Bodil Ipsen

Ipsen's name along with that of Bodil Kjer is given to Denmark's most celebrated film prize, the Bodil Award.

• Name — Bodil Ipsen • Born — 30 August 1889 • Birthplace — Copenhagen, Denmark • Died — 26 November 1964 • Place of death — Copenhagen, Denmark • Occupation — Actor, director • Years Active — 1909 — 1960 • Spouses — 4

Bodil Louise Jensen Ipsen was born on 30 August 1889 in Copenhagen, Denmark. In 1908, after obtaining her high school diploma, Ipsen began studying at Det Kongelige Teater (Royal Danish Theatre) and made her stage debut there one year later. Her work on stage quickly received attention. Especially noted were her performances with Danish actor Poul Reumert. Throughout her career, Ipsen performed at the Royal Danish Theatre as well as the Dagmar Theater, The Folketeatret, and The Betty Nansen Theater. She also performed on stage in Sweden and Norway. Ipsen played almost 200 roles in the theater, the majority as lead actress, as well as 150 radio theater roles and four television parts. In 1920, Ipsen made her film debut as a leading actress in Lavinen, directed by her third husband, Emanuel Gregers. She made films with Gregers in 1922 and 1923. Off and on, she acted in 12 films during her career. Her most noteworthy early performances were in big blustering comedies, such as the shrewish spinster Bollette in Bollettes Brudefærd or the Countess Danner in Gregers' Sørensen og Rasmussen. Ipsen became a director in 1942 and directed 10 films in 10 years. Although Ipsen's acting talent was showcased in big romantic comedies, her seat in the director's chair marked the development of classic Danish dark dramas and mysteries. Her debut film, which she co-directed with Lau Lauritzen Jr. was the 1942 dark psychological thriller Afsporet (Derailed), the first true Danish film noir. Two years later, Ipsen directed another two even more extreme noirs, Mordets Melodi (Melody of Murder), about a singer accused of serial murders, and Besættelse (Possession), a taut thriller about a man's erotic obsession with a young woman. After Afsporet Ipsen collaborated with Lau Lauritzen Jr. on four more films. Their second film, De røde enge (The Red Meadows), about the Nazi occupation of Denmark during World War II, received the 1946 Grand Prize at the Cannes Film Festival. In 1950, Ipsen and Lauritzen again won acclaim for their film Café Paradis (Paradise Cafe). The harsh story about alcoholism is considered a masterpiece of Danish cinema, and for which Ipsen won her namesake award, the Bodil, named after her and fellow actress, Bodil Kjer. Two years later, Ipsen and Lauritzen again won the Bodil Award for Best Danish Film for Det Sande Ansigt (The True Face). In 1960, at age 71, Ipsen was awarded the Bodil again, this time as Leading Actress of the Year for the film Tro, håb og trolddom. Ipsen retired afterwards. She died on 26 November 1964 in Copenhagen. The movie Bodil Ipsen og Filmen (Bodil Ipsen and the Film), released in 2006, is a portrait of her life and career.

Ipsen's steady career on stage was offset by a volatile personal life. She was married four times. Ipsen was married the first time in 1910 with the actor Jacob Texière, but the marriage was dissolved within the same year. Then, in 1914, she married civil engineer H.H.O. Moltke, and they divorced after three years. Her marriage in 1919 with film director Emanuel Gregers lasted four years. Ipsen was married for a fourth time in 1932 to the journalist Ejnar Black. They remained together for 17 years until Black's death in 1949. After Black's death, Ipsen isolated herself outside of work, preferring the company of her assistant and housekeeper, Stella Jensen.

• Year||Original Title||English Title||Role || Notes • 1913 — Scenens børn — Stage Children • 1920 — Lavinen — Maria Magdalene — Maria, Poul's Wife — directed by Emanuel Gregers • 1922 — Frie Fugle — Art and the Woman — Naomi, the Captain's wife — directed by Emanuel Gregers • 1923 — Madsalune — Love in Exile — Empress Catherine II — directed by Emanuel Gregers • 1932 — Paustians Uhr — Paustian's Watch — Big Marie • 1935 — Det gyldne smil — The Golden Smile — Elsa Bruun • 1938 — Bolettes brudefærd — Bolette's Bridal Shower — Bolette Jensen — directed by Emanuel Gregers • 1940 — Sørensen og Rasmussen — Sorensen and Rasmussen — Countess Danner — directed by Emanuel Gregers • 1941 — Gå med mig hjem — Come Home With Me — Attorney Helen Hansoe — directed by Benjamin Christensen • 1942 — Forellen — The Trout — Clara Muller — directed by Emanuel Gregers • 1957 — Ingen tid til kærtegn — Be Dear to Me — Woman in wheelchair • 1960 — Tro, håb og trolddom — Faith Hope and Witchcraft — Grandma Gunhild — won Bodil Award for Best Actress

• Year||Original Title||English Title|| Notes • 1942 — Afsporet — Derailed — co-directed with Lau Lauritzen Jr. • 1942 — En Herre i kjole og hvidt — A Gentleman in Top Hat and Tails • 1943 — Drama på slottet — Drama at the Castle • 1944 — Mordets Melodi — Melody of Murder • 1944 — Besættelse — Possession • 1945 — De røde enge — The Red Meadows — co-directed with Lau Lauritzen Jr. won Palme D'Or • 1947 — Bröllopsnatten — Wedding Night — produced in Sweden • 1948 — Støt står den danske sømand — The Viking Watch of the Danish Seaman — co-directed with Lau Lauritzen Jr. won Bodil Award for Best Danish Film • 1950 — Café Paradis — Cafe Paradise — co-directed with Lau Lauritzen Jr. won Bodil Award for Best Danish Film • 1951 — Det Sande Ansigt — The Face of Truth — co-directed with Lau Lauritzen Jr. won Bodil Award for Best Danish Film