Ambrosius Holbein
Ambrosius Holbein (c. 1494 – c. 1519) was a German and later a Swiss artist in painting, drawing, and printmaking.
Also recorded as Ambrosy Holbein · Ambrosius Prosy Holbein · Ambrose Holbein
Ambrosius Holbein

Hans Holbein the Elder · Wikimedia Commons · Public domain
- Name
- Ambrosius Holbein
- Born
- c. 1494
- Birthplace
- Free Imperial City of Augsburg
- Died
- c. 1519
- Place of death
- Basel, Switzerland
- Field
- Painting
- Training
- Hans Holbein the Elder
- Movement
- Northern Renaissance
- Nationality
- Switzerland · Germany
- Occupation
- painter · graphic artist · draftsperson · printmaker · artist
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Documentary summary
Ambrosius Holbein (c. 1494 – c. 1519) was a German and later a Swiss artist in painting, drawing, and printmaking.
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Note VALÉORINE
Ambrosius Holbein (1494–1519) was a German and Swiss artist, draftsperson and graphic artist, among other activities. Born in Augsburg, the artist died in Basel.
Ambrosius Holbein was a member of Holbein family. The artist was active in painting and printmaking. Ambrosius Holbein was associated with Northern Renaissance. Languages used include German.
Composed from admitted, traceable facts · 26 September 2026
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Authority files
wikidata · Q123732 · wikipedia · Ambrosius Holbein
In this article
Biography
Biography
He was the elder brother, by about three years, of Hans Holbein the Younger, but he appears to have died in his mid-twenties, leaving behind only a small body of work.
Key facts
Key facts
• Name — Ambrosius Holbein • Birth Name — Ambrosius Holbein • Born — c. 1494 • Birthplace — Free Imperial City of Augsburg • Died — c. 1519 • Place of death — Basel, Switzerland • Field — Painting • Training — Hans Holbein the Elder • Movement — Northern Renaissance • Relatives — Hans Holbein the Younger (brother) • Father — Hans Holbein the Elder • Illustration — Portrait of a Young Man, 1518, oil on wood, 43 x 32 cm, Hermitage Museum, St Petersburg.
Biography
Biography
Like his younger brother, he was born in Augsburg (which today is in Bavaria, but then was a free imperial city), a center of art, culture, and trade at that time. His father Hans Holbein the Elder was a pioneer and leader in the transformation of German art from the Gothic to the Renaissance style. In his studio, both his sons, Ambrosius and Hans, received their first painting lessons as well as an introduction to the crafts of the goldsmith, jeweller, and printmaker. The young Holbein, alongside his brother and his father, is pictured in the left-hand panel of Holbein the Elder's 1504 altarpiece triptych the Basilica of St. Paul, which is displayed at the Staatsgalerie in Augsberg. In 1515, Ambrosius is assumed to have lived in the Swiss town of Stein am Rhein, where he helped a painter from Schaffhausen named Thomas Schmid with the murals in the main hall of the St. George monastery. The next year saw Ambrosius, as well as his brother Hans, in Basel, where he initially worked as a journeyman in Hans Herbster's studio. In 1517 he registered as a member of the Basel painters' guild, and on 6 June 1518 he was naturalized as a citizen of Basel. The goldsmith Jörg Schweiger, whom Holbein had portrayed before, was his guarantor. However, he disappears from records soon after and is assumed to have died around 1519. Franny Moyle writes, "There is no record of Ambrosius's death, but the abrupt cessation of his work in a year [1519] where so many were falling prey to sickness suggests that he either caught the disease that began with a headache, or the plague that came in its wake, and died. Another alternative is that his financial worries had pressed him into mercenary service... though with the Italian Wars in momentary pause, this seems unlikely." The Portrait of a Boy with Blond Hair and its companion, the Portrait of a Boy with Brown Hair, are among Ambrosius’ best works of this period. Both are now in the Basel Kunstmuseum. Ambrosius Holbein ranks among the most important of Basel's illustrators and prominent "small format" artists.
Works
Works
• Illustration — Portrait of a Boy with Blond Hair, 1516, Basel • Virgin and Child (1514; Kunstmuseum, Basel) • Portrait of a Boy with Blond Hair (1516; Kunstmuseum, Basel) • Portrait of a Boy with Brown Hair (1517; Basel, Kunstmuseum, Basel) • Portrait of Jörg Schweiger (1518; Kunstmuseum, Basel) • Portrait of a Young Man (1515; Hessisches Landesmuseum, Darmstadt) • Nativity (1514; Fürstlich Fürstenbergische Gemäldegalerie, Donaueschingen) • Nativity (Klerikalseminar Georgianum, Munich) • Repose of Mary (Klerikalseminar Georgianum, Munich) • Frontispiece to the third edition of Thomas More's Utopia, 1518 • Portrait of Johannes Xylotectus (Zimmermann) (1520; Germanisches Nationalmuseum, Nuremberg) • Portrait of a Young Man (1518; Hermitage Museum, St. Petersburg) • Portrait of a Young Man (often attributed to Hans Holbein the Younger) (1518; National Gallery of Art, Washington) • Repose of Mary (Gemäldegalerie der Akademie der bildenden Künste, Vienna) Also, Krannert Art Museum in Illinois has a painting labelled "Portrait of girl" by Ambrosius Holbein. The painting used to be a part of Austrian Imperial connection, and given the outfit of the young woman is an example of very early 16th century Spanish fashion, closely resembling tomb of Queen Juana I of Castille, it might be an unidentified portrait of her.
Identity
Identity
Ambrosius Holbein is recorded with the occupation graphic artist. Recorded as painter, graphic artist, draftsperson and printmaker. Associated with Northern Renaissance.
Life and career
Dated record
Life and career
Explore 1494–1519
The full dated record · 4 entries
1494
Ambrosius Holbein was born on 1 January 1494.
1512
Portrait of a girl is dated 1512.
1516
Utopia is dated 1516.
1519
Ambrosius Holbein died on 1 January 1519.
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q123732: Ambrosius Holbein
Unverified · Wikidata
reference work
- “Ambrosius Holbein”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Paintings featured in Holbein: Eye of the Tudors. bbc.co.uk.
- 2.Müller, Christian. Hans Holbein the Younger: The Basel Years, 1515-1532. Prestel. 10–11. 2006. 978-3-7913-3580-3.
- 3.Stein, Wilhelm. Holbein der Jüngere. Julius Bard Verlag. 28. 1920.
- 4.Wilson, Derek. Hans Holbein: Portrait of an Unknown Man. London: Pimlico, Revised Edition, 200, pp. 69–70. Wilson cautions against too readily accepting that Ambrosius died, since other explanations for his disappearance from the record are possible. However, only Hans Holbein claimed their father's estate when he died in 1524.
- 5.Moyle, Franny, The King's Painter: The Life and Times of Hans Holbein, New York: Abrams Press, 2021, p. 86.
References
Citations
References
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authority record
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Further particulars
Held on the record
Further particulars
Open the remaining particulars
The authorities additionally record the headings Ambrosy Holbein, Ambrosius Prosy Holbein and Ambrose Holbein. His recorded language was German. He was the child of Hans Holbein the Elder. Holbein worked in painting and printmaking. His work is associated with Northern Renaissance. He belonged to Holbein family.
Identity and origins
Career and activity
Recognition and collections
Work by Ambrosius Holbein is
Kunstmuseum Basel, Hermitage Museum, National Museum in Wrocław and Print Collection
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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