Arnold Houbraken
Arnold Houbraken (28 March 1660 – 14 October 1719) was a Dutch painter and writer from Dordrecht, now remembered mainly as a biographer of Dutch Golden Age painters.
Also recorded as Arnold Honbraken · Arnold Houbrachen · Arnold Houbracken · Arnoldus Houbraken
Arnold Houbraken
Jacobus Houbraken · Amsterdam city archives, collection drawings and prints · Public domain
- Name
- Arnold Houbraken
- Born
- 28 March 1660
- Birthplace
- Dordrecht, Dutch Republic
- Died
- 14 October 1719
- Place of death
- Amsterdam, Dutch Republic
- Field
- Painting, engraving, art history
- Movement
- Dutch Golden Age painting
- Nationality
- Dutch Republic
- Occupation
- writer · painter · art historian · copper engraver · graphic artist · illustrator · draftsperson · visual artist · engraver
- Fields
- portrait
- Known for
- Romulus and Remus discovered by the Herdsman Faustulus · Sacrifice of Iphigenia · The Painter and his Model · The Great Theatre of Dutch Painters
Reference Check
Propose documentary evidence for Arnold Houbraken. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
bnf · bnf · getty · gnd · loc · wikidata · Q514276 · wikipedia · Arnold Houbraken
In this article
Key facts
Key facts
• Name — Arnold Houbraken • Born — 28 March 1660 • Birthplace — Dordrecht, Dutch Republic • Died — 14 October 1719 • Place of death — Amsterdam, Dutch Republic • Field — Painting, engraving, art history • Movement — Dutch Golden Age painting
Life
Life
• Illustration — Houbraken portrayal of the Commemoration of King Mausolus by Queen Artemisia. • Illustration — Pallas Athene Visiting Apollo on the Parnassus (1703) Houbraken was sent first to learn threadtwisting (Twyndraat) from Johannes de Haan, who introduced him to engraving. After two years he then studied art with Willem van Drielenburch, who he was with during the rampjaar, the year 1672. He then studied 9 months with Jacobus Leveck and finally, four years with Samuel van Hoogstraten. In 1685 he married Sara Sasbout, and around 1709 he moved from Dordrecht to Amsterdam. Arnold Houbraken painted mythological and religious paintings, portraits and landscapes. He is best known for the art historical work The Great Theatre of Dutch Painters (1718–1721). When he died his son Jacob assisted his mother with the last proofs of the manuscript before publishing. His first attempt at an instructive manual for artists was his Emblem book, Inhoud van 't Sieraad der Afbeelding, which was meant as a guide of possible painting themes. His registered pupils were Matthijs Balen, Johan Graham, and his son Jacob.
Family
Family
Houbraken had ten children. His son Jacobus Houbraken (1698–1780) was an engraver of portraits and book illustrations, including books by his father. His daughter Antonina Houbraken also became an engraver for an Amsterdam publisher, and is known today for her embellishment of cityscapes and buildings with animals and people. His daughter Christina Houbraken was also an artist.
Identity and origins
Identity and origins
The authorities additionally record the headings Arnold Honbraken, Arnold Houbrachen, Arnold Houbracken, Arnoldus Houbraken and A. His recorded language was Dutch. 3 children are recorded: Jacobus Houbraken, Antonina Houbraken and Christina Houbraken.
Career and activity
Career and activity
Arnold Houbraken worked in painting. His work is associated with Dutch Golden Age painting. He worked at Dordrecht, Amsterdam and London.
Work and production
Work and production
Works recorded as notable number 4: Romulus and Remus discovered by the Herdsman Faustulus, Sacrifice of Iphigenia, The Painter and his Model and The Great Theatre of Dutch Painters. His recorded genre is portrait.
Identity
Identity
Arnold Houbraken is recorded as writer, painter, art historian and copper engraver.

Arnold Houbraken (1675 - 1699
Attributed to Arnold Houbraken · Museum Martena
Life and career
Dated record
Life and career
The full dated record · 2 entries
1660
Arnold Houbraken born at Dordrecht.
