Arthur Delaney
Arthur McEvoy Delaney (9 December 1927 – 17 April 1987) was an English painter whose scenes of Manchester life were influenced by those of L. Lowry, gaining some popularity since his death.
Also recorded as Arthur McEvoy Delaney
Arthur Delaney
- Born
- 1927
- Died
- 1987
- Occupation
- painter
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Arthur McEvoy Delaney (9 December 1927 – 17 April 1987) was an English painter whose scenes of Manchester life were influenced by those of L. Lowry, gaining some popularity since his death.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Arthur Delaney. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
In this article
Life and work
Delaney was born in 1927 in Chorlton upon Medlock, Manchester, Lancashire. He was alleged to be the illegitimate son of comedian Frank Randle (born Arthur Hughes) which DNA Matching has proven to be incorrect. His mother, Genevieve Delaney (also known as Willis (born Kelshaw)) was a music hall artiste who appeared with her sister, Mary Monica Kelshaw (also known as Lee); their act was known as Delaney and Lee. At 13 years of age, he joined a textile design studio in Manchester where he worked for the next 32 years. He married his childhood sweetheart, Joan Campion, in 1949 and they had four children. He started to paint as a means of relaxation. There were two great influences in his life that were to effect his own development as a painter. One was the work of L. S. Lowry and the other was the memories of the happy years he spent as a boy in the Manchester of the 1930s with its smoke-laden skies, rattling tramcars and gas lamps. Lowry's work made him aware of the many special qualities of the north and soon he began producing street scenes and industrial landscapes. His paintings were not stylised but a true likeness to their location. He set out to capture the atmosphere of the 1930s and all of his paintings capture the nostalgia of the period. In April 1974 he held a very successful one-man show at the Tib Lane Gallery in Manchester, with all the pictures selling within half an hour at the preview. His paintings continued to sell well during his lifetime and he exhibited at the Royal Academy. Many of his paintings were produced as limited-edition prints. In 2010 a painting by Delaney, in the style of L.S. Lowry, and painted as a homage to him, was auctioned after being seized by police from convicted fraudster Maurice Taylor. Taylor had purchased the painting for £7,500 in 2004; a signature "L S Lowry, 1964" had been added, before the painting was sold for £330,000 to a specialist dealer in Lowrys. The painting, of a snowbound Mill Street, Manchester, had been given an insurance valuation of £600,000 by the auctioneers Bonhams. The painting was said to lack fluidity, with muddy skies and with the lamp-posts wrongly highlighted in red. Delaney died aged 59 in 1987 at the Manchester Royal Infirmary.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 27 September 2026.
Elsewhere in Paintings
19,183 published records in this field, each with its sources named.
- Arthur Boyd HoughtonArtist
- Arthur CoulinArtist
- Arthur CoveyArtist
- Arthur CrispArtist
- Arthur DevisArtist
- Arthur Dominique RozaireArtist
- Arthur Douglas PeppercornArtist
- Arthur DoveArtist
Best supported in this field
For owners
Own a work by Arthur Delaney?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.