Andrei Rublev
Andrei Rublev (Andrey Rublyov, Ru-Andrey_Rublev.ogg; c. 1360) was a Russian artist considered to be one of the greatest medieval Russian painters of Orthodox Christian icons and frescoes. He is revered as a saint in the Eastern Orthodox Church, and his feast day is 29 January.
Also recorded as Андрей Рублев · Andrej Rublëv · Andréj Rubljov · Andrej Rubliow
Andrei Rublev

Poher · CC BY-SA 4.0
- Name
- Andrei Rublev
- Born
- c. 1360
- Died
- c. 1430 (aged around 70)
- Place of death
- Andronikov Monastery, Moscow
- Nationality
- Grand Principality of Moscow.
- Occupation
- painter, iconographer, illuminator and monk.
- Fields
- icon painting and manuscript illumination.
- Known for
- Trinity icon, Christ the Redeemer and Archangel Michael.
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Documentary summary
Andrei Rublev (Andrey Rublyov, Ru-Andrey_Rublev.ogg; c. 1360) was a Russian artist considered to be one of the greatest medieval Russian painters of Orthodox Christian icons and frescoes. He is revered as a saint in the Eastern Orthodox Church, and his feast day is 29 January.
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Note VALÉORINE
Andrei Rublev was an iconographer, illuminator and monk, among other activities and a national of the Grand Principality of Moscow. Born in Grand Principality of Moscow, the iconographer died in Andronikov Monastery.
Works include Archangel Michael, Christ the Redeemer and Trinity icon. Genres include icon painting and manuscript illumination.
Composed from admitted, traceable facts · 30 September 2026
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wikidata · Q838 · wikipedia · Andrei Rublev
In this article
Biography
Biography
Rublev worked between 1360 and 1428 across painter, iconographer, illuminator and monk. The registers place that work in icon painting and manuscript illumination. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.
Key facts
Key facts
• Honorific Prefix — Saint • Name — Andrei Rublev • Born — c. 1360 • Died — c. 1430 (aged around 70) • Feast Day — 29 January, 13 June, 4 July, 6 July, 22 August • Venerated In — Eastern Orthodox Church • Place of death — Andronikov Monastery, Moscow • Titles — Venerable Father (Prepodobne), Monk and Iconographer • Canonized Date — 6 June 1988 • Canonized Place — Trinity Lavra of St. Sergius • Canonized By — 1988 Local Council of the Russian Orthodox Church, • Attributes — Clothed as an Orthodox monk, often shown holding an icon • Illustration — The Trinity by Rublev
Early life
Early life
Little information survives about his life; even where he was born is unknown. He probably lived in the Trinity Lavra of St. Sergius, near Moscow, under Nikon of Radonezh, who became hegumen after the death of Sergius of Radonezh in 1392. The first mention of Rublev is in 1405, when he decorated icons and frescos for the Cathedral of the Annunciation of the Moscow Kremlin, in company with Theophanes the Greek and Prokhor of Gorodets. His name was the last of the list of masters, as the junior both by rank and by age. Theophanes was an important Byzantine master, who moved to Russia and is considered to have trained Rublev.
Career
Career
Chronicles tell us that together with Daniel Chorny he painted the Dormition Cathedral, Vladimir in 1408 as well as the Trinity Cathedral in the Trinity Lavra of St. Sergius between 1425 and 1427. After Daniel's death, Andrei came to Moscow's Andronikov Monastery where he painted his last work, the frescoes of the Saviour Cathedral. He is also believed to have painted at least one of the miniatures in the Khitrovo Gospels. The only work authenticated as entirely his is the icon of the Trinity (c. 1410). It is based on an earlier icon known as the "Hospitality of Abraham" (illustrating Genesis). Rublev removed the figures of Abraham and Sarah from the scene, and through a subtle use of composition and symbolism changed the subject to focus on the Mystery of the Trinity. On 22 June 2024, the icon was returned to the Holy Trinity Lavra of St. Sergius and installed to its original position on the iconostasis of Holy Trinity Cathedral. In Rublev's art two traditions are combined: the highest asceticism and the classic harmony of Byzantine mannerism. The characters of his paintings are always peaceful and calm. After some time his art came to be perceived as the ideal of Eastern Church painting and of Orthodox iconography.
