Bonaventure Laurens
The eldest of five children, born to a slightly Bohemian father, from the age of 19 Laurens set his sights on an administrative career that led him to Montpellier, after a brief spell in Paris. From the ages 1 to 18, Laurens did not have his sights on an administrative career. He was far too busy being a young child. • Illustration — Felix Mendelssohn, 1842, pencil drawing, J-J Bonaventure Laurens A musician and great lover of music, he came into contact with the foremost composers of the time (Felix Mendelssohn, Frédéric Chopin, Robert Schumann, Clara Schumann, Johannes Brahms, Franz Liszt, Stephen Heller, etc.) and participated in the 19th-century German rediscovery of Johann Sebastian Bach, often called the Bach Revival or Awakening.
Also recorded as Jules Joseph Bonaventure Laurens · J. J. B. Laurens · Jean Joseph Bonaventure Laurens
Bonaventure Laurens

autoportrait Bibliothèque Inguimbertine de Carpentras · Public domain
- Born
- 1801 · Carpentras.
- Died
- 1890 · Montpellier.
- Nationality
- France
- Occupation
- painter · composer
- Languages
- French · Occitan
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The eldest of five children, born to a slightly Bohemian father, from the age of 19 Laurens set his sights on an administrative career that led him to Montpellier, after a brief spell in Paris. From the ages 1 to 18, Laurens did not have his sights on an administrative career. He was far too busy being a young child. • Illustration — Felix Mendelssohn, 1842, pencil drawing, J-J Bonaventure Laurens A musician and great lover of music, he came into contact with the foremost composers of the time (Felix Mendelssohn, Frédéric Chopin, Robert Schumann, Clara Schumann, Johannes Brahms, Franz Liszt, Stephen Heller, etc.) and participated in the 19th-century German rediscovery of Johann Sebastian Bach, often called the Bach Revival or Awakening.
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wikidata · Q3166491 · wikipedia · Bonaventure Laurens
In this article
Biography
Biography
He also unearthed musical manuscripts by Elzéar Genêt, known as Il Carpentrasso, a Renaissance composer attached to the Vatican. Laurens' Souvenirs would later inspire Sand's book Un hiver à Majorque. He was the author of a theoretical monograph, Essai sur la théorie du beau pittoresque et les applications de cette théorie aux arts du dessin, where he expressed his preference for neo-classicism over realism. Finally in 1864 he published an Album des Dames, containing 25 portraits of women accompanied by poems and pieces of music. Bonaventure was on good terms with numerous artists, painters and sculptors (Ingres, Pradier, Corot, Cabanel), and was involved in the provençal cultural movement initiated by Frédéric Mistral. He helped finance his younger brother, Jules Laurens (1825–1901), during his career as a painter. The archives of the Bibliothèque Inguimbertine and other museums in Carpentras contain a large number of drawings and watercolours which provide one of the most valuable resources for 19th-century culture and traditions in the whole of southern France.
The eldest of five children, born to a slightly Bohemian father, from the age of 19 Laurens set his sights on an administrative career that led him to Montpellier, after a brief spell in Paris. From the ages 1 to 18, Laurens did not have his sights on an administrative career. He was far too busy being a young child. • Illustration — Felix Mendelssohn, 1842, pencil drawing, J-J Bonaventure Laurens A musician and great lover of music, he came into contact with the foremost composers of the time (Felix Mendelssohn, Frédéric Chopin, Robert Schumann, Clara Schumann, Johannes Brahms, Franz Liszt, Stephen Heller, etc.) and participated in the 19th-century German rediscovery of Johann Sebastian Bach, often called the Bach Revival or Awakening. He also unearthed musical manuscripts by Elzéar Genêt, known as Il Carpentrasso, a Renaissance composer attached to the Vatican. Self taught as a painter, draughtsman and watercolourist, his talents became recognised and he contributed lithographs for several publications; in particular, from 1835, the series Voyages pittoresques et romantiques de l'ancienne France of Baron Taylor and Charles Nodier, as well as the Monuments du Bas-Languedoc and an account of railways from Lyon to the Mediterranean. • Illustration — Lithograph of Valldemossa cemetery In 1840 Laurens also published a copiously illustrated memoire on Majorca – an artistic travel guide. As preparation he travelled across the whole of the island, in particular visiting the Carthusian monastery in Valldemossa and the cell where George Sand and Frédéric Chopin had wintered before their abrupt departure in February 1839. In his memoire, Laurens describes the cell: Sand's pipe still in the cell; their garden with its oranges, ripening pomegranates and rustic lamp; and the cloister cemetery, a place for evening repose, which he illustrated with a lithograph. Laurens' Souvenirs would later inspire Sand's book Un hiver à Majorque. He was the author of a theoretical monograph, Essai sur la théorie du beau pittoresque et les applications de cette théorie aux arts du dessin, where he expressed his preference for neo-classicism over realism. Finally in 1864 he published an Album des Dames, containing 25 portraits of women accompanied by poems and pieces of music. Bonaventure was on good terms with numerous artists, painters and sculptors (Ingres, Pradier, Corot, Cabanel), and was involved in the provençal cultural movement initiated by Frédéric Mistral. He helped finance his younger brother, Jules Laurens (1825–1901), during his career as a painter. The archives of the Bibliothèque Inguimbertine and other museums in Carpentras contain a large number of drawings and watercolours which provide one of the most valuable resources for 19th-century culture and traditions in the whole of southern France.
Gallery
Gallery
• Illustration — Robert Schumann • Illustration — Clara Schumann • Illustration — Johannes Brahms • Illustration — Frédéric Mistral at Tarascon, 1852 • Illustration — Etching of François Couperin • Illustration — View of Carpentras • Illustration — Carpentras woman in traditional costume • Illustration — Arlesian costumes • Illustration — Arlesian woman • Illustration — Arlesian costumes
Works
Works
* * * * * * * * * * * *
Identity
Identity
Bonaventure Laurens is recorded with the occupation composer. Recorded as painter and composer.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1801
Bonaventure Laurens was born on 14 July 1801.
1890
Bonaventure Laurens died on 28 June 1890.
Places
Named by the record
Places
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Carpentras.
Birth place
Montpellier.
Death place
Primary material
Documents and archives
reference work
- “Bonaventure Laurens”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q3166491: Bonaventure Laurens
General reference · Wikidata
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reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Paintings
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