Caroline Morgan Clowes
Caroline Morgan Clowes (March 3, 1838 – November 16, 1904) was a Hudson River School painter who, at a time when that particular style was declining in popularity, earned accolades by depicting farm animals, frequently cattle, drawn from the vicinity of the home of the extended family that had adopted her, Heartsease, in LaGrange, Dutchess County, New York.
Caroline Morgan Clowes

Dutchess County (New York) Historical Society, Poughkeepsie, NY. · Public domain
- Name
- Caroline Morgan Clowes
- Born
- 3 March 1838
- Birthplace
- Hempstead, New York
- Died
- 16 November 1904
- Place of death
- LaGrange, New York, United States of America
- Field
- Painting Medium/Media: Oil on Canvas
- Movement
- Hudson River School
- Nationality
- United States
- Occupation
- painter
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Documentary evidence
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wikidata · Q62471879 · wikipedia · Caroline Morgan Clowes
In this article
Key facts
Key facts
• Name — Caroline Morgan Clowes • Born — 3 March 1838 • Birthplace — Hempstead, New York • Died — 16 November 1904 • Place of death — LaGrange, New York, United States of America • Field — Painting Medium/Media: Oil on Canvas • Movement — Hudson River School • Works — Cattle at the Brook, The United States International Exhibition at Philadelphia, 1876
Childhood and family
Childhood and family
The ancestors of Caroline Morgan Clowes were late 17th century settlers of Hempstead, Long Island, New York, where she was born in 1838. But soon after her birth, she, an older sister, Lydia Moore Clowes, and parents, William Jones Clowes and Elizabeth Ann Hart Clowes, relocated to near Monticello, New York so her father could attempt to capitalize on land claims in the Minisink Patent. Clowes was two years old when her mother died in 1840. The land claims were not being turned into any economically viable enterprise. By 1851, Clowes' older sister was being raised by a maternal aunt in Virginia. Caroline, herself, was raised by her maternal uncle, Benjamin Hall Hart and his wife, Elizabeth Nichols Hart, in LaGrange, Dutchess County, New York.
Early work and education
Early work and education
Clowes was involved in the arts by age 16 when her drawings were exhibited in Poughkeepsie. She attended the Poughkeepsie Female Academy and studied under the noted Hudson River School painter, Frederick Rondel, when he took up residence in Poughkeepsie between 1863 and 1868 under commission to Matthew Vassar.
Exhibition of work
Exhibition of work
Clowes' profile was raised dramatically after the end of the American Civil War. She was exhibiting at the National Academy of Design by 1865 and for well over a decade subsequently, while exhibiting in other major cities. In 1872 in New York her work, "An Alarm," was exhibited at the National Academy of Design. In 1876 in Philadelphia her work, "Cattle at the Brook," was exhibited at the United States International Exhibition. In 1879 in London, three works, Spring, Autumn and Mountain Ash were exhibited at Royal Albert Hall of Arts and Sciences. In 1879 at the Boston Museum of Fine Arts.
Gallery
Gallery
• Illustration — Two Cows at the Wappinger Creek, by C. M. Clowes, 1882. Typical subject and style. • Illustration — Sheep and chickens, by C. M. Clowes, no date • Illustration — Exhibiter Pass for Philadelphia Exhibition for Miss Caroline Morgan Clowes.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Hempstead.
Birth place
LaGrange.
Death place
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Caroline Morgan Clowes, revision 1352484977 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.New York Tribune. New York Daily Tribune.
- 2.Clowes, Lydia M. Dutchess County Historical Society. April 2, 1854.
- 3.Clowes, Lydia M. Dutchess County Historical Society. May 3, 1859.
- 4.American Art Gallery, LLC.
- 5.Masten, April F. Art Work, Women Artists and Democracy in 19th Century New York.
- 6.National Academy of Design. Exhibition National Academy of Design, Catalogue of the Forty-Seventh Annual Exhibition, p. 14.
- 7.United States Centennial Commission. United States Centennial Commission, International Exhibition Catalogue, p. 22.
- 8.Royal Albert Hall of Arts and Sciences. Royal Albert Hall of Arts and Sciences, Catalogue of the Exhibition of Works of Modern Artists, 1879. p. 57, 59. 1879.
- 9.Museum of Fine Arts Boston. Museum of Fine Arts, Catalogue of an Exhibition of Contemporary Art, 1879, p. 14. 1879.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 25 August 2026.
Elsewhere in Paintings
19,456 published records in this field, each with its sources named.
- Caroline Harriet AbrahamArtist
- Caroline Louisa DalyArtist
- Caroline Lucy ScottArtist
- Caroline M. BellArtist
- Caroline Osborne, Duchess of LeedsArtist
- Caroline SwagersArtist
- Carolus-DuranArtist
- Carolyn BradyArtist
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