Ben Katchor

Ben Katchor studied at School of Visual Arts. The recorded working language is English. The field of work recorded is comic. Employment is recorded with The New School. Works named in the authority record are Julius Knipl, Real Estate Photographer and The Jew of New York. Distinctions recorded are Guggenheim Fellowship, MacArthur Fellows Program, Berlin Prize and Inkpot Award.

• Birth Name — Benjamin Katchor • Born — 19 November 1951 • Birthplace — New York City, U.S. • Cartoonist — y • Notable Works — Julius Knipl, Real Estate Photographer • Awards — Guggenheim Fellowship, 1995 MacArthur Fellowship, 2000 • Website — www.katchor.com

Katchor contributed occasional illustrations while on staff for The Kingsman, the student newspaper of Brooklyn College, and he was an early contributor to RAW. He edited and published two issues of Picture Story, which featured his own work, with articles and stories by Peter Blegvad, Jerry Moriarty, Mark Beyer and Martin Millard. In 1993, Katchor was the subject of a lengthy profile by Lawrence Weschler in The New Yorker and an extended essay by John Crowley in The Yale Review (1998). His comics have been translated into French, Italian, German, Spanish and Japanese. Katchor wrote and illustrated a "weeklong electronic journal" for Slate in 1997, he contributed articles to the now-defunct Civilization: The Magazine of the Library of Congress, did illustrations for the New Yorker and occasionally The New York Times Book Review. Katchor was the guest editor of the 2017 edition of Best American Comics.

• Julius Knipl – Paints a fictional version of New York City with a decidedly Jewish/urban sensibility. Julius Knipl has been published in several book collections including Cheap Novelties: The Pleasure of Urban Decay (Penguin), Julius Knipl, Real Estate Photographer: Stories, with a foreword by Michael Chabon (Little, Brown & Co.), and The Beauty Supply District (Pantheon Books). • The Cardboard Valise – A weekly strip chronicling the travels of Emile Delilah to a variety of imaginary nations. It was expanded, collected and published by Pantheon Books in 2011. • Hotel & Farm – A weekly strip dealing, over alternating weeks, with hotel culture and agriculture. It appeared in weekly newspapers in the U.S. • Shoehorn Technique – A weekly strip exploring the possibilities of human mobility across socio-economic strata in an imaginary city. Temporarily suspended after 52-weeks. • Metropolis series – Since 1998, Katchor has produced a monthly strip for the back-page of Metropolis magazine dealing with the topics of architecture and urban design. Katchor's operas The Carbon Copy Building and The Slug Bearers of Kayrol Island were adapted from strips in this series. The strips were collected in the 2013 book Hand-Drying in America and other stories (Pantheon Books). This series ended in December 2016. • "Our Mental Age" – An online comic-strip series started 2017. • The Dairy Restaurant (2020), an illustrated history of the dairy restaurant with an online addendum.

Katchor has written several works of musical theater, including The Rosenbach Company (a tragi-comedy about the life and times of Abe Rosenbach, the preeminent rare-book dealer of the 20th century); The Slug Bearers of Kayrol Island, or, The Friends of Dr. Rushower, an absurdist romance about the chemical emissions and addictive soft-drinks of a ruined tropical factory-island; A Checkroom Romance, about the culture and architecture of coat-checkrooms, and Up From the Stacks, about a page working the stacks of the New York Public Library c.1970. All feature music by Mark Mulcahy. In 1999, he collaborated with Bang on a Can on an opera entitled, The Carbon Copy Building.

Ben Katchor is recorded with the occupation comics writer. Recorded with the occupation cartoonist. Recorded with the occupation librettist. Recorded as comics artist, librettist, cartoonist and writer.