Antonio María Romeu
Antonio María Romeu Marrero (11 September 1876 – 18 January 1955) was a Cuban pianist, composer and bandleader. His orchestra was Cuba's leading charanga for over thirty years, specializing in the danzón. Throughout his career he was known as El Mago de las Teclas (“The Keyboard Magician”).
Also recorded as Antonio Maria Romeu
Antonio María Romeu

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- Name
- Antonio María Romeu
- Birth Name
- Antonio María Romeu Marrero
- Born
- 11 September 1876
- Birthplace
- Jibacoa, Cuba
- Died
- 18 January 1955
- Place of death
- Havana, Cuba
- Occupation
- Musician, bandleader, composer, arranger
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Documentary evidence
Documentary basis
Authority files
wikidata · Q3619860 · wikipedia · Antonio María Romeu
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Institutions cited
Bibliothèque nationale de France
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Key facts
Key facts
• Name — Antonio María Romeu • Birth Name — Antonio María Romeu Marrero • Born — 11 September 1876 • Birthplace — Jibacoa, Cuba • Died — 18 January 1955 • Place of death — Havana, Cuba • Instrument — Piano • Genre — Danzón • Occupation — Musician, bandleader, composer, arranger • Label — Panart • Past Member Of — Orquesta Cervantes
Documentary record
Antonio María Romeu (1876 – 1955) is documented in the authority records of the Bibliothèque nationale de France. Antonio María Romeu was born in 1876 in Jibacao, Cuba and died in 1955.
Life and career
Life and career
Romeu studied music in 1884 with Joaquín Mariano Martínez and practiced piano at a local church in Jibacoa. At twelve he played his first dance and composed his first piece. In 1899 he moved to Havana and performed in cafés, later joining the Orquesta Cervantes — one of the earliest charangas founded at the start of the 1900s. These new ensembles, pitched brighter than the típicas, replaced brass with flute and added the new pailas criollas (now timbales). Orquesta Cervantes was the first charanga known to include piano. In 1910 he founded his own orchestra. Its initial line-up featured Romeu (piano), Feliciano Facenda (violin), Alfredo Valdés (flute), Rafael Calazán (double bass), Remigio Valdés (timbales) and Juan de la Merced (güiro). By the 1920s the group had expanded considerably and included his son Antonio María Romeu Jr. on violin. In the 1930s it briefly functioned as a big band (“jazzband”). During World War II, tourism declined and the band contracted again. • Illustration — Orquesta Romeu with Romeu (dark suit) and Fernando Collazo, late 1920s By 1927, vocalists were added to the danzón. Romeu’s ensemble featured Fernando Collazo and later Barbarito Díez (1935 onward). He maintained racially integrated bands throughout his career — a Cuban tradition since the 19th century. After Romeu’s death in 1955, his orchestra was directed by his son Antonio María Romeu Jr., then by Barbarito Díez. It continued performing traditional danzón as the Orquesta de Barbarito Díez.
Compositions
Romeu wrote and arranged over 500 danzones, many re-worked for other genres. His best-known composition was Tres lindas cubanas, based on a son cubano by guitarist Guillermo Castillo and popularized by the Sexteto Habanero. Other favorites include Siglo XX, La danza de los millones, Cinta azul, El mago de las teclas, and Jibacoa. He also arranged songs by Sindo Garay, Rosendo Ruiz, Manuel Corona, Eusebio Delfín, and Manuel Luna, as well as adaptations of classical works by Mozart and Rossini.
Primary material
Documents and archives
reference work
- “Antonio María Romeu”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q3619860: Antonio María Romeu
General reference · Wikidata
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Antonio María Romeu, revision 1365347247 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Giro, Radamés (2007). Diccionario encyclopédico de la música en Cuba, vol. 4, Havana, p. 84.
- 2.Ledón Sánchez, Armando. La música popular en Cuba. Intelibooks. 55–56. 2003. 9780932367150.
- 3.Shepherd. Bloomsbury Encyclopedia of Popular Music of the World Vol. 9. Bloomsbury. 274. 2014. 9781441132253.
- 4.Carpentier, Alejo (2001 [1945]) Music in Cuba. Minneapolis MN, p. 161.
- 5.Orovio, Helio (1981). Diccionario de la música cubana. Havana, p. 283.
- 6.FIU Libraries. LatinPop FIU – Sección 05 R. Florida International University. 2024.
- 7.Marquetti Torres, Rosa. La dinastía Romeu en la música cubana. Gladys Palmera Foundation. Fundación Gladys Palmera. 29 January 2019.
- 8.Instituto Cubano de Radio y Televisión. Antonio María Romeu Marrero, mago del danzón. Cadena Habana (ICRT). 27 September 2023.
- 9.ICRT. Armando Romeu, músico de la Radio Cubana. Radio Cubana. 2025.
- 10.Cubadebate Editorial Team. Entrevista con Zenaida Romeu. Cubadebate. 2010.
- 11.Zenaida Romeu recuerda a su hermano Armando de Sequeira. TopHoy Cuba. February 2023.
- 12.Camerata Romeu. Cubadebate / Agencias. 2019.
- 13.Editora Política. Gonzalo Romeu – compositor y director de orquesta cubano. Granma. 21 March 2018.
- 14.Bebé Jeanny. Apple Music.
- 15.Jeannette Claudine Romeu a.k.a. Galaxy Girl. Apple Music.
- 16.Allen, Lisa. Galaxy Girl is shining brightly in Weston Hills. The Miami Herald. September 2003.
References
Citations
References
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General reference
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