Benjamin Abrahão Botto
Illustration — Botto Benjamin Abrahão Botto (c. 1890 – May 10, 1938) was a Lebanese-born Brazilian photographer. He is best known for filming the Cangaço and its leader Virgulino Ferreira da Silva.
Benjamin Abrahão Botto

Ary Bezerra Leite · http: Livro - Ary Bezerra Leite - "Fortaleza e a Era do Cinema - Volume I, 1891-1931". Fortaleza, Secretaria da Cultura, 1995. 537 p. / · Public domain
- Born
- 1890 · Zahlé.
- Died
- 1938 · Serra Talhada.
- Nationality
- Brazil
- Occupation
- photographer · painter
- Languages
- Portuguese
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Illustration — Botto Benjamin Abrahão Botto (c. 1890 – May 10, 1938) was a Lebanese-born Brazilian photographer. He is best known for filming the Cangaço and its leader Virgulino Ferreira da Silva.
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Note VALÉORINE
Benjamin Abrahão Botto (1890–1938) was a painter and photographer, of Brazilian nationality. The painter was born in Zahlé and died in Serra Talhada. Languages used include Portuguese.
Composed from admitted, traceable facts · 29 September 2026
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In this article
Early life
Early life
He was murdered during the Estado Novo period in Brazil.
Benjamin Abrahão Botto was born in Lebanon. To avoid becoming a conscript of the Ottoman Empire that fought in the First World War, Abrahão migrated to Brazil in 1915. In Recife, he worked as a traveling salesman, selling cloth and small goods. Attracted by the frequency of pilgrims in the city of Juazeiro do Norte, he moved his business there. Abahão was the secretary of Padre Cícero and met the cangaceiro Lampião in 1926 when he went to Juazeiro do Norte to ask for the priest's blessing and seek the rank of Captain, for helping the government in the pursuit of the Coluna Prestes.
Career
Career
In 1929, Abrahão photographed the cangaceiro leader with the priest, two of the most important figures of the northeast region of Brazil. After the death of Padre Cícero, Abrahão asked and received permission from the infamous Lampião to follow his group in the Caatinga and take the photos that in the future would immortalize them. For that he had the help of cearense Ademar Bezerra de Albuquerque, owner of ABAFILM, lent him the equipment and taught him to use it. The Getúlio Vargas government, which saw Abrahão as an enemy of the regime, seized his work. He was murdered at Serra Talhada (with 42 stab wounds) without either the killer or the motivation for the crime ever surfacing.
Lampião's Letter
Lampião's Letter
Lampião himself wrote a letter, certifying that his pictures were taken by Abrahão. The text below is a translation from the Portuguese original letter wrote by Lampião. It is important to highlight that Lampião was semi-alphabetized and the text may have many errors in the Portuguese version.
Abandon and rescue
Abandon and rescue
On April 7, 1937, newspapers transcribed the order from the director of the national Department of Press and Propaganda (Departamento de Imprensa e Propaganda-DIP) that determined the seizure of the movie "Lampião". Here is the transcription: His works were forgotten until the 1950s when the Getúlio Vagas Foundation incorporated them. In 1999, his life became the subject of the movie Perfumed Ball. In 2000, his work was presented in many expositions in Paris, São Paulo and Rio de Janeiro.

Benjamin Abrahão com Maria Bonita e Lampião no sertão nordestino, nas proximidades do Rio São Francisco. ABRAHÃO, Benjamin. Benjamin Abrahão com Maria Bonita e Lampião. 1936. Fotografia, p b. Instituto Moreira Salles, Rio de Janeiro.
Benjamin Abrahão · http: brasilianafotografica.bn.br/brasiliana/handle/bras/5253
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Zahlé.
Birth place
Serra Talhada.
Death place
Recordings
Abrahão had to work out how to record the group that was running away from the government's increasingly violent pursuit. The meeting occurred in an isolated place of the Brazilian Caatinga, where the cangaceiro leader, very suspicious of the man's intentions, he did the first recordings with the photographic equipment himself. Only then did he allow Abrahão to record. Abrahão then returned to Fortaleza with his work obtained more resources to take more pictures of the group. Some started considering Abrahão a suspect because he sent pictures and articles to newspapers describing their adventures, but also for his knowledge of the whereabouts of the group.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.CHIODETTO, Élder , notícia na Folha de S.Paulo, transcrição (página acessada em 12 de fevereiro de 2008).
- 2.Artigo: MONTEIRO, Fernando. Cinema e cangaço na terra do sol in: revista História Viva, edição 23 - Setembro 2005 (página acessada em 12 de fevereiro de 2008).
- 3.Matéria , Virtual Books, página pesquisada em 12 de fevereiro de 2008.
- 4.Matéria , Virtual Books, página pesquisada em 12 de fevereiro de 2008.
- 5.História do filme , com sinopse, e breve biografia de Benjamin Abrahão (página pesquisada em 12 de fevereiro de 2008).
- 6.Notícia, in: Folha de S.Paulo, de 9 de outubro de 2000 (página pesquisada em 11 de fevereiro de 2008)
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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