Betty Waldo Parish
Betty Waldo Parish (1910–1986) was an American printmaker and painter who exhibited with nonprofit organizations, including the Fine Arts Guild, the Pen and Brush Club, and the National Association of Women Artists, as well as commercial galleries. Best known for her etchings and woodcuts in a modernist representational style, she was also a watercolorist and oil painter and it was an oil painting of hers, "The Lower Lot," that won her the first of quite a few prizes during her career.
Betty Waldo Parish
- Birth Name
- Betty Waldo Parish
- Born
- 1910
- Birthplace
- Cologne
- Died
- 1986
- Spouse
- Edward Stanhope Leonard, Whitney Darrow Jr., Richard Comyn Eames
- Known for
- Artist
- Nationality
- United States
- Occupation
- printmaker · painter
- Education
- The New School · School of the Art Institute of Chicago · Grand Central School of Art
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Betty Waldo Parish (1910–1986) was an American printmaker and painter who exhibited with nonprofit organizations, including the Fine Arts Guild, the Pen and Brush Club, and the National Association of Women Artists, as well as commercial galleries. Best known for her etchings and woodcuts in a modernist representational style, she was also a watercolorist and oil painter and it was an oil painting of hers, "The Lower Lot," that won her the first of quite a few prizes during her career.
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wikidata · Q62572476 · wikipedia · Betty Waldo Parish
In this article
Biography
Biography
Betty Waldo Parish studied at The New School, School of the Art Institute of Chicago and Grand Central School of Art. Work by Betty Waldo Parish is recorded in the collections of Art Institute of Chicago, The Nelson-Atkins Museum of Art and Print Collection.
Key facts
Key facts
• Birth Name — Betty Waldo Parish • Born — 1910 • Birthplace — Cologne • Died — 1986 • Spouse — Edward Stanhope Leonard, Whitney Darrow Jr., Richard Comyn Eames • Known for — Artist
Early life and training
Early life and training
After graduating from the Horace Mann School for Girls in New York, Parish attended the New School for Social Research and studied at the School of the Art Institute of Chicago, the Grand Central School of Art, and the Académie Julian in Paris. In 1930 or shortly before, she joined the Art Students League where she worked with Kenneth Hayes Miller, John Sloan, Reginald Marsh, Eugene Speicher, and Anne Goldthwaite. In the late 1930s or early 1940s she also attended the school at the Spokane Art Center.
Career in art
Career in art
In May 1932 Parish was one of some 200 artists who showed in the first Washington Square Outdoor Art Exhibition and in June she and eight other artists showed again at an outdoor gallery behind the Gotham Book Mart on 47th Street. In 1933 Parish was a founding member and officer of the Fine Arts Guild, a group that held exhibitions of members' works at Grant Studios and other galleries. Reviewing this show, the critic, Howard Devree, singled out a painting of hers called "Black Tower," calling it "grimly impressive." After appearing in group shows later in 1933 and early in 1934, Parish was given a solo exhibition in a gallery at the Eighth Street Playhouse. During the remainder of the 1930s Parish continued to exhibit exhibited etchings, woodblocks, and watercolors in the Washington Square outdoor exhibits and Fine Arts Guild. Her work also appeared in group shows at places such as the Corcoran Gallery and the galleries of the Municipal Art Committee. She also joined and began appearing in annual exhibitions of the National Association of Women Painters and Sculptors. In 1939 she was awarded a prize in the National Association of Women Painters and Sculptors fiftieth anniversary exhibition. An image of the prize-winning painting, a landscape called "The Lower Lot," appeared with the New York Times article describing the show. During the late 1930s she made prints as an employee of the Federal Art Project of the Works Progress Administration. She continued to show in group exhibitions during the 1940s, mostly those of the women's association, by then renamed the National Association of Women Artists. She showed a panoramic painting called "Washington Square South" in the 1942 show, which was, without explanation, called the 50th anniversary exhibition. In the mid-1940s she joined the Pen and Brush Club and began to show in its group exhibitions. In 1944 the club awarded her first prize in the oil paintings category and in 1947 gave her an honorable mention. In 1941, 1942, and 1943 she exhibited with the American Society of Etchers and in 1943 was awarded a prize for work by a non-member. In the early 1950s she won further recognition from the New York Society of Women Artists and the Pen and Brush Club. In the late 1950s and the 1960s her work appeared in retrospective solo exhibitions in places such as the Utica Public Library and the Rural Supplementary Education Center in Stamford, New York. She was given posthumous solo exhibitions at the Sylvan Cole Gallery (1988) and the Susan Teller Gallery (1988) as well as one group (2005) and one duo exhibition (2009) at the Teller Gallery.
