Antonio Raggi
Antonio Raggi (1624–1686), also called Antonio Lombardo, was a sculptor of the Roman Baroque, originating from today's Ticino.
Also recorded as Antonio I Raggi · Antonio, il vecchio Raggi · Antonio il Lombardo · Ercole Antonio Raggi
Antonio Raggi

Johann Kaspar Füssli: Geschichte der besten Künstler in der Schweitz. Band 4. Orell, 1774. · Public domain
- Name
- Antonio Raggi
- Born
- 1624
- Birthplace
- Vico Morcote, Ticino
- Died
- 1686
- Place of death
- Rome
- Known for
- sculpture
- Training
- Gianlorenzo Bernini
- Nationality
- Switzerland
- Occupation
- sculptor
- Fields
- Baroque sculpture
- Movements
- Baroque
- Languages
- Italian
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Documentary connections
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Documentary evidence
Documentary basis
Authority files
wikidata · Q604526 · wikipedia · Antonio Raggi
VALÉORINE Encyclopedia
The documentary record
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Institutions cited
Deutsche Nationalbibliothek
Not stated by the sources cited: nationality
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Biography
Biography
The recorded working language is Italian. The field of work recorded is Baroque sculpture. Places of work recorded in the authority are Rome and Milan. Work by Antonio Raggi is recorded in the collections of Nationalmuseum and Museo del Prado.
Documentary record
The Deutsche Nationalbibliothek records Rome as a place of activity.
Key facts
Key facts
• Name — Antonio Raggi • Born — 1624 • Birthplace — Vico Morcote, Ticino • Died — 1686 • Place of death — Rome • Known for — sculpture • Training — Gianlorenzo Bernini • Notable Works — Death of Saint Cecilia, Baptism of Christ, Angel with the Column
Documentary record
Antonio Raggi, a sculptor, was born in 1624 in Vico Morcote and died on 1 August 1686 in Rome. Both events are recorded by the Deutsche Nationalbibliothek.
Biography
Biography
He was born in Vico Morcote on the Lake Lugano. His mentor in Rome for nearly three decades was Gianlorenzo Bernini. He initially joined the studio of Alessandro Algardi, but none of his work there is independently recognized and by 1647, like Ercole Ferrata, Raggi was working for Bernini, for whom he was to become his closest and most prolific pupil. "In most cases Bernini supplied Raggi with detailed modelli and supervised his work closely enough so that Raggi's statues express Bernini's conceit almost as well as a statue from Bernini's own hand." He completed the stucco decoration of San Tomaso di Villanova in Castel Gandolfo (1660–1), the stucco decoration of Bernini's Sant'Andrea 1662–1665), the statues of Saint Bernardino and Pope Alexander VII Chigi for Duomo di Siena and the Virgin and Child in Saint Joseph des Carmes in Paris (1650–51). He made the Baptism of Christ for Borromini's altar of San Giovanni dei Fiorentini (c. 1665). Recently discovered documentation shows that he provided the kneeling figure of Saint Bernardino of Siena (1656–57) in Alexander VII's chapel at Santa Maria della Pace, and the two pairs of putti holding portrait medallions on the façade. His masterpiece is the marble relief of the Death of Saint Cecilia, in the church of Sant'Agnese in Agone, Piazza Navona. Here it can be contrasted with the relief by Algardi's pupil Ercole Ferrata, of the Stoning of Santa Emerenziana. Raggi was instrumental in completing illusionistic stucco decoration accompanying Giovanni Battista Gaulli's ceiling fresco as other stucco figures in the Church of the Gesù. He was helped by Leonardo Retti, Michele Maglia, and Paolo Naldini. His stucco Saint Andrew (early 1660s) in Sant' Andrea della Valle (Sant'Andrea Quirinale), follows Bernini's design depicting the emaciated apostle rising to Heaven on a wisp of cloud amid a swirl of drapery. He completed one of the ten angels carrying instruments of the Passion on the Ponte Sant'Angelo (illustration), based on a sketch provided by Bernini, and the statue of the Danube (carved in 1650–51) in Bernini's Fountain of Four Rivers in Piazza Navona. He was elected to the Accademia di San Luca on 1 July 1657. Raggi died in Rome.
Gallery
Gallery
• Illustration — St Bernard, Chigi Chapel, Siena. • Illustration — St Carlo Borromeo, Facade of San Carlino, Rome. • Illustration — Noli Me Tangere, SS Domenico e Sisto, Rome. • Illustration — Angel Urges Flight to Egypt (1675) with busts of flanking donors, Ginnetti chapel, Sant'Andrea della Valle, Rome. • Illustration — Ut in nomine Jesu omne genu flectatur coelestium, terrestrium et infernorum Raggi and Retti, design by Baciccio. Vault of Gesù, Rome.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1624
Antonio Raggi born at Vico Morcote.
1686
Antonio Raggi died at Rome.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Vico Morcote.
Birth place
Rome.
Death place
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Antonio Raggi, revision 1365556785 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Wittkower, R. p. 310
- 2."Conceit" in the sense of concetto, "conception".
- 3.Mark S. Weil, "The Angels of the Ponte Sant' Angelo: A Comparison of Bernini's Sculpture to the Work of Two Collaborators" The Art Journal 30.3 (Spring 1971, pp. 252–259) p 256.
- 4.Jennifer Montagu, "Antonio Raggi in S. Maria della Pace" The Burlington Magazine 136 No. 1101 (December 1994), pp. 836–839.
- 5.Relief started by Giuseppe Peroni (1626–63).
- 6.The workshop sketch is conserved in the Gabinetto Nazionale delle Stampe, Rome. (Weil 1971:257 fig. 11).
- 7.That at the name of Jesus every knee should bow, in heaven and on earth and under the earth." Philippians 2:10.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Wikidata, structured authority record Q604526: Antonio RaggiWikimedia Foundation
Secondary witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
His recorded language was Italian. His recorded confession was Catholicism.
Identity and origins
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Sculpture
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