Andreas Pavias
Andreas Pavias (1440 – 1504/1512) was a Greek painter and educator, one of the founding fathers of the Cretan school. His works could be found in churches and private collections throughout Italy and Greece, where they influenced countless artists. Seven of these paintings survive today, six bearing Pavias's signature.
Also recorded as Andreas Pavia
Andreas Pavias

Andreas Pavias · Public domain
- Name
- Andreas Pavias
- Born
- 1440
- Died
- 1504/1512
- Movement
- Cretan school Late Gothic Italian
- Spouse
- Marietta
- Occupation
- painter · teacher
- Fields
- icon · iconography
- Movements
- Cretan school
- Teachers
- Angelos Akotantos
- Known for
- The Crucifixion
- Languages
- Greek
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Documentary evidence
Documentary basis
Authority files
wikidata · Q12873662 · wikipedia · Andreas Pavias
In this article
Biography
Biography
The most famous of the group is The Crucifixion. Pavias learned his craft from Angelos Akotantos, and was affiliated with Andreas Ritzos. He experimented with different techniques, and his paintings incorporate stylistic traits from the Venetian school. Angelos Pitzamanos was the student of Pavias, who also influenced the works of such Cretan school artists as Theodore Poulakis, Georgios Klontzas, and Michael Damaskenos.
Training under Angelos Akotantos is recorded. Angelos Pitzamanos is recorded as having studied under Andreas Pavias. The recorded working language is Greek. Subjects and genres recorded for the work are icon and iconography. Residence is recorded at Heraklion. Works named in the authority record are The Crucifixion. Work by Andreas Pavias is recorded in the collections of National Gallery of Athens.
Key facts
Key facts
• Name — Andreas Pavias • Born — 1440 • Died — 1504/1512 • Movement — Cretan school Late Gothic Italian • Spouse — Marietta
Early life
Early life
• Illustration — Lamentation of Christ Pavias was born in Heraklion. His father's name was Petros and he was a priest. Pavia's wife's name was Maria or Marietta. He had a son named Athanasios he was a painter. Andreas also had an adoptive daughter named Agnes. Pavias studied painting under Angelos Akotantos. He was also recorded loaning money to painter Andreas Ritzos. Archival documents in Venice demonstrate that Pavias was involved in business deals in Heraklion in the years 1471, 1473, and 1479. On April 23, 1480, he was a witness and he signed the document magister Andreas Pavias, penctor. In 1481 he rented a house on Georgio Grin in Vourgo Candia Palaiochora. • Illustration — Triptych Scenes of the Passion, Resurrection, and Crucifixion He was an art teacher he primarily taught icon painting. Records indicate in 1482 Angelo Pitzamanos's father signed a contract with Pavias to teach his son painting for five years. Pavias was considerably wealthy. Another document shows him purchasing selling and renting houses in Heraklion during the years 1482, 1483, 1486, and 1491. On October 24, 1492, he signed a five-year contract with Manousos Koukou to teach his son painting for five years. • Illustration — Christ Pantocrator Catholic bishop Giovanni Battista Lagni commissioned a painting called Pieta (Lamentation of Christ) from Pavias between 1493 and 1505. The painting is currently in Rossano. On May 23, 1499, he signed a contract to teach Niccolo da Napoli painting for three years. Around the same period, he agreed to teach John Ploraio painting. On November 19, 1499, he signed a contract to teach a Jew named Aquilo Souloum. He agreed to teach her son painting, reading and writing for eight years. Around the same period, Pavias made out a will leaving his adoptive daughter Agnes a huge fortune. He gave her 500 iperpira, 10 gold doukata. Enough money to purchase a house in Chandaka (Heraklion) at that time. He also gave her gold, silver, gems, clothing, and jewelry. On May 7, 1500, in a document, he requested his painting Nativity by famous painter Angelo to be returned. Pavias was involved with famous painter Marko Amarando. In 1504, he purchased a warehouse in Heraklion. The painter died by November 8, 1512, because a document refers to his wife as the widow Marietta. In 1514, she was the administrator of the estate, and she gave away part of the monastery of the Agios Pnevmatos (Holy Spirit). It was just outside of Vourgos Palaiochora.
Notable works
Notable works
• Agios Antonios, located (Korgialenio History and Folklore Museum) • Kimisis of Ephrem the Syrian, located (Saint Constantine Church of the Holy Sepulchre • Pieta, located Rossano Cathedral Italy • Crucifixion, located National Gallery Athens • XC, located Campo Santo Teutonico, Vatican City • ΘΚ, located (Calligaris, Terzo d'Aquileia, Italy)
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Andreas Pavias, revision 1309549938 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Eugenia Drakopoulou. Pavias (Pavia) Andreas (Andreas) Greek Painters after the Fall of Constantinople. Institute for Neohellenic Research. May 25, 2021.
- 2.Kondi, B. The Family Names of People Residing in Crete from the 12th-17th Century. The Public Research Foundation of Byzantine Research. 258. 1989.
- 3.Eugenia Drakopoulou. Pavias (Pavia) Andreas (Andreas). Institute for Neohellenic Research. June 18, 2021.
- 4.Stathi, Maria G. The Painters of Crete School of the 15th century Andreas and Nikolaos Ritzos. Aristotle University of Thessaloniki. 18. 2007.
- 5.Kondi, B. The Family Names of People Residing in Crete from the 12th-17th Century. The Public Research Foundation of Byzantine Research. 258. 1989.
Bibliography printed in the source article · 4
- Hatzidakis, Manolis. Έλληνες Ζωγράφοι μετά την Άλωση (1450-1830). Τόμος 1: Αβέρκιος - Ιωσήφ. Center for Modern Greek Studies, National Research Foundation. 1987. 960-7916-01-8.
- Richardson, Carol M. Locating Renaissance Art. Yale University Press. 200. 2007.
- Hatzidakis, Manolis. Έλληνες Ζωγράφοι μετά την Άλωση (1450-1830). Τόμος 2: Καβαλλάρος - Ψαθόπουλος. Center for Modern Greek Studies, National Research Foundation. 1997. 960-7916-00-X.
- Drakopoulou, Evgenia. Έλληνες Ζωγράφοι μετά την Άλωση (1450–1830). Τόμος 3: Αβέρκιος - Ιωσήφ. Center for Modern Greek Studies, National Research Foundation. 2010. 978-960-7916-94-5.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 21 August 2026.
Elsewhere in Paintings
19,456 published records in this field, each with its sources named.
- Andreas KrystallisArtist
- Andreas Leonhard RollerArtist
- Andreas MøllerArtist
- Andreas MüllerArtist
- Andreas Riis CarstensenArtist
- Andreas RitzosArtist
- Andreas SchelfhoutArtist
- Andreas SchulzeArtist
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