B. Marcus Priteca
Benjamin Marcus Priteca (23 December 1889 – 1 October 1971) was a Jewish-American architect. He is best known for designing theatres for Alexander Pantages.
Also recorded as Benjamin Marcus Priteca · Bernard Marcus Priteca · Benny Priteca
B. Marcus Priteca

Williams · Museum of History and Industry · Public domain
- Name
- B.
- Birth Name
- Benjamin Marcus Priteca
- Born
- 23 December 1889
- Birthplace
- Glasgow, Scotland
- Died
- 1 October 1971 (aged 81)
- Place of death
- Seattle, Washington, U.S.
- Nationality
- United States
- Occupation
- architect
- Education
- University of Edinburgh
- Known for
- Hollywood Pantages Theatre
- Honours
- Fellow of the American Institute of Architects
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Benjamin Marcus Priteca (23 December 1889 – 1 October 1971) was a Jewish-American architect. He is best known for designing theatres for Alexander Pantages.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for B. Marcus Priteca. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q4834112 · wikipedia · B. Marcus Priteca
In this article
Key facts
Key facts
• Name — B. Marcus Priteca • Birth Name — Benjamin Marcus Priteca • Born — 23 December 1889 • Birthplace — Glasgow, Scotland • Died — 1 October 1971 (aged 81) • Place of death — Seattle, Washington, U.S.
Early life
Early life
Benjamin Marcus Priteca was born into a Jewish family in Glasgow on 23 December 1889. His nickname was "Benny". He served an apprenticeship in Edinburgh under architect Robert MacFarlane Cameron from 1904 to 1909, and earned degrees from the University of Edinburgh and the Royal College of Arts during this time. In 1909, he emigrated to the U.S. and settled in Seattle.
Career
Career
Priteca met Seattle vaudeville theatre owner Alexander Pantages in 1910 and won a commission from him to design the San Francisco Pantages Theater (1911), the first of many so-named vaudeville and motion picture houses in what would become one of the largest theater chains in North America. In all, Priteca designed 22 theaters for Pantages and another 128 for other theater owners. Pantages is said to have liked Priteca as a theater architect for his ability to create the appearance of opulence within a less-than-opulent budget. Pantages is quoted as saying, "Any damn fool can make a place look like a million dollars by spending a million dollars, but it's not everybody who can do the same thing with half a million." Priteca's apprentices included Gregory Ain, who went on to success as a modernist architect (practicing in a very different manner). Ain worked with Priteca for a short time in the late 1920s and helped draw the Los Angeles Pantages. In 1951, Priteca became a Fellow of the American Institute of Architects. He remained active as an architect well into his later years, working as a consultant in the design of the Seattle Opera House (1962) and the Civic Auditorium (1968) in Portland, Oregon.
Death
Death
Priteca died in Seattle on 1 October 1971, at the age of 81. His first name was mistakenly recorded as "Bernard" on his death certificate. He was posthumously awarded honorary membership of the Theatre Historical Society of America.
Theaters
Theaters
• Coliseum (1915), Seattle, NRHP-listed • Pantages (1918), Tacoma, NRHP-listed • Pantages (1920), Los Angeles • Pantages (1924), San Diego • Pantages (1926), San Francisco • Orpheum (1927), Vancouver, NHSC-listed • Pantages (1928), Fresno, NRHP-listed • Paramount (1929), Seattle • Pantages (1929), Hollywood, NRHP-listed • Warner Huntington Park (1930) • Warner Grand (1931), San Pedro, NRHP-listed • Warner Beverly Hills (1931) • Fine Arts Theatre (1936), Beverly Hills • Admiral (1942), West Seattle, NRHP-listed
Other buildings
Other buildings
• Chevra Bikur Cholim synagogue (1912), Seattle, Washington • Crystal Pool natatorium (1916), Seattle • Temple De Hirsch Sinai, Alhadeff Sanctuary, Seattle • Keller Auditorium, Portland, Oregon • Longacres racetrack clubhouse and grandstand, Renton, Washington
Gallery
Gallery
• Illustration — Priteca's Orpheum Theatre on Granville Street in Vancouver, c. 1946 • Illustration — Priteca's Pantages Theater in Hollywood • Illustration — Detail of Priteca's Chevra Bikur Cholim synagogue in Seattle, now the Langston Hughes Performing Art Center • Illustration — Coliseum Theatre, Seattle under construction 1915 • Illustration — Terracotta Green Man, Coliseum Theatre, Seattle • Illustration — Terracotta Griffins, Crystal Pool, Seattle • Illustration — The Alhadeff Sanctuary of Seattle's Temple De Hirsch Sinai, a late Priteca project • Illustration — Civic Auditorium (now Keller Auditorium) in Portland • Illustration — Seattle's Crystal Pool natatorium, 1916
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Glasgow.
Birth place
Seattle.
Death place
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Design
11,558 published records in this field, each with its sources named.
- Aziz YıldırımDesigner
- Aziza ChaouniDesigner
- Azra AksamijaDesigner
- B. DambiinyamDesigner
- B. Stanley SimmonsDesigner
- B.J.K. CramerDesigner
- Baccio PontelliDesigner
- Baghdasar ArzoumanianDesigner
Best supported in this field
For owners
Own a work by B. Marcus Priteca?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.