Byron Kim

He graduated from Yale University in 1983 where he was a member of Manuscript Society.

Byron Kim studied at Yale University and Skowhegan School of Painting and Sculpture. The recorded working language is English. Work by Byron Kim is recorded in the collections of Art Institute of Chicago, Museum of Fine Arts, Houston, Corcoran Gallery of Art, Smithsonian American Art Museum and Whitney Museum of American Art. Distinctions recorded are Guggenheim Fellowship, Joan Mitchell Foundation, Bronx Museum Artist in the Marketplace Fellowship and New York Foundation for the Arts.

Kim's work in the early 1990s consisted of monochrome canvases depicting the skin tones of friends and family. He gained early recognition for Synecdoche, his contribution to the 1993 Whitney Biennial, which embodied the aesthetic and political aspirations of the art in that year's exhibition. Synecdoche (1991–1992) is a grid of 400 small, monochromatic paintings. Each panel recreates the skin color of an individual who sat for Kim while he painted their portrait. Although the works, at first glance, resemble minimalist paintings of the 1960s the racial and political dimensions became apparent after reading in the exhibition catalogue how the works came about. These monochrome canvases were followed by two or three-zoned canvases that color-sampled objects, sites or people. Kim collaborated with artist Glenn Ligon on Black & White (1993), part of a series critiquing the 'prejudices' of art materials, specifically the hues of 'Flesh'-colored tubes of paint. 46 Halsey Drive Wallingford CT (1995) records his family members' various recollections of the color of a home Kim lived in as a child. Other works employ a more naturalistic approach to represent details such as the palms of the artist's hands, or the whorls in his children's hair. Kim also paints landscapes and makes photographic assemblages. His work may be found in the permanent collection of the National Gallery of Art in Washington, DC.