Álvaro Brechner

Kaplan (2014) and A Twelve-Year Night, which screened at major international festivals such as the Cannes Film Festival and the Venice International Film Festival. All three films were selected as Uruguay's official submissions for the Academy Award for Best Foreign Language Film. Variety magazine described him as "one of the leading South American screen talents to emerge in the last decade". He received the Faro de Honor lifetime achievement award at the Santander International Film Festival. In 2025, he directed Mägo de Oz: The Movie, a large-scale international production about the Spanish folk metal band Mägo de Oz scheduled for worldwide theatrical release in 2026.

Álvaro Brechner studied at Catholic University of Uruguay and Autonomous University of Barcelona. The recorded working language is Spanish, English and French. The field of work recorded is film direction, film producer and film screenwriter. Subjects and genres recorded for the work are comedy film, drama film, opera and biographical film. Places of work recorded in the authority are Madrid. Positions recorded include competition judge. Works named in the authority record are Bad Day to Go Fishing, Mr. Distinctions recorded are Goya Award for Best Adapted Screenplay, Silver Condor Award, Cinema Brazil Grand Prize and Golden Pyramid Award.

• Name — Alvaro Brechner • Born — 9 April 1976 • Birthplace — Montevideo, Uruguay • Occupation — Filmmaker • Notable Works — A Twelve-Year Night, Bad Day to Go Fishing, Mr. Kaplan • Style — Dark comedy, Drama, crime, historical drama, biographical film • Television — El Presidente, La Liga: All Access • Children — 1

Brechner was born in Montevideo, Uruguay, and attended the Lycée Français Jules Supervielle. Before focusing on audiovisual studies, he enrolled at the Faculty of Architecture of the University of the Republic (Uruguay) and later graduated in Media and Communication from the Catholic University of Uruguay. In 1999, he received Uruguay's National Literature Award, granted by the Ministry of Education and Culture. Before moving to Spain, he worked in Miami for the CBS Network, covering film premieres, junkets and studio releases, an experience that strengthened his connection to the international film industry. After he completed a master's degree in Creative Documentary at the Autonomous University of Barcelona.

His debut feature, Bad Day to Go Fishing premiered at the International Critics' Week of the Cannes Film Festival. Is a Spanish–Uruguayan co-production inspired by Juan Carlos Onetti's short story "Jacob and the Other". It was the Uruguayan candidate for the Academy Award for Best Foreign Language Film. The film went on to win several international awards and has been screened in many film festivals such as the 26th Warsaw International Film Festival (Best Film Free Spirit Comp.), Montreal World Film Festival, Los Angeles Latino International Film Festival (Best Film Opera Prima), Mar del Plata Film Festival (Best Actor), Moscow International Film Festival, Shanghai International Film Festival, Austin (Best Film & Audience Award), Brooklyn (Best Director), Sofia International Film Festival (Best Film Fipresci), São Paulo, Busan International Film Festival and Palm Springs International Film Festival. The film won 10 Uruguay Fipresci Critics Awards, including Best Film, Best International Film Debut, Best Director, Best Screenplay and Best Actor and was nominated for Best Film, Best Screenplay and Best Actor by the Spanish Critics (CEC).

• Illustration — Brechner, Noguera and Guzzini shooting Mr. Kaplan His second feature, Mr. Kaplan, is a dramatic comedy about an elderly man convinced he has identified a former Nazi living in Uruguay. The film premiered at festivals such as BFI London Film Festival, Mar del Plata Film Festival, Busan International Film Festival, Havana Film Festival, Palm Springs International Film Festival, Fribourg and Huelva Film Festival. It was the Uruguayan candidate for the Academy Award for Best Foreign Language Film, and was nominated for Best Iberoamerican Film for the Goya Awards of the Spanish Film Academy, the Ariel Award of the Mexican Academy of Film, and received 7 nominations at the 2nd Platino Awards, including Best Film of the year, Best Director, Best Screenplay, Best Photography, Best Editing, Best Sound and Best Art Direction.

