Anna Riwkin-Brick
Anna Riwkin-Brick born Anna Riwkin (Surazh, Chernigov Governorate, Russia – Tel Aviv 19 December 1970) was a Russian-born Swedish photographer.
Anna Riwkin-Brick

Anna Riwkin-Brick · Arkitekturmuseum · Public domain
- Name
- Anna Riwkin-Brick
- Birth Name
- Anna Riwkin
- Born
- 10 June 1908
- Birthplace
- Surazh, Chernigov Governorate, Russian Empire
- Died
- 19 December 1970
- Place of death
- Tel Aviv, Israel
- Occupation
- Photographer
- Known for
- Photography, children's books, photojournalism
- Spouse
- Daniel Brick (m. 1929)
- Awards
- Elsa Beskow Medal (1963)
- Nationality
- Sweden.
- Fields
- photography.
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Anna Riwkin-Brick born Anna Riwkin (Surazh, Chernigov Governorate, Russia – Tel Aviv 19 December 1970) was a Russian-born Swedish photographer.
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wikidata · Q563086 · wikipedia · Anna Riwkin-Brick
In this article
Biography
Biography
Anna Riwkin-Brick studied at Whitlockska samskolan. The recorded working language is Swedish and Russian. The field of work recorded is photography. Works named in the authority record are Children's Everywhere, Sia lives on Kilimanjaro, Elle Kari, Noriko-San: girl of Japan, My Swedish Cousins and Lilibet, circus child. Work by Anna Riwkin-Brick is recorded in the collections of Nationalmuseum.

ungkarshotellet Interiör
Anna Riwkin-Brick · Swedish Centre for Architecture and Design

Ungkarshotellet Interiör
Anna Riwkin-Brick · Swedish Centre for Architecture and Design
Key facts
Key facts
• Name — Anna Riwkin-Brick • Other Names — Anna Riwkin • Birth Name — Anna Riwkin • Born — 10 June 1908 • Birthplace — Surazh, Chernigov Governorate, Russian Empire • Died — 19 December 1970 • Place of death — Tel Aviv, Israel • Citizenship — Swedish • Occupation — Photographer • Years Active — 1927–1970 • Known for — Photography, children's books, photojournalism • Notable Works — Elle Kari, The Family of Man (exhibition) • Spouse — Daniel Brick (m. 1929) • Awards — Elsa Beskow Medal (1963)
Early life
Early life
Anna Riwkin was born in Surazh in the Russian Empire into a Jewish family and came to Sweden, at the age of 7, with her parents in 1914. Her father Scholom Sender (Alexander) Riwkin, born in Gomel in 1878, had studied philosophy in Heidelberg before becoming a paper manufacturer, and published philosophical pamphlets in his youth. Her mother was Frida Perlman (1881–1944). The family were part of the Ashkenazi Jewish community. Anna was affectionately nicknamed Anusjka and Channo within the family. In 1915, the Riwkin family moved to Sweden, where Anna grew up with her siblings, including her sister Honjah (later the writer Eugénie Söderberg) and her brother Josef Riwkin. For a period, the children were tutored by the Russian revolutionary Nikolai Bukharin while living in Stockholm. From 1919 to 1922, Anna and her siblings lived with their mother in Swinemünde in northern Germany (now Świnoujście, Poland) before returning to Stockholm, where Anna attended the progressive Whitlockska samskolan and studied ballet for three years. She danced professionally for some time before an injured foot put an early stop to her career.
Photojournalism
Photojournalism
From the 1930s, Riwkin added journalistic work to her repertoire, collaborating on several books with the journalist Elly Jannes and the writer Ivar Lo-Johansson. Her first one-person show was held in 1936 in Kungsgatan in 1936. After the Second World War, she worked for the Swedish photojournalistic magazine Se, for which she went on numerous trips both within Sweden and to foreign countries, photographing mainly women subjects in Greece, Yugoslavia, USA, Japan, Korea, Israel and India. In 1948 she published a book on Palestine. She returned to Israel in 1955, publishing another photo book with Daniel Brick, titled Israel, that portrayed the early years of the state through expressive, human-centered photography. She also collaborated with social reformer Elise Ottesen-Jensen on photographic documentation of women's issues in Sweden. From her photojournalistic and travel photography came the work selected by Edward Steichen for his 1955 globally-touring The Family of Man exhibition. One, of a family in the snow in Lapland, is typical of work she was later to publish in children's books, while the other, used to illustrate the idea of protest in the exhibition, is cropped image of a woman animatedly relating a story to neighbours from the couple's book Israel.
