1972. Il luogo di nascita di César Atahualpa Rodríguez è Arequipa, secondo la Deutsche Nationalbibliothek e la Bibliothèque nationale de France. La Bibliothèque nationale de France riporta la forma più precisa Arequipa (Pérou). Per il luogo di morte di César Atahualpa Rodríguez, Lima è registrato dalla Deutsche Nationalbibliothek e Lima (Pérou) dalla Bibliothèque nationale de France.
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Bibliothèque nationale de France · Deutsche Nationalbibliothek
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At the end of 1916, along with Percy Gibson, Rodriguez founded the group "El Aquelarre" and published four issues of a magazine which bore the same name, initiatives that were an incentive for Arequipa intellectual life. "El Aquelarre" appeared around the same time as that the movement "Colónida" in Lima, the group "Norte" of Trujillo, and "La Tea" of Puno. However, the influence of "El Aquelarre" was especially Modernistic, Symbolistic and Parnassianistic. (See Parnassianism) In 1917, he was appointed director of the public library of Arequipa, a post he held until 1955. In 1926, Rodriguez's first book, La torre de las paradojas, was published by La Editorial Nuestra América de Buenos Aires. The book preceded one vast work in prose, as in verse and essay. According to Arequipa literary critic Titus Cáceres Cuadros, "Poetry of Rodriguez had enough social emotion and a strong regional accent." In 1966, Congress decorated him with the highest laurels: la Orden del Sol del Perú y la Orden del Congreso, and the municipality of Arequipa awarded him the city gold medal. In the same year, Rodriguez published Sonatas en tono de Silencio, edited by the Ministry of Public Education. Centrally themed on the search for solitude as a means to become the primary source of his philosophical writings, the book brought together poems that are representative of the sophistication of the poet.
• La torre de las paradojas (1926) • Poemas (1940) • Sonatas en tono de silencio (1966) • Los últimos versos (1972).
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The biographical narrative on this page is based on the Wikipedia article César Atahualpa Rodríguez, revision 1281383026 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Kapsoli, W. Prospecto del grupo "Los Zurdos" de Arequipa. Revista de Crítica Literaria Latinoamericana. 10. 20. 101–111. 1984. 10.2307/4530162.
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Elsewhere in Books
39,529 published records in this field, each with its sources named.
- César A. HidalgoAuthor
- César AiraAuthor
- César Alonso de las HerasAuthor
- César Antonio MolinaAuthor
- César CalvoAuthor
- César Chesneau DumarsaisAuthor
- César E. ArroyoAuthor
- César GonzálezAuthor
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