Personal life and family
Personal life and family
Betty Waldo Parish was born in Cologne in 1910. Although she used Betty as her forename and sources of 1925 or later give that name, public records show her name as Elizabeth before that date. Her father was William Francis Parish (1874-1939), an engineer who specialized in machine lubricants and who was known for his work in military aviation and in developing synthetic oils. He was a U.S. citizen traveling in Germany when Betty Waldo Parish was born. Her mother was Josephine Driggs Parish (born about 1882). The two were married in Boston in 1904. Betty Waldo Parish had a sister, Helen K. Parish (born about 1913) and a brother William W. Parish (born about 1922). In 1930 she married Edward Stanhope Leonard (born about 1902), an illustrator. In 1935 that marriage ended in divorce and in 1938 she married Whitney Darrow Jr. (1909-1999), a New Yorker cartoonist. In 1942, after divorcing Darrow, she married Richard Comyn Eames, a farm equipment specialist and breeder of collies, ponies, and horses. Eames and Parish had two children, Richard Comyn Eames II (1945-1997), a sculptor whose professional name was Dickon Eames, and Elizabeth Parish Eames Roebling (born 1947), a journalist with the Inter Press Service. Sometime after the birth of the two children, Richard Comyn Eames moved to St. Croix, Virgin Islands, while Parish remained in New York. He did not attend the weddings of either child, both held in 1967. Parish died in 1986.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1910
Betty Waldo Parish born at Cologne.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Betty Waldo Parish was born in Cologne.
Birthplace
Betty Waldo Parish was born at Cologne.
Birth place
Artistic style and critical reception
• Illustration — Betty Waldo Parish, Thompson Memorial, Vassar College, 1932, wood engraving, 10 x 7 inches • Illustration — Betty Waldo Parish, Country Barn, lithograph in colors, about 1936, 12 1/4 x 16 3/4 inches • Illustration — Vineyard Haven (Martha's Vineyard), 1945, wood engraving, 9 x 15 inches • Illustration — Betty Waldo Parish, Four Figures, 1950, wood engraving printed in black and sepia, 10 x 15 inches Parish was a skillful printmaker and painter who worked in a modernist representational style on subjects that were predominantly landscapes, cityscapes, figures, and still lifes. "Thompson Memorial, Vassar College," shown at left, illustrates her handling of a landscape in woodblock early in her career. "Country Barn," shown at right, illustrates her handling of color lithography at about the same time. "Vinyard Haven (Martha's Vinyard)," shown at left, illustrates her handling of a seascape in woodblock late in her career. "Four Figures," shown at right, illustrates her handling of figures in woodblock late in her career. Critics in general singled out her work as being exceptional and worthy of attention but did not discuss its style, technique, or other artistic attributes. Howard Devree, the only critic with a major New York newspaper to discuss her work in any detail, limited himself to generalizations. Along with other artists in a group show, he said in 1933 that her work was free from "freakishness and imitation" and (as already noted) later that year called one of her paintings "grimly impressive." In 1940 he said a painting called "Priston Road" was "forceful" and in 1941 he praised one of her prints for its "meticulous detail." In 1933 a critic for the New York Sun named Parish as one of a group whose works "edged to the fore" and accomplished "more or less engagingly what the artist set out to do." In 1940 a critic for an out-of-town paper called her work outstanding and said of one: "It is a fine example of modern treatment of landscape, exhibiting a fine sense of design with excellent color." The critic added, "Miss Parish's work is fresh, and her approach to her subject is modern."
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Parish–Darrow. New York Times. 28. 1938-05-12.
- 2.Marriage Announcement; Parish–Leonard. New York Times. 19. 1930-04-12.
- 3.Susan Teller. Betty Waldo Parish (1910–1986). Susan Teller Gallery.
- 4.Outdoor Art Gallery Opens. New York Times. 23. 1932-06-16.
- 5.Sidewalk Art Sale Approved by City. New York Times. 17. 1932-05-21.
- 6.2 Artists Win Jobs by Street Display: A Third Gets Temporary Work on Second Day of Sale in Washington Square; 51 Paintings Sold in Day; Sections Takes on Atmosphere of a County Fair as Crowds Pass Along Exhibit Stalls. New York Times. 17. 1932-05-30.
- 7.Joshua Barone. Spare Time. New York Times. 2012-09-10.
- 8.New Arts Guild Formed. New York Times. 15. 1933-03-01.
- 9.Howard Devree. In the Galleries; Varied Fare for the Visitor. New York Times. X8. 1933-03-12.
- 10.Local Events. New York Times. X7. 1934-08-12.
- 11.Art Notes. New York Times. 20. 1940-10-31.
- 12.William Parish. New York Post. 12. 1939-03-08.
- 13.Edward Alden Jewell. The 'How' and the 'What'. New York Times. X7. 1936-05-10.
- 14.Vylla Poe. American Society of Miniature Painters. Washington Post. ST5. 1934-12-09.
- 15.Edward Alden Jewell. Federal Project Opens Art Exhibit: Display of Graphic Creations Is Combined With Reception Attended by Mayor. New York Times. 17. 1936-05-01.
- 16.Art Group Is Praised by Mrs. Breckinridge: Its Chairman Holds La Guardia Committee Has Earned Right to Financial Support. New York Times. 13. 1936-04-18.
- 17.Edward Alden Jewell. Two Large Group Shows: The Pennsylvania Academy and Women's National Association Hold Annuals. New York Times. X9. 1936-02-02.