Photo agency
Photo agency
In 1960 Riwkin established the photo agency Full Hand with Gösta Glass, Gustav Hansson, Bo Dahlin and Rolf Blomberg. Her book Medmänniskor ('Fellow Beings'), in which she rephotographed her friends of the 1920s; dancers, artists, gypsies and the Sámi child Elle Kari (of her first children's book), was published in 1962.
Exhibitions
Exhibitions
• 1936 Anna Riwkin ateljé, Kungsgatan, Stockholm (solo) • 1938 Forsners Utsällningshall, Stockholm (solo) • 1953 Bankhallen, Stockholm (solo) • 1954 Museum Tel-Aviv, Israel (solo) • 1955 The Family of Man international travelling exhibition (group) • 1957 Barnbilder vid KF's International Kongress (solo) • 1968 Stockholms Stadsmuseum, Stockholm • 1969 A Trip Around the World, Museum Tel-Aviv, Israel (solo) • 1972 Galleri Heland, Stockholm (solo) Posthumous exhibitions of photographs by Anna Riwkin-Brick were held at the Moderna museet, Stockholm: • 10 December 1977 – 5 March 1978, • 14 February – 23 May 2004
Works and production
Works and production
The following works and productions are recorded by name or by count.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Surazh.
Birth place
Tel Aviv.
Death place
Children's picture books with photography
Children's picture books with photography
In 1950, with the aim of promoting tolerance by introducing children from different countries to each other's lives, and international understanding through children's literature that would also be read by adults, Riwkin-Brick was commissioned by the UNESCO to make a photo book about the Sámi people. She persuaded Elly Jannes, a journalist for the journal Vi, to write the text for Vandrande by ('Wandering Village', also released as 'Nomads of the North'), published in 1950. Anna Riwkin-Brick took many photos of a Sámi family's little girl Elle Kari that were not included in the Vandrande by edition, and Elly Jannes suggested they make another photo book about Elle Kari and to aim it at a child audience which was published in 1951. It was the first Swedish picture book with photos of everyday life of a child in a continuous story, and the first of many such books that the photographer was to make. It was a success. Translated into eighteen languages in editions with high print runs; 25,000 copies were printed for the first edition released in Germany, the United Kingdom, and the United States. Riwkin-Brick issued a series of 19 children's books (Children's Everywhere), each focusing on the everyday life of a child in a particular place or country. For nine of these books, Astrid Lindgren wrote the text and authors for others include Hebrew author Lea Goldberg who contributed the text for Eli bar i Israel (Eli Lives in Israel, 1964); Cordelia Edvardson, an immigrant from Germany to Sweden and author of the autobiographical novel Briinnt barn (Burnt Child, 1985), wrote the text for Mirjam bar i Kibbutz (Mirjam Lives in a Kibbutz, 1969); Riwkin-Brick's sister Eugenie Soderberg penned the text of Makihana (1961); and Vera Forsberg contributed the texts for Gennet bar i Etiopien (Gennet Lives in Ethiopia, 1967) and Salima bar i Kashmir (Salimar Lives in Kashmir, 1970). Sales of Riwkin's children's books totalled 900,000 copies. In 2014 the Israeli director Dvorit Shargal searched for the children in the books and made a film (Where is Elle Kari and what happened to Noriko-san?) about what had been happening to the children after these books were published. Noiriko and Eva from the books were able to meet up again in Tokyo.
Publications
Publications
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Publications about Anna Riwkin-Brick
Publications about Anna Riwkin-Brick
* • Catalogue of an exhibition at Fotografiska museet, 10 December 1977 – 5 March 1978. • If she has a camera in her hand, she is not afraid (Tel Aviv, Israel) (2025), Dvorit Shargal.
Photographer
She was employed as an assistant to the court photographer Moisé Benkow in 1927, and started her own portrait and dance photography studio in Stockholm in 1928. Around this time, she also worked as a theater and dance photographer, and her portraits began appearing in the radical cultural magazine Spektrum, founded by her brother Josef Riwkin. Her photography was closely linked with Stockholm's intellectual and artistic circles in the late 1920s and 1930s, where figures such as Karin Boye, Gunnar Ekelöf, and Erik Mesterton were prominent contributors. She married Daniel Brick the editor of the Swedish-Jewish Zionist periodical Judisk Krönika, translator of Russian, Yiddish and Czech, in 1929, and marketed her work by displaying portraits of young writers and intellectuals from among her husband's acquaintances. As a former dancer, she remained interested in dance as a subject of photography and illustrated a book on Swedish dance, Svensk Danskonst, published in 1932 and in the following year her photographs were exhibited in the international exhibition Dance and Movement in Paris. In the summer of 1933, she visited Paris with her friend Thora Dardel and photographed leading figures in the surrealist movement including Jean Arp, André Breton, Salvador Dalí, Max Ernst, and Man Ray. A famous group photo of these artists was taken by Riwkin but later misattributed to Ernst. She later illustrated a book on ballet in 1960, Balettskolan with texts by the choreographer Birgit Cullberg and the dance teacher Lilian Karina Vasarhelyi.
