André Cardinal Destouches

• Born — 6 April 1672 • Birthplace — Paris, Kingdom of France • Died — 7 February 1749 • Place of death — Paris • Era — Baroque

Born in Paris, the son of Étienne Cardinal, a wealthy merchant, André Cardinal was educated by Jesuits. With the Jesuit Father Guy Tachard, he went on a mission to Siam for two years, leaving in January 1687, and spending some time at the Cape of Good Hope, arriving in Siam in September. Coming back to France, in September 1688, he spent several months at the academy in the Manège royal, rue de Tournon. In 1692 he joined the army and participated in the invasion of Namur, discovering his musical talent while not occupied by combat. When his father died in August 1694, André Cardinal added "Destouches" to his name in memory of his father's title, Seigneur des Touches et de Guilleville. He quit the army in 1696 to pursue his musical aspirations. Destouches' opera Issé was performed for Louis XIV at the Trianon in 1697. Louis was impressed and said that he enjoyed his music as much as that of Jean-Baptiste Lully. The opera was successfully repeated at the Opéra a few weeks later. The following year found him dining with Boileau in the company of Racine. After a series of successful operas and the commencement of his successful collaboration with the librettist Pierre-Charles Roy, in 1713 the king appointed Destouches inspector general of the Académie Royale de Musique, at a stipend of 4000 livres a year; later, in 1725 Louis XV would appoint him superintendent of chamber music for the Chambre du Roi, and then Director of the Académie. Under the Régence, as Destouches' operas were revived at the Opéra, Destouches was able to purchase the terroir of La Vaudoire at Sartrouville, conveniently close to Paris. The young Louis XV danced in Destouches' ballet Les élémens at the Théâtre des Tuileries, 31 December 1721, and the aged Destouches led the musicians for his daughters' masked ball on 13 January 1744. With the beginning of the public Concerts Spirituels in Paris, Destouches performed his De Profundis (1725) and his cantata Sémélé (1728) and motet for large chorus O dulcis Jesu (also 1728); Queen Maria Leszczyńska commanded Destouches to recreate the concert series at the Tuileries. With the death of Michel Richard Delalande in 1726, Destouches assumed control of the Musique du Roi. In 1724 he married Anne-Antoinette de Reynold de la Ferrière. He was buried in the crypt of Saint-Roch, Paris.

• Issé (pastorale héroïque), libretto by Antoine Houdar de la Motte (1697, in five acts 1708) Issé played at Wolfenbüttel (in German) and The Hague. • Amadis de Grèce (tragédie en musique), libretto by La Motte (26 March 1699) • Marthésie (tragédie en musique), libretto by La Motte (11 October 1699) • Omphale (tragédie en musique), libretto by La Motte (10 November 1701) • Le Carnaval et la folie (comédie-ballet), libretto by La Motte (3 January 1704). The work was recreated in 2007 at the Académie d'Ambronay, directed by Hervé Niquet, staged by Jacques Osinski and produced by the Centre Culturel d'Ambronay and the Théâtre de Reims. • Callirhoé (tragédie en musique), libretto by Pierre-Charles Roy (27 December 1712). Recorded by Hervé Niquet and Le Concert Spirituel for Glossa. • Télémaque (tragédie en musique), libretto by the abbé Simon-Joseph Pellegrin (29 November 1714), recreated at the Ambronay Festival (2023) by the ensemble Les Ombres. • Oenone (cantata) for solo voice with symphony, text by La Motte (February 1716). The work was recreated in 2009 at the Ambronay Festival by the ensemble Les Ombres. • Sémiramis (tragédie en musique), libretto by Pierre-Charles Roy (4 December 1718) • Sémélé, cantata for solo voice with symphony, text by La Motte (1719). The work was recreated in 2009 at the Ambronay Festival by the ensemble Les Ombres. • Les élémens (opéra-ballet), in collaboration with Delalande, libretto by Roy (1721) • Les stratagèmes de l'amour (ballet), libretto by Pierre-Charles Roy (26 March 1726).

André Cardinal Destouches is recorded as composer.