Veneration
Veneration
• 29 January – commemoration of his death anniversary (Greek Orthodox Church) • 12/13 June – feast day, Synaxis of All of Andronikov Monastery (with Andronicus, Sabbas, Alexander, Abbots of Moscow and Daniel the Black, the icon painter) • 4 July – main feast day from the list of "Russian saints of Moscow and Vladimir" by Nikodim (Kononov) • 6 July – Synaxis of All Saints of Radonezh • Synaxis of all saints of Moscow – a movable holiday on the Sunday before 26 August (ROC)
Selected works
Selected works
• Illustration — Nativity of Jesus, 1405 (Cathedral of the Annunciation, Moscow Kremlin) • Illustration — Baptism of Jesus, 1405 (Cathedral of the Annunciation, Moscow) • Illustration — Annunciation, 1405 (Cathedral of the Annunciation, Moscow) • Illustration — Version of the Theotokos of Vladimir, c. 1405 • Illustration — St. Michael, 1408 (Iconostasis at Dormition Cathedral, Vladimir) • Illustration — St. Gabriel, 1408 (Dormition Cathedral, Vladimir) • Illustration — St. Andrew the First-called, 1408 (Dormition Cathedral, Vladimir) • Illustration — St. Gregory the Theologian, 1408 (Dormition Cathedral, Vladimir) • Illustration — Theotokos from Deësis, 1408 (Dormition Cathedral, Vladimir) Some think this may be the work of Theophanes the Greek • Illustration — St. John the Theologian, 1408 (Dormition Cathedral, Vladimir) • Illustration — St. John the Baptist, 1408 (Dormition Cathedral, Vladimir) • Illustration — The Saviour Enthroned in Glory, Christ in Majesty, 1408 (Dormition Cathedral, Vladimir) • Illustration — Harrowing of Hell, 1408–1410 (Vladimir) • Illustration — Christ the Redeemer, c. 1410 (Tretyakov Gallery, Moscow) • Illustration — Ascension, 1408 (Tretyakov Gallery, Moscow) • Illustration — Apostle Paul, 1410s (Tretyakov Gallery, Moscow)
Life and work
Life and work
Andrei Rublev was born in 1360 in Grand Principality of Moscow. Rublev held the nationality of Grand Principality of Moscow. Rublev studied under Theophanes the Greek. Rublev worked as painter, iconographer, illuminator and monk. The fields Rublev worked in include icon painting and manuscript illumination. Rublev died on 17 October 1428 in Andronikov Monastery. Rublev is buried at Andronikov Monastery.
Life and career
Dated record
Life and career
Explore 1360–1428
The full dated record · 3 entries
1360
Andrei Rublev born at Grand Principality of Moscow.
1428
Dies at Andronikov Monastery.
1428
Andrei Rublev died at Andronikov Monastery.
Paintings, drawings and prints, 1408–1990
Catalogued output
Paintings, drawings and prints, 1408–1990
These are objects catalogued as visual works, each held or recorded by the institution named against it. 9 works carry dates between 1408 and 1990. The 1400s are the densest part of the run, with 3 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself. They belong to a run of 10 titles in all, from 1408 to 1990.
The run opens with St Paul
From Deisus Tier and closes with Icon with the Eastern Orthodox Trinity
From Deisus Tier
1408
Ascension
1408
Archangel Michael
1410
Trinity icon
1412
Christ the Redeemer
1420
Zvenigorodskiy chin
1420
Hospitality of Abraham
1420
Icon with the Eastern Orthodox Trinity
1990
Paintings, drawings and prints without a settled date
Catalogued output
Paintings, drawings and prints without a settled date
1 further work are catalogued under Rublev's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it.
Icon with the Old Testament Trinity (The Hospitality of Abraham)
Death and legacy
Rublev died at Andronikov Monastery between 1427 and 1430. Rublev's work influenced many artists including Dionisy. The Stoglavi Sobor (1551) promulgated Rublev's icon style as a model for church painting. Since 1959, the Andrei Rublev Museum at the Andronikov Monastery has displayed his and related art. The Russian Orthodox Church canonized Rublev as a saint in 1988, celebrating his feast day on 29 January and/or on 4 July. In 1966, Andrei Tarkovsky made a film Andrei Rublev, loosely based on the artist's life. This became the first (and perhaps only) film produced in the Soviet era to treat the artist as a world-historic figure and Christianity as an axiom of Russia's historical identity, during a turbulent period in the history of Russia. Historian Serge Aleksandrovich Zenkovsky wrote that the names of Andrei Rublev, Epiphanius the Wise, Sergius of Radonezh and Stephen of Perm "signify the Russian spiritual and cultural revival of the late fourteenth and early fifteenth centuries". He also wrote: "The wonderful icons and frescoes of Andrey Rublev offered a harmonious and colorful expression of the spirit of complete serenity and humility. For the Russian people these icons became the finest achievement of religious art and the highest expression of Russian spirituality".
Context
Primary material
Context
The circumstances in which Andrei Rublev stands. Trinity Lavra of St.
Documents and archives
Primary material
Documents and archives
reference work
- “Andrei Rublev”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
institutional register
- Wikidata, structured authority record Q838: Andrei Rublev
General reference · Wikimedia Foundation
Authority records
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.The Getty Union Artist Name List prefers "Rublyov", but "Rublev" is more commonly found.
- 2.https://www.britannica.com/biography/Saint-Andrey-Rublyov
- 3.Wiley. The concise encyclopedia of Eastern Orthodox Christianity. 403. 2014. 9781118759332.
