Cássio Vasconcellos
Cássio Campos Vasconcellos (born 1965) is a Brazilian photographer whose work spans documentary, aerial, and composite imagery. Active since 1981, he has exhibited in the show Trees at the Fondation Cartier pour l'art contemporain, Paris; Saatchi Gallery, London; and Princeton University Art Museum. His publications include Aeroporto (2016), Aéreas do Brasil (2014), and Noturnos São Paulo (2002).
Cássio Vasconcellos

Korsa Duze · CC0
- Name
- Cássio Vasconcellos
- Born
- 1965
- Birthplace
- São Paulo, Brazil
- Known for
- Aerial photography Fine-art photography and author
- Nationality
- Brazil
- Occupation
- photographer · painter
- Fields
- aerial photography
- Languages
- Portuguese
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Cássio Campos Vasconcellos (born 1965) is a Brazilian photographer whose work spans documentary, aerial, and composite imagery. Active since 1981, he has exhibited in the show Trees at the Fondation Cartier pour l'art contemporain, Paris; Saatchi Gallery, London; and Princeton University Art Museum. His publications include Aeroporto (2016), Aéreas do Brasil (2014), and Noturnos São Paulo (2002).
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Cássio Vasconcellos (born 1965) is a Brazilian painter and photographer. The painter was born in São Paulo. Cássio Vasconcellos is active in aerial photography. Languages used include Portuguese.
Composed from admitted, traceable facts · 29 September 2026
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wikidata · Q10262875 · wikipedia · Cássio Vasconcellos
In this article
Key facts
Key facts
• Name — Cássio Vasconcellos • Born — 1965 • Birthplace — São Paulo, Brazil • Known for — Aerial photography Fine-art photography and author • Website — www.cassiovasconcellos.com.br
Life and work
Life and work
Vasconcellos was born in São Paulo in 1965 and began his career in photography in 1981. His early work encompassed street scenes and nocturnal imagery, culminating in the publication of Noturnos São Paulo (2002). Over time, his practice shifted toward large format aerial compositions, often created from photographs taken during helicopter flights. Trained and experienced as a photojournalist, he later developed a body of work distinguished by fictional imagery constructed from elements of reality. His approach often blurs the boundaries between documentary and conceptual photography, creating an iconographic vocabulary aimed at reflecting on and critiquing aspects of contemporary society. A notable element of his practice is the use of aerial photography, which enables him to manipulate scale and perspective to challenge viewers' perceptions of reality. His subjects range from scenes of urban density and consumer culture to large-scale natural landscapes. Works such as the series Viagem pitoresca pelo Brasil (2015) align with historical traditions of depicting the grandeur of Brazilian landscapes, particularly its tropical flora. Vasconcellos has published several monographs, including Viagem pitoresca pelo Brasil (2015), Fotô Editorial (2024), Brasil visto do céu (Editora Brasileira, 2017), Panorâmicas (DBA, 2012), and Noturnos São Paulo (2002). His projects often address themes such as mass consumption, architectural uniformity, and cultural symbolism, while also engaging with the scale and mysticism of Brazil's natural environments. Vasconcellos has been the subject of several documentary films, including Caçadores de Almas (1988, 2012), foto.doc: cassiovasconcellos (2005), and O Mundo da Fotografia – Fotografia e Arte (2001). • Illustration — Exhibition, titled Cássio Vasconcellos: A Picturesque Voyage through Brazil, was held at Galeria Nara Roesler in São Paulo, Brazil.
Exhibitions
Exhibitions
• Illustration — Cassio Vasconcellos Fotografia Fine Art Nous Les Arbres Expo 02 (2019) Since the 1980s, Vasconcellos has participated in solo and group shows at the Museu de Arte de São Paulo (MASP), Museu de Arte Moderna do Rio de Janeiro, Maison Européenne de la Photographie (Paris), Museum of Fine Arts (Houston), and Princeton University Art Museum. His work has been included in major photography biennials and thematic exhibitions across Latin America, Europe, and the United States. • Illustration — In 2023 Vasconcellos presents the work 'Over' at La Gacilly Photo Festival, in France.
Artistic practice
Vasconcellos's work often combines documentary and constructed photography. He creates scenes by stitching together hundreds or thousands of individual images taken from the air, aligning lighting and perspective to produce a coherent whole. His approach transforms real places—such as beaches, parking lots, aircraft graveyards, and shipping yards—into almost abstract fields of color and geometry, inviting reflection on density, overconsumption, and environmental impact. Initiated in 2008, Collectives comprises large-scale works made from aerial photographs taken in Brazil and abroad. The series depicts “jam-packed situations typical of our civilization,” including crowded beaches, motorcycle gatherings, truck markets, and airplane boneyards. In Collectives 2, Vasconcellos turned to sites of industrial abandonment, including junkyards, decommissioned aircraft storage facilities, and container ports. Using tens of thousands of photographs captured in locations such as São Paulo, Cubatão, Santos, Rio de Janeiro, and the deserts of the United States, he constructs intricate mosaics in which no single element is repeated.
Publications
• Noturnos São Paulo (Nocturnes São Paulo). Bookmark, São Paulo, Brazil, 2002.. • Aéreas (Aerials). Terra Virgem, São Paulo, Brazil, 2010.. • Panorâmicas (Panoramics). DBA, São Paulo, Brazil, 2012.. • Coletivos (Collectives). Quarantena, 2020.
Awards
• 1995: National Photography Award, National Foundation of the Arts (FUNARTE), Brazil • 1999: J.P. Morgan Photography Award, São Paulo, Brazil • 2001: Porto Seguro Photography Award, São Paulo, Brazil • 2002: Best Photography Exhibition of the Year, Associação Paulista de Críticos de Arte (São Paulo Art Critics Association), São Paulo, Brazil • 2018: Juror's pick, LensCulture Art Photography Awards

