Anthonie Blocklandt van Montfoort

Cluyt is recorded as having studied under Anthonie Blocklandt van Montfoort. The field of work recorded is painting. Subjects and genres recorded for the work are portrait and history. Places of work recorded in the authority are Delft, Rome and Montfoort. Works named in the authority record are The Adoration of the Shepherds and The Pentecost triptych of the Church of Saint Gertrude in Utrecht. Work by Anthonie Blocklandt van Montfoort is recorded in the collections of Art Institute of Chicago, Groeningemuseum, Royal Library of Belgium, Centraal Museum and Museum Gouda.

He was born in Montfoort, where his father was at one time mayor. He went to learn under Hendrick Sweersz. in Delft and Frans Floris in Antwerp. In 1552 he returned to Montfoort, where he married the daughter of the then mayor. Blocklandt then settled in Delft, where he produced paintings for the Oude Kerk and the Nieuwe Kerk, later lost to the beeldenstorm. Also he painted a work for the Janskerk (Gouda) called De onthoofding van Saint-Jacob, now in the museum there. He died in Utrecht. In 1572, Blocklandt made a trip to Italy, after which he settled for good in Utrecht, joining a guild there in 1577. In 1579, he painted his best known work, the triptych The Assumption of Mary that is now in the Basilica of St. Martin in Bingen am Rhein. According to Carel van Mander, Blocklandt painted biblical scenes, mythological subjects and portraits. He is early-Mannerist in style and he and Joos de Beer (another pupil of Floris) were responsible for the Mannerist style begun by Utrecht artists around 1590. Van Mander wrote that De Beer had many paintings by Blocklandt in his workshop that his pupil Abraham Bloemaert later copied. Few works can definitely be attributed to him. One of these is "Joseph interpreting Pharaoh's dream", now in the Centraal Museum in Utrecht. He was also the teacher of the Delft portrait painter Michiel Jansz van Mierevelt.