Arthur Thrall

Thrall held the Louis Comfort Tiffany Fellowship in Graphics. He was a member of The Boston Printmakers and the Society of American Graphic Artists (SAGA), New York for more than 40 years, being represented in their annual shows. In 2013, he received a Lifetime Achievement Award from SAGA. Thrall was also included in Boston Printmakers 2010 thINK Show, a traveling exhibition, and in 2010–2011 he was in the Ronald L. Ruble Collection - "The Printmaking Revolution in America and the Wisconsin Presence" at the Kenosha Public Museum. In 2011, he received a Wisconsin Visual Art Lifetime Achievement Award at the Museum of Wisconsin Art (MOWA) in West Bend. Thrall held the Ferrar-Marrs Chair in Fine Arts at Lawrence University in Appleton, Wisconsin until his retirement in 1990. He was a visiting artist-teacher at the Artist's Union in Helsinki, Slade School of Art at University College and Morley College both in London, and at the University of Wisconsin–Madison. Over the years, Thrall had solo and group shows at galleries in New York; the National Printmakers Show in Hilo Hawaii, Chicago, and more recently in Rockport, Massachusetts; in Door County, Wisconsin; New Visions Gallery at the Marshfield Clinic; and the Appleton Art Center's exhibition entitled "Symphony: Art and Music." Special exhibitions have been "150 Years of Wisconsin Printmaking" at the Chazen Museum of Art at the University of Wisconsin-Madison, "The Art in Music" exhibition at the University of Wisconsin–Milwaukee, and other college and university galleries in Wisconsin. He was commissioned to produce an edition of prints for the Wisconsin Governor's Award for the Arts. In November 1990, Thrall returned to his native Milwaukee, where he had a studio in Riverwest. He died March 11, 2015, in Milwaukee of prostate cancer. He was 88.

• Name — Arthur Thrall • Born — 18 March 1926 • Birthplace — Milwaukee, Wisconsin, US • Died — 11 March 2015 • Field — Painting, Printmaking

For many years music has been an inspiration for my paintings and prints. It is one of many graphic sources that have fascinated me, such as manuscripts, calligraphy, diagrams, graffiti, maps, scientific and technical charts. I freely interpret them for their gestural and textural effects rather than their literal meanings. My ideas emerge as impressionistic motifs and arrangements that echo their essence. With the musical themes, I consider them visual music or a kind of choreography. (directly from Arthur Thrall, September 2007).