exhibition, titled "Cássio
Korsa Duze

Cassio Vasconcellos Fotografia Fine Art Nous Les Arbres Expo 02 (2019)
Zeebs Jorricks
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Mothes, Kate. Endless Fields of Detritus Blanket Cássio Vasconcellos's Aerial Composites. Colossal. 2024-11-12.
- 2.Trees - Announcements. e-flux.
- 3.Williams, Megan. Cássio Vasconcellos' aerial photos explore the idea of space in Covid-19. Creative Review. 2020-08-25.
- 4.Vidal de Negreiros–Ilha Bela. artmuseum.princeton.edu.
- 5.Mallonee, Laura. Thank the Flying Spaghetti Monster This Airport Isn't Real. Wired. 1059-1028.
- 6.Galina, Décio. Conheça o dono do maior acervo de imagens aéreas do Brasil. Forbes Brasil. 2020-04-04.
- 7.Noturnos Cássio Vasconcellos. Brazimage.
- 8.Cássio Vasconcellos: A Bird's-Eye View. ~ Talking Pictures ~. 2025-09-02.
- 9.Naulin, Michaël. Cássio Vasconcellos: "I want to use wonder to touch people.". Blind Magazine. 2020-04-08.
- 10.Exposição "Cássio Vasconcellos – Viagem Pitoresca Pelo Brasil" - Artsoul. Artsoul - Marketplace de Arte Contemporânea.
- 11.Itaú Cultural. Itaú Cultural Visual Arts Enciclopedia, Cássio Vasconcellos.
- 12.Roesler, Nara. Arte e Mata Atlântica na Fotografia de Cássio Vasconcellos. Forbes Brasil. 2024-10-10.
- 13.Cassio Vasconcellos - Artist Spotlight. www.bridgemanimages.com.
- 14.a picturesque voyage through brazil – 17.8 - 17.10.2024. Nara Roesler.
- 15.Leydier, Elsa. Interview with Cássio Vasconcellos. The Eye of Photography Magazine. 2016-02-19.
- 16.Shop, gestalten EU. Collectives by Cássio Vasconcellos. gestalten EU Shop.
- 17.James, Jesse. Cássio Vasconcellos Transforms Junkyards into Stunning Art with "Collectives 2". stupidDOPE Est. 2008. 2024-11-14.
- 18.Cássio Vasconcellos Captures Chaotic Urban Landscapes in a Series of Articulated Aerial Photographs. ArchDaily. 28 August 2020.
- 19.Williams, Megan. Cássio Vasconcellos' aerial photos explore the idea of space in Covid-19. Creative Review. 25 August 2020.
- 20.Brazil's Minister of Culture Marta Suplicy visits Today Art Museum. todayartmuseum.com.
- 21.Civilisation: a breathtaking vista of life in the 21st century – in pictures. The Guardian. 9 September 2019. 0261-3077.
- 22.Art's new frontiers: LensCulture award winners – in pictures. The Guardian. 22 August 2018. 0261-3077.
References
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References
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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