Camille Nickerson
Also recorded as Camille Lucie Nickerson
Camille Nickerson
- Born
- 1888 · New Orleans.
- Died
- 1982
- Nationality
- United States
- Occupation
- composer
- Education
- Juilliard School · Columbia University · Oberlin College
In this article
Key facts
• Name — Camille Nickerson
• Other Names — "The Louisiana Lady"
• Born — 1888 03 30
• Birthplace — New Orleans, Louisiana, U.S.
• Died — 1982 04 27
• Place of death — Washington, D.C.
• Occupation — Musician, composer, folklorist, college professor
Camille Lucie Nickerson (March 30, 1888 – April 27, 1982) was an American pianist, composer, arranger, collector, and Howard University professor from 1926 to 1962. She was influenced by Creole folksongs of Louisiana, which she arranged and sang.
Early life and education
Nickerson was born in the French Quarter of New Orleans, the daughter of music professor and band director William Joseph Nickerson and his first wife, Aurelie Duconge. She was a member of her father's musical ensemble, the Nickerson Ladies’ Orchestra, from an early age. She earned a bachelor's degree in 1916 and a master's degree in 1932 at the Oberlin Conservatory of Music. She continued her studies with support from a Rosenwald Fellowship. Her master's thesis at Oberlin was titled "Afro-Creole Music in Louisiana: A Thesis on the Plantation Songs Created by the Creole Negroes of Louisiana."
She made further studies on a sabbatical in 1939 and 1940, at Columbia University and the Juilliard School.
Career
Nickerson taught at her father's school in New Orleans as a young woman, and played organ and piano recitals in Black churches.
In 1917, Nickerson founded the B-Sharp Music Club, an organization which gave monthly concerts featuring Western art music, spirituals, and Afro-Creole music. The organization also raised money for the NAACP. In 1921, this group established the New Orleans chapter of the National Association of Negro Musicians (NANM). Nickerson would go on to hold the offices of Secretary, Vice President and ultimately, in 1944, President of NANM.
In 1926, Nickerson accepted an invitation to serve as professor of music at Howard University, where she taught piano, pipe organ, and methods of teaching. She retired in 1962. As a music scholar, she researched folksongs and collected Creole songs, creating her own arrangements of songs including Michieu banjo and Lizette, to quitte la plaine.
During the 1930s and into the 1950s she toured the United States as "The Louisiana Lady", singing creole songs and dressed in a series of ruffled gowns to evoke New Orleans history. She was a featured performer in the Negro Exhibits Building at the Texas Centennial Exposition in 1936. She toured France as a cultural relations representative in 1954, sponsored by the U.S. Information Agency (USIA); her success on radio and stage in France was helped by her fluent French.
From 1935 to 1938, Nickerson was president of the National Association of Negro Musicians. She was an officer of the organization as early as 1925. She was a member of Delta Sigma Theta. Some of her arrangements were published as Five Creole Songs Harmonized and Arranged by Camille Nickerson (1942).
Selected works
Source:
• "Ai Suzette" for voice and piano
• Five Creole Songs for voice and piano
• Chere, Mo Lemmé Toi
• Dansé Conni Conné
• Fais Do Do
• Lizette Ma Cheré Amie
• M'schieu Banjo
• "Gue, Gue, Solingaie" for voice and piano
• "Mam'selle Zizi" for voice and piano
Personal life and legacy
Nickerson died in Washington, D.C. in 1982, aged 94 years. Her papers were donated to Howard University. Tulane University's Hogan Jazz Archive holds some papers from Nickerson's New Orleans years.
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Camille Nickerson, revision 1352035434 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record.
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Camille Nickerson in New Orleans Spotlight. The Pittsburgh Courier. 9. 1947-01-04.
- 2.Simpson, Anne Key. Camille Lucie Nickerson, "The Louisiana Lady". Louisiana History: The Journal of the Louisiana Historical Association. 36. 4. 431–451. 1995. 0024-6816.
- 3.Camille Nickerson - Classical Music Composers. Philadelphia Chamber Music Society.
- 4.Collins, Peter. Camille Nickerson - Know Louisiana. 64 Parishes.
- 5.Thomas, V. P. Camille Nickerson Gave Organ Recital with Choir. The New York Age. 7. 1923-01-13.
- 6.Conway, Lindsay. American Composers and Musicians from A to Z: N (Part 1–Nickerson, Camille) NLS Music Notes. The Library of Congress. 2019-11-14.
- 7.Camille Nickerson ADMP. africandiasporamusicproject.org.
- 8.Singer of Creole Folk Songs Has Star Spot in Festival. St. Louis Globe-Democrat. 10. 1953-03-27.
- 9.Camille Nickerson Appears on Dillard Univ. Program. The Pittsburgh Courier. 6. 1939-06-03.
- 10.'Louisiana Lady' to Give Costume Recital Here. The News Journal. 13. 1945-04-12.
- 11.Camille Nickerson. African American Art Song Alliance.
- 12.Plays at Texas Centennial. The Detroit Tribune. 2. 1936-08-29.
- 13.Newly Elected Officers of the National Association of Negro Musicians. The Crisis. 30. 233. August 1925.
Bibliography printed in the source article · 9
- Anderson, Ruth E. Contemporary American Composers: A Biographical Dictionary. Boston: G.K Hall, 1976
- Handy, D. Antoinette. Black Women in American Bands and Orchestras. 2nd ed. Lanham, MD: Scarecrow Press, 1998.
- Kennedy, Al. Chord Changes on the Chalkboard: How Public School Teachers Shaped Jazz and the Music of New Orleans. Lanham, MD: Scarecrow Press, 2002.
- McGinty, Doris. “Conversation with Camille Nickerson, the Louisiana Lady.” The Black Perspective in Music 7 (Spring 1979): 81–88.
- Shannon, Sandra G. “Camille Lucie Nickerson Remembered: The Role of ‘The Louisiana Lady’ in Preserving Louisiana's Afro-Creole Folk Music.” Louisiana Literature 7 (Fall 1990): 62–77.
- Simpson, Anne Key. “Camille Lucie Nickerson, ‘The Louisiana Lady.’” Louisiana History 36 (Fall 1995): 431–51.
- Smith, Jessie Carey, ed. Notable Black Women. Detroit, MI: Gale Research Inc., 1992
- Southern, Eileen. Biographical Dictionary of Afro-American Women and African Musicians. Westport, CT: Greenwood Press, 1982
- Tucker, Sherrie. “A Feminist Perspective on New Orleans Jazzwomen.” New Orleans, LA: New Orleans Jazz National Historical Park, 2004.
Citations
References
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 31 August 2026.
Elsewhere in Music memorabilia
41,276 published records in this field, each with its sources named.
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