Award and legacy
Anna Riwkin-Brick received the Elsa Beskow Medal in 1963, the first time it was awarded to a photographer instead of an illustrator. Riwkin died in 1970 of cancer in Israel. On the instruction of her will, her photographs were donated to Moderna museet's Fotografiska Museet in Stockholm.
Primary material
Documents and archives
reference work
- “Anna Riwkin-Brick”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q563086: Anna Riwkin-Brick
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Rittsel, Pär: "Riwkin-Brick, Anna", Svenskt biografiskt lexikon, 30, pp. 243–246.
- 2.Conversation in the Collection: Anna Riwkin. Moderna Museet i Stockholm. 2025-04-05.
- 3.Svedjedal, Johan. Spektrum 1931–1935. Den svenska drömmen. Tidskrift och förlag i 1930-talets kultur. Wahlström & Widstrand. 2011. 978-91-43-50871-0.
- 4.Carl Olov Sommar (1989-04-06) Bucharin, Riwkin och Spektrum, Dagens Nyheter, sid.4
- 5.Editions Camera obscura. Encyclopédie internationale des photographes de 1839 à nos jours = Photographers encyclopaedia international 1839 to the present. 1985. 978-2-903671-06-8.
- 6.Melin Fredholm, Ulrika: "Dansfotografi", Moderna museet, Stockholm.
- 7.Melin Fredholm; Entry for Balettskolan in LIBRIS.
- 8.Life, 14 February 1955, p. 135, ISSN 0024-3019, Time Inc.
- 9.W.H. Allen. Israel : the land of yesterday and tomorrow. 1958.
- 10.Published for the Museum of Modern Art by Simon and Schuster in collaboration with the Maco Magazine Corporation. The family of man: the photographic exhibition. 1955.
- 11.Acta Universitatis Gothoburgensis. Women photographers: European experience. 19,56–58. 2003. 978-91-7346-474-1.
- 12.University of Illinois Press. Picturing the past: media, history, and photography. 226–227. 1999. 978-0-252-02465-8.
- 13.Kalman, Y. M. (2017). Open Educational Resources: Policy, Costs, and Transformation. The International Review of Research in Open and Distributed Learning, 18(3) http://www.irrodl.org/index.php/irrodl/article/view/3108/4170
- 14.Van den Bossche, S. (2009). Review" Astrid Lindgren–Werk und Wirkung. Internationale und interkulturelle Aspekte". IRSCL Online Reviews https://biblio.ugent.be/publication/890883/file/907671
- 15.Huus, H. (1971). Some picture book comparisons. International Library Review, 3(4), 457–468.
- 16.Routledge. Beyond pippi longstocking: Intermedial and international approaches to astrid lindgren's work. 2014. 978-1-138-84726-2.
- 17.Kümmerling-Meibauer, B. (2013). Childhood and Modernist Art. Libri et liberi: časopis za istraživanje dječje književnosti i kulture, 2(1.), 11–28.
- 18.Graves, P. (1975). Swedish Children's Books in Britain. Signal, 18, 137.
- 19.Routledge. Reinventing childhood nostalgia: Books, toys, and contemporary media culture. 2017. 978-1-4724-7412-4.
- 20.Bettina Kümmerling-Meibauer Der Blick auf das Fremde.Astrid Lindgrens und Anna Riwkin-Bricks Fotobilderbücher. In Blume, Svenja/Kümmerling-Meibauer, Bettina/Nix, Angelika (Eds.): Astrid Lindgrens Werk und Wirkung: interkulturelle und internationale Perspektiven. Frankfurt: Peter Lang. 235–251
- 21.Ehriander, H. (2011). Everyday and Exotic. Astrid Lindgren's Co-operation with Anna Riwkin-Brick.
- 22.Barnboksvännerna återförenas efter 60 år. 27 February 2015.
- 23.Moderna museet/Fotografiska museet. Fotografer—Curt Götlin, Anna Riwkin, Karl Sandels. 1977. 978-91-7100-133-7.
- 24.Anna Riwkin: Porträtt av en fotograf 14 februari 2004 -- 23 maj 2004 "Portrait of a photographer 14 February 2004 -- 23 May 2004", Moderna museet, Stockholm
- 25.איפה את נוריקו סאן?. כאן תאגיד השידור הישראלי. 2025-04-07.
References
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References
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This entry is compiled from 5 catalogued sources across 4 independent registers. The registers consulted are Internet Archive, Wikimedia Foundation, Crossref registry and Wikipedia. Every statement above is held against the register that stated it; where the registers are silent, the entry is silent.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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