Arnold Schering
Arnold Schering (2 April 1877 in Breslau, German Empire – 7 March 1941 in Berlin) was a German musicologist. He grew up in Dresden as the son of an art publisher. He learned violin at the Annengymnasium from which he graduated in 1896.
Also recorded as Karl Dietrich Arnold Schering
Arnold Schering
- Nationality
- German Democratic Republic and German Reich.
- Occupation
- musicologist, university teacher, writer and musician.
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wikidata · Q67576 · wikipedia · Arnold Schering
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Bibliothèque nationale de France · Deutsche Nationalbibliothek
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Biography
Thereafter he studied violin at the Berlin School of Music under Joseph Joachim. From 1898 until 1902 he studied music in Berlin and Leipzig and wrote his dissertation on the instrumental concertos of Antonio Vivaldi (in German, Geschichte des Instrumentalkonzertes bei Antonio Vivaldi) and this work was influential in resurrecting the music of this composer. In 1907 he made his habilitation and was made a professor of music in 1915. In 1920 Schering gathered evidence that composer Johann Sebastian Bach usually used 12 singers in his cantatas and other vocal works. This insight eventually became influential in the early music movement. From 1928 onward he taught as a professor of musicology in Berlin. After the Nazis rose to power, Schering became a member of the National Socialist Teachers League and the executive council of the Reichsmusikkammer. The "Führerprinzip" followed, especially in 1936 or 1937 under Ludwig Schiedermair (1876–1957), who succeeded him as president". In January 1934, Schering delivered a lecture at the German Society for Education about "The Germanic in German music" In the same year appeared his book "Beethoven in a New Interpretation" in which he parallels in the works of Beethoven scenes from Shakespeare's plays, and where Schering put forward the bold claim that this formal design along the line of Shakespeare scenes was intentional. Also in the same year he wrote an article in the Journal for Musicology where he characterized Beethoven's famous 5th symphony as a "Symphony of National Rising," much in the sense of the rising of the National Socialist regime. Finally in 1936, he wrote, in Beethoven and Poetry, "If a brutal, sensual, and to us, racially-foreign music threatens to alienate us from the insoluble relationship between high music and high art, it is in Beethoven we can once again make a new ideal covenant." In August 1940 he took leave from his work due to illness. He died the following year and was buried in the Friedhof Heerstraße. The location of his grave is unknown.
Documentary record
Arnold Schering was a musicologist, university teacher, music critic, editor and composer, born on 2 April 1877 and died on 7 March 1941 in Berlin. Arnold Schering was born in Breslau, Germany, according to the Deutsche Nationalbibliothek and the Bibliothèque nationale de France. The death is recorded by the Bibliothèque nationale de France and the Deutsche Nationalbibliothek. The Deutsche Nationalbibliothek records Leipzig, Halle (Saale), Berlin and Leisnig as places of activity.
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Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Arnold Schering, revision 1154886821 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Fred K. Prieberg: Handbuch Deutsche Musiker 1933–1945. CD-ROM-Lexikon, Kiel 2009, 2. Auflage, S. 6492–6494
- 2.Helmuth Osthoff. Schering, Arnold. 11. 1678. 1679. S. 66.650. 66.651.
- 3.Günter Mühlpfordt und Günter Schenk: Der Spirituskreis (1890–1958). Eine Gelehrtengesellschaft in neuhumanistischer Tradition. Vom Kaiserreich bis zum Verbot durch Walter Ulbricht im Rahmen der Verfolgungen an der Universität Halle 1957 und 1958. Band 1: 1890–1945. Hallescher Verlag, Halle/Saale 2001, ISBN 3-929887-23-1, S. 93.
- 4.Erstes Verzeichnis der Mitglieder der Internationalen Musikgesellschaft. In: Sammelbände der Internationalen Musikgesellschaft 1 (1900) 4, S. 1–7, hier: S. 6.
- 5.Ernst Klee: Das Kulturlexikon zum Dritten Reich. Wer war was vor und nach 1945. S. Fischer, Frankfurt am Main 2007, ISBN 978-3-10-039326-5, S. 520.
- 6.NDB 9 696 697 Schering, Arnold Bernhold Schmid 118754688
- 7.Zitat bei Fred K. Prieberg: Handbuch, S. 6493.
- 8.Zitat bei Ernst Klee: Das Kulturlexikon zum Dritten Reich. Wer war was vor und nach 1945. S. Fischer, Frankfurt am Main 2007, S. 520.
- 9.Beitrag von Ludwig Schiedermair in Deutsche Musikkultur 1. Jg. Heft 6, 1937 sowie Entgegnung Scherings und erneute Entgegnungen Schiedermairs, Hans Pfitzners, Kurt Schuberts, Walter Abendroths, Frank Wohlfahrts in derselben Zeitschrift, 2. Jg., Heft 2, 1937.
- 10.Renate Hübner-Hinderling. Schering, Arnold. 165–166.
- 11.Hans-Jürgen Mende: Lexikon Berliner Begräbnisstätten. Pharus-Plan, Berlin 2018, ISBN 978-3-86514-206-1. S. 494.
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