Bartolomeo Campi
Bartolomeo Campi (died 1573), was an Italian renaissance artist, goldsmith, armourer, and military engineer from Pesaro, who worked at the courts of Urbino and France. He is sometime confused with the Italian artist Bartolomeo Cesi (1556–1629).
Bartolomeo Campi
- Died
- 1573 · Liège.
- Occupation
- goldsmith · architect
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Bartolomeo Campi (died 1573), was an Italian renaissance artist, goldsmith, armourer, and military engineer from Pesaro, who worked at the courts of Urbino and France. He is sometime confused with the Italian artist Bartolomeo Cesi (1556–1629).
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Bartolomeo Campi (1500–1573) was an architect and goldsmith. Born in Pesaro, the architect died in Liège.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q100741584 · wikipedia · Bartolomeo Campi
In this article
Career
Career
• Illustration — Campi's first patron, the Duke of Urbino and his son Francesco Maria, Titian He was born in Pesaro, the son of a goldsmith of Modena, Bernardino Campi. Pietro Aretino commended his early works. Bartolomeo Campi worked for Guidobaldo II della Rovere, Duke of Urbino. In 1546, he made the Duke a suit of armour in all'antica, ancient Roman style, now held by the Royal Collection in Madrid. He signed the cuirass "BARTOLOMEUS CAMPI", recording it as a year's worth of work made by continuous labour in two months. A pair of stirrups in the Victoria and Albert Museum including similar decoration of damascened vine leaf tendrils are thought to have been made by his workshop, although these are signed "ACF" rather than "BC Fecit". Bartolomeo Campi designed costume for court festivals in Urbino and for Guidobaldo della Rovere's marriage to Vittoria Farnese in January 1548. According to Guidobaldo del Monte, Bartolomeo also designed an automaton for the Duke's dinner table, a silver tortoise with a shell that opened to deliver toothpicks to the guests.
An innovative cannon
An innovative cannon
In April 1554, the Duke of Urbino recommended Bartolomeo's skills to Ercole II d'Este, Duke of Ferrara and King Henry II of France for his innovations in artillery. After a short period in Siena, where he was wounded, and Venice, Bartolomeo worked at the French court from 1557 to 1562. In January 1555, Bartolomeo, or his brother Giacomo di Bernardino Campi, demonstrated a novel cannon in Paris for Henry II that could be easily dismantled in sections for transport. Campi's gun was described by the English diplomat, Nicholas Wotton. Sent from the "duke of Urbin", it had a longer range and greater power than a conventional brass cannon of the same size. An Italian military engineer working in England in 1561, Giovanni Portinari, claimed to have the design of Bartholmew Campi's "portative cannon". According to Julio Alvarotto, an envoy of Duke of Ferrara, an Italian artist "Bartho da Pesaro" who had worked for the Duke of Urbino designed pageant ships with sails of silver cloth to carry masque dancers in the hall of the Palais de la Cité following the wedding of Mary, Queen of Scots, and Francis, Dauphin of France on 24 April 1558. Alvarotto wrote that Charles III, Duke of Lorraine had paid six thousand ducats for the pageant of ships. In the same year, Bartolomeo served François, Duke of Guise at Calais and the siege of Guînes. In 1558 Bartolomeo served the Duke of Guise at Calais and the siege of Guînes. He made a will in Paris in December 1567. Fernando Álvarez de Toledo, 3rd Duke of Alba employed Bartolomeo Campi and his son Scipio from 1568. His proposals for improvements to the fortifications at Antwerp, designed by Francesco Paciotto, were not carried out. Bartolomeo Campi was killed by an arquebus shot on 3 March 1573 at the siege of Haarlem.
Identity
Identity
Bartolomeo Campi is recorded as goldsmith and architect.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1500
Bartolomeo Campi born at Pesaro.
1573
Bartolomeo Campi died at Liège.
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Pesaro.
Birth place
Liège.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.James G. Mann, 'An Embossed Visor of Guidobaldo II, Duke of Urbino', Burlington Magazine, 82:478 (January 1943), p. 15: Lettere di M. Pietro Aretino, 4 (Paris, 1609), p. 7.
- 2.Stuart W. Pyhrr & José-A. Godoy, Heroic Armor of the Italian Renaissance: Filippo Negroli and His Contemporaries (Metropolitan Museum, 1998), p. 283.
- 3.Angus Patterson, Fashion and Armour in Renaissance Europe: Proud Lookes and Brave Attire (London: V&A, 2009), p. 96.
- 4.Carolyn Springer, Armour and Masculinity in the Italian Renaissance (University of Toronto, 2010), p. 87.
- 5.Courtney Ann Roby, The Mechanical Tradition of Hero of Alexandria (Cambridge, 2023), p. 232: Courtney Roby, 'Moving Wood, Man Immobile: Hero's Automata at the Urbino Court', Guy Hedreen, Material World (Brill, 2021), pp. 108–132. : Fermo Giovanni Motta, Villa Caprile: il tempio dei quattro elementi (Electa, 1998), p. 165.
- 6.Angelo Angelucci, Documenti inediti per la storia delle armi da fuoco italiane, 1:1 (Turin, 1869), pp. 330–333 no. 61.
- 7.James G. Mann, 'An Embossed Visor of Guidobaldo II, Duke of Urbino', Burlington Magazine, 82:478 (January 1943), p. 16.
- 8.Marina Belozerskaya, Luxury Arts of the Renaissance (Getty, 2005), p. 160: William Barclay Turnbull, Calendar of State Papers, Foreign, Mary (London, 1861), p. 151
- 9.Sheila R. Richards, Secret Writing in the Public Records (London: HMSO, 1974), p. 11: James G. Mann, 'An Embossed Visor of Guidobaldo II, Duke of Urbino', Burlington Magazine, 82:478 (January 1943), p. 16.
- 10.Joseph Stevenson, Calendar State Papers Foreign Elizabeth, 1560–1561 (London, 1865), pp. 351–352 no. 628.
- 11.Tripodi Claudia, Caterina De' Medici: Da Firenze alla Francia (Diarkos, 2024), fn. 130: Herbert Van Scoy, Bernerd C. Weber, "The Marriage of Mary Queen of Scots and the Dauphin", Scottish Historical Review, 31:111, Part 1 (April 1952), pp. 44, 47–8.
- 12.Herbert Van Scoy, Bernerd C. Weber, "The Marriage of Mary Queen of Scots and the Dauphin', Scottish Historical Review, 31:111, Part 1 (April 1952), pp. 44, 47.
- 13.Angelo Angelucci, Documenti inediti per la storia delle armi da fuoco italiane, 1:1 (Turin, 1869), p. 331 fn.
- 14.Angelo Angelucci, Documenti inediti per la storia delle armi da fuoco italiane, 1:1 (Turin, 1869), p. 331 fn.
- 15.Guy-Michel Leproux & Jean-Pierre Reverseau, 'Bartolomeo Campi à l'hôtel de Nesle', Documents d'histoire parisienne, 17 (2015), 17-30.
- 16.Testament de Bartolomeo Campi, de Pesaro (Italie), ingénieur du roi: FranceArchives
- 17.Charles van den Heuvel, 'Bartolomeo Campi: A different method of designing citadels: Groningen and Flushing', Architetti e ingegneri militari italiani all'estero dal XV al XVIII secolo (Livorno, 1994), 153–67.
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Vincenzo Campi e Bartolomeo Passarotti na construção de cenas da dieta renascentista italiana, Atas do
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