- 18.A Fiftieth Anniversary. New York Times. X7. 1939-08-13.
- 19.A Finding Aid to the Federal Art Project, Photographic Division Collection, circa 1920-1965, bulk 1935-1942. Archives of American Art.
- 20.A.Z. Kruse. At the Art Galleries. Brooklyn Daily Eagle. 5. 1942-01-18.
- 21.Gallery and Studio. Brooklyn Daily Eagle. 4. 1889-12-15.
- 22.Art Notes; First Exhibition of the Woman's Art Club. Evening Post. 15. 1890-03-01.
- 23.Women and Their Work; Woman's Art Club of New York. Evening Post. 7. 1899-03-15.
- 24.Pen and Brush Club's Home. New York Times. RE2. 1923-06-10.
- 25.Libby Lackman. Pen and Brush Dates to 1893; Writers and Artists Group Owns Home, Elects Ida Tarbell 28 Times. New York Times. D4. 1941-02-16.
- 26.Our History. Pen and Brush Club.
- 27.Art Notes. New York Times. 23. 1944-11-15.
- 28.March 15 Is Deadline in Painting Contest. New York Times. 31. 1947-02-27.
- 29.Betty W. Parish Married. New York Times. 20. 1942-11-20.
- 30.Edward Alden Jewell. American Etchers in Annual Show. New York Times. 11. 1943-11-20.
- 31.Parish Prints Being Shown at Library. Utica Observer-Dispatch. 6. 1958-09-08.
- 32.Features Scenes by Betty Parish. Stamford Mirror Recorder. 4. 1969-10-08.
- 33.Art. New York Times. 88. 1988-04-03.
- 34.Howard Devree. Many Shows in Brooklyn. New York Times. 16. 1933-03-08.
- 35.Howard Devree. A Reviewer's Notebook. New York Times. 128. 1940-02-04.
- 36.Howard Devree. Display of Prints Put on Exhibition. New York Times. 17. 1941-01-08.
- 37.New Display by Arts Guild; Holds Second Exhibition for the Season. New York Sun. 31. 1933-05-05.
- 38.Dutchess Art Group's Exhibits at County Fair Larger This Year. Poughkeepsie Eagle News. 4. 1940-08-27.
- 39.Elizabeth Parish. "New York Passenger Arrival Lists (Ellis Island), 1892-1924", database with images, FamilySearch; Elisabeth Parish, 1910.
- 40.Elizabeth Parish. "New York State Census, 1915," database, FamilySearch; citing p. 32, line 26, state population census schedules, 1915, New York State Archives, Albany.
- 41.Josephine Parish in household of William F Parish, Deerfield, Lake, Illinois, United States. "United States Census, 1920," database with images, FamilySearch; citing ED 250, sheet 4B, line 99, family 81, NARA microfilm publication T625 (Washington D.C.: National Archives and Records Administration, 1992), roll 381; FHL microfilm 1,820,381.
- 42.Betty W Parish, New York, A.D. 13, E.D. 01, New York, New York, United States. "New York State Census, 1925," database, FamilySearch; records extracted by Ancestry and images digitized by FamilySearch; citing p. 15, line 50, New York State Archives, Albany.
- 43.Wm Francis Parish. "United States World War I Draft Registration Cards, 1917-1918," database with images, FamilySearch; citing District of Columbia no 9, District of Columbia, United States, NARA microfilm publication M1509 (Washington D.C.: National Archives and Records Administration, n.d.); FHL microfilm 1,556,845.
- 44.William F. Jr. Parish and Josephine Driggs, 06 Aug 1904. "Massachusetts, Town Clerk, Vital and Town Records, 1626-2001," database with images, FamilySearc; citing Marriage, Boston, Suffolk, Massachusetts, United States, town clerk offices, Massachusetts; FHL microfilm 826,143.
- 45.Betty W Parish in household of William F Parish, Manhattan (Districts 0751-1000), New York, New York, United States. "United States Census, 1930," database with images, FamilySearch; citing enumeration district (ED) ED 860, sheet 21B, line 61, family 562, NARA microfilm publication T626 (Washington D.C.: National Archives and Records Administration, 2002), roll 1563; FHL microfilm 2,341,298.
- 46.Betty Parish Weds Richard C. Eames. Millbrook Round Table. 6. 1942-11-27.
- 47.Elizabeth Eames Engaged to Wed Dental Student: Alumna of Middlebury. New York Times. 86. 1967-02-05.
- 48.Dickon Eames (1945-1997). Ressources de la Bibliothèque nationale de France.
- 49.Births. Millbrook Round Table. 3. 1947-04-18.
- 50.Miss Hutt Bride of Richard C. Eames II. Villager. 5. 1967-01-05.
- 51.Miss Eames Marries Bruce C. MacKinnon. Villager. 5. 1967-08-31.
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Recognition and collections
Work by Betty Waldo Parish is
Art Institute of Chicago, The Nelson-Atkins Museum of Art and Print Collection
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Prints
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