1719
Arnold Houbraken died at Amsterdam.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Arnold Houbraken was born at Dordrecht.
Birthplace
Arnold Houbraken died at Amsterdam.
Deathplace
Legacy
Arnold Houbraken's books sold quite well during the entire 18th century. Jacob Campo Weyerman published his updated version (1729–47) in serial form that was published as a complete set in 1769. Houbraken's engravings of the artists are in some cases the only surviving portraits of these people. The first to make a published sequel to Houbraken's work was Johan van Gool in 1750–51. Though these books published well, with changing fashions, during the course of the 19th century Houbraken fell out of favor with art historians, especially when his sketches were found wanting, incorrect, or even slanderous. Houbraken was very careful to check and double check his sources, and today many of his personal judgements still stand up to our modern scrutiny. Attacks of his judgement due to the spelling of artist's names or accusations that he was nationalistic and deemed all of these artists as "Netherlandish" must be dismissed on the grounds that the various borders between the Netherlands, Germany, and Flanders were far from decided in the period during which he was writing, and spelling conventions in the Netherlands regarding names were only introduced by Napoleonic decree in the 1790s. Excepting those cases where the artist died quite young, or whose oeuvre was lost during various wars, very few artists were included in the Schouburg who do not hang in international museums today. The first modern art historian to publish an update of his work was Adriaan van der Willigen, in 1866. Since then he has remained a valuable resource for art historians. The Schouburgh is part of the Basic Library of the dbnl (Database of Dutch Literature) which contains the 1000 most important works in Dutch literature from the Middle Ages to today.
Public collections
Public collections
• Museum Boijmans Van Beuningen, Rotterdam • Rijksmuseum Amsterdam
Documents and archives
Primary material
Documents and archives
reference work
- “Arnold Houbraken”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q514276: Arnold Houbraken
General reference · Wikidata
Literature
Literature
Literature
Houbraken, Arnold, Oxford Art Online, 2003
Houbraken, Arnold, Benezit Dictionary of Artists, 2011
Arnold Houbraken in seiner Bedeutung für die holländische Kunstgeschichte, 1891
Houbraken, Arnold, Painting of the Golden Age, 1993
Het offer van Iphigenia door Arnold Houbraken, The Rijksmuseum Bulletin, 1999
Scholarly footprint
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Arnold Houbraken, revision 1298557115 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.arthistorians.info. Dictionary for Art Historians.
- 2.Arnold Houbraken in the RKD
- 3.Weyerman, Jacob Campo. Jacob Campo Weyerman on Google books. 1769.
- 4.Gool, Johan van. Johan van Gool in Google books. 1751.
- 5.Eynden, Roeland van. Adrian van der Willigen in Google books. 2008-09-02.
- 6.Website of the Basic Library of the dbnl, the section on the Eighteenth century (in Dutch)
- 7.Collection Museum Boijmans Van Beuningen.
- 8.Search - Rijksmuseum. Rijksmuseum.
Bibliography printed in the source article · 3
- (1711) Aen den heere Jakob Zeeus, den Wolf in 't schaepsvel ter drukpersse bestellende In: De wolf in 't schaepsvel
- (1712) Inhoud van 't Sieraad der Afbeelding In: Des menschen begin, midden en einde
- (1718) De groote schouburgh der Nederlantsche konstschilders en schilderessen (The Great Theatre of Dutch Painters)
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
Further particulars
Held on the record
Further particulars
Open the remaining particulars
He trained under Jacob Levecq. Each of those relationships is stated by the authority record rather than inferred from style.
Arnold Houbraken was born in Dordrecht.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Prints
4,138 published records in this field, each with its sources named.
- Armand SeguinEngraver
- Armin LandeckEngraver
- Arnold de JodeEngraver
- Arnold FriedmanEngraver
- Arnold van WesterhoutEngraver
- Arnold VihvelinEngraver
- Art SpiegelmanEngraver
- Arthur Bowen DaviesEngraver
Best supported in this field
For owners
Own a work by Arnold Houbraken?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.