- 4.Venerable Andrew Rublev the Iconographer. www.oca.org.
- 5.Orthodox Calendar. HOLY TRINITY RUSSIAN ORTHODOX CHURCH, a parish of the Patriarchate of Moscow. HOLY TRINITY RUSSIAN ORTHODOX CHURCH, a parish of the Patriarchate of Moscow.
- 6.Святейший Патриарх Кирилл возглавил принесение иконы Святой Троицы, написанной преподобным Андреем Рублевым, в Троице-Сергиеву лавру и совершил в обители всенощное бдение. Русская православная церковь: Официальный сайт Московского Патриархата. 22 June 2024.
- 7.Saint Herman of Alaska Brotherhood. Saint Herman Calendar 2006. 12, 56. 2006.
- 8.Главная. fond.ru.
- 9.Moscow Patriarchate Glorifies Saints. Orthodox America. IX. 82. August 1988.
- 10.Hoberman, Jim. Andrei Rublev. The Criterion Collection.
- 11.Zenkovsky, Serge A. Medieval Russia's Epics, Chronicles, and Tales. Dutton. 205. 1963.
- 12.January 29, 2015. + Orthodox Calendar. orthochristian.com.
- 13.Ορθόδοξος Συναξαριστής :: Άγιος Ανδρέας Ρουμπλιόβ ο Εικονογράφος. www.saint.gr.
- 14.АНДРЕЙ РУБЛЁВ. www.pravenc.ru.
- 15.АНДРЕЙ РУБЛЕВ - Древо. drevo-info.ru.
Bibliography printed in the source article · 12
- Andrei Rublev, a 1966 film by Andrei Tarkovsky loosely based on the painter's life.
- Mikhail V. Alpatov, Andrey Rublev, Moscow: Iskusstvo, 1972.
- Gabriel Bunge, The Rublev Trinity, transl. Andrew Louth, St. Vladimir's Seminary Press, Crestwood, New York, 2007.
- Sergius Golubtsov, Voplosh’enie bogoslovskih idey v tvorchestve prepodobnogo Andreya Rubleva [The realization of theological ideas in creative works of Andrey Rublev]. Bogoslovskie trudy 22, 20–40, 1981.
- Troitca Andreya Rubleva [[Trinity (Andrei Rublev)|[The Trinity of Andrey Rublev]]], Gerold I. Vzdornov (ed.), Moscow: Iskusstvo 1989.
- Viktor N. Lazarev, The Russian Icon: From Its Origins to the Sixteenth Century, Gerold I. Vzdornov (ed.). Collegeville, MN: Liturgical Press, 1997.
- Priscilla Hunt, Andrei Rublev's Old Testament Trinity Icon in Cultural Context, The Trinity-Sergius Lavr in Russian History and Culture: Readings in Russian Religious Culture, vol. 3, ed. Deacon Vladimir Tsurikov, (Jordanville, NY: Holy Trinity Seminary Press, 2006), 99-122.(See on-line at phslavic.com)
- Priscilla Hunt, Andrei Rublev's Old Testament Trinity Icon: Problems of Meaning, Intertextuality, and Transmission, Symposion: A Journal of Russian (Religious) Thought, ed. Roy Robson, 7-12 (2002–2007), 15-46 (See on-line at www.phslavic.com)
- Konrad Onasch, Das Problem des Lichtes in der Ikonomalerei Andrej Rublevs. Zur 600–Jahrfeier des grossen russischen Malers, vol. 28. Berlin: Berliner byzantinische Arbeiten, 1962.
- Konrad Onasch, Das Gedankenmodell des byzantisch–slawischen Kirchenbaus. In Tausend Jahre Christentum in Russland, Karl Christian Felmy et al. (eds.), 539–543. Go¨ ttingen: Vandenhoeck und Ruprecht, 1988.
- Eugeny N. Trubetskoi, Russkaya ikonopis'. Umozrenie w kraskah. Wopros o smysle vizni w drewnerusskoj religioznoj viwopisi [Russian icon painting. Colourful contemplation. Question of the meaning of life in early Russian religious painting], Moscow: Beliy Gorod, 2003 [1916].
- Georgij Yu. Somov, Semiotic systemity of visual artworks: Case study of The Holy Trinity by Rublev, Semiotica 166 (1/4), 1-79, 2007.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessinstitutional register
Wikidata, structured authority record Q838: Andrei RublevWikimedia Foundation
General reference
Further particulars
Held on the record
Further particulars
Open the remaining particulars
The authorities additionally record the headings Андрей Рублев, Andrej Rublëv, Andréj Rubljov, Andrej Rubliow and André Roublov. His recorded confession was Eastern Orthodoxy. Work and production. Works recorded as notable number 3: Trinity icon, Christ the Redeemer and Archangel Michael. His recorded genres are icon and manuscript illumination. Recorded with the occupation painter. Recorded as painter, iconographer, illuminator and monk. Works and catalogued output.
Identity and origins
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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