Bettye Lane

Lane's work has been exhibited at the Smithsonian Institution and some of her photographs are part of the permanent collection at the National Museum of Women in the Arts. Her work is also part of the collections of the New York Public Library and the libraries at Harvard and Duke University. Her photographs have also been utilized in documentary films and published books. Lane died on her 82nd birthday.

• Name — Bettye Lane • Birth Name — Elisabetta Foti • Born — 19 September 1930 • Birthplace — Boston, Massachusetts • Died — 19 September 2012 • Place of death — New York, New York • Education — Boston University • Field — Photography, photojournalism

Bettye Lane (born Elisabetta Foti) was one of the eight children of Italian immigrants Luigi and Antonietta Foti. After her father returned to Italy, her mother was left struggling to pay the bills and was forced to put her into the care of a wealthier family for a time. Elizabeth was later forced to drop out of elementary school to work in a shoe factory. After a brief marriage to a World War II veteran, she moved to New York, keeping her married name.

Lane became exposed to public relations in 1959 when she began to attend the Boston University School of Public Relations and Communications. Lane finished school in 1962. From 1959 to 1962, Lane was affiliated with the Harvard University News Office, exposing herself to working with current events. Additionally, Lane was hired by CBS television in 1960. Lane's work with public relations and the news, from 1959 to 1962, prepared her for her first job as a photojournalist. In 1962, the Saturday Evening Post hired her as a photo journalist and she worked there until 1964. In 1966, the National Observer hired Lane for the same position and she stayed there until 1977. Lane was hired by the National Observer after she met the newspaper's photo editor at protest in 1966. He was so impressed with her devotion and dedication that he hired her and eventually helped make her become known as the official photographer of the women's movement. It was during her time working at the National Observer, a New York weekly newspaper, that Lane was given her big break. In 1970, Lane had her first encounter with the women's movement when she was assigned to cover the first Women's Strike for Equality. The protest was organized by the National Organization for Women and fought for women's equality in the workplace. After photographing the Women's Strike for Equality, Lane became obsessed with photographing the women's movement and made it her business to attend and photograph every protest and rally, whether she was assigned to do so or not. It was this dedication that resulted in Lane becoming known as the official photographer of the women's movement. After leaving the National Observer in 1977, Lane became independent, not tying herself down to a certain publication, however, she took assignments from Time, Life and the Associated Press. Lane focused her work on civil rights demonstrations, protest during the time Vietnam war and marches for gay rights. She was one of the few photographers to document the Stonewall riots in Greenwich Village, considered the beginning the gay rights movement in the United States.