Antoine Desgodetz

The young architect with a copy of Les edifices antiques de Rome could determine the precise proportions of many Roman structures, such as the portico of the Pantheon, or the Temple of Vesta, Tivoli, that were considered the best models, a practice that had the effect of standardizing the details of academic architecture in France. His Edifices antiques was reissued in Paris, 1729 and again in 1779, when it proved as helpful to Neoclassical architects as it had been to classicizing Late Baroque ones. The young Robert Adam toyed with the idea of producing a revised version of Desgodetz before he hit on the idea of striking into fresh territory with measured engravings of the ruins of Diocletian's palace at Spalatro (Split, Croatia). Claude Perrault's view that the architectural norms that had formerly been presented as divinely inspired, authoritative and derived from nature, were in fact arbitrary, with a social origin under constraints of individual situations, "employed empirical observation instead of the opinion of authorities. Essential to his proof were the measurements taken by Desgodetz in Rome, clearly indicating the disparity in the proportions of the great monuments themselves." Les edifices antiques.. Was reproduced in 1972 (Portland, Oregon: Collegium Graphicum).

The authorities additionally record the headings Antoine Babuty Desgodetz, architecte du roi Desgodetz, Antoine Desgodets, Antoine Babuty Desgodets and Desgodetz. His recorded language was French. Other recorded relations include François Antoine Babuty-Desgodets and François Babuty.