• Illustration — Brechner with actors Antonio de la Torre and Alfonso Tort, and Venice Film Festival director Alberto Barbera, at the world premiere of A Twelve-Year Night, 75th Venice International Film Festival, 2018. Brechner's third feature, A Twelve-Year Night, portrays the twelve years of solitary confinement endured by José Mujica, Mauricio Rosencof and Eleuterio Fernández Huidobro during the Uruguayan military dictatorship. The film premiered in the 75th Venice International Film Festival and San Sebastian Film Festival, receiving widespread critical acclaim for its performances, direction and immersive depiction of political imprisonment. A Twelve-Year Night went on to win the Golden Pyramid for Best Film at the Cairo International Film Festival and received seven nominations at the Platino Awards, alongside numerous other international distinctions. The film also won the Goya Award for Best Adapted Screenplay and is considered one of the most internationally distinguished Uruguayan films of recent decades. It was selected as Uruguay's official submission for both the Academy Award for Best International Feature Film and the Goya Awards. A Twelve-Year Night was awarded at the co-production markets of Berlin International Film Festival and San Sebastián International Film Festival.

In 2025, Brechner wrote and directed Mägo de Oz: The Movie, an international co-production offering a stylized, fictionalized chronicle of the Spanish folk-metal band Mägo de Oz. Conceived as a hybrid musical-comedy with rock-opera elements, the film explores the band's rise, excesses and mythology through an irreverent, high-energy narrative. The film was shot over 13 weeks in Madrid and the Canary Islands, with locations in Gran Canaria and Fuerteventura standing in for Latin America. The cast includes Adrián Lastra, Roberto Álamo, Antonio Dechent, Carlos Librado "Nene", Michelle Renaud, Jorge López and Guillermo Furiase. A worldwide theatrical release is scheduled for 2026. ----

Brechner directed episodes of the second season of El Presidente: Juego de corrupción (2022), produced by Gaumont for Amazon Prime Video, and episodes of the Netflix documentary series La Liga: All Access (2023).

• Illustration — Scene from the 2024 production of Don Giovanni directed by Álvaro Brechner at Teatro Solís (Montevideo, Uruguay). The staging presents a contemporary dystopian aesthetic, with a cinematic approach to visual storytelling and actor direction. In 2023, Brechner made his operatic debut directing a contemporary staging of Mozart's Don Giovanni at the Teatro Solís in Montevideo, performed with the Orquesta Filarmónica de Uruguay. The production, which premiered on 19 August, featured a dystopian visual approach incorporating cinematic elements and references to science fiction aesthetics. The cast was led by soprano Verónica Cangemi.

Brechner has also worked extensively as a commercial director, developing major national advertising campaigns in Spain. ----

Critics have described Brechner's cinema as a combination of psychological realism, political history and understated dark humor. His films frequently depict individuals facing extreme circumstances and explore resilience, personal identity and memory under oppressive systems. His visual approach favors restrained naturalism, performance-driven direction and meticulous sound design, particularly in A Twelve-Year Night. In recent years, he has incorporated hybrid techniques drawing from theatre and documentary filmmaking. Brechner's work is characterized by a blend of fiction and documentary approaches, with a strong focus on character psychology and moral dilemmas. His films frequently explore themes of memory, identity, dignity and resistance to political oppression, particularly in A Twelve-Year Night. His characters are often individuals in extreme situations who are forced to reinvent themselves—a thematic thread that connects the con artists of Bad Day to Go Fishing, the aging protagonist of Mr. Kaplan, the political prisoners of A Twelve-Year Night, and the musicians of Mägo de Oz. His narrative structures frequently center on pairs or duos under pressure. His directorial style emphasizes restrained visual realism, meticulous sound design, and a strong focus on performance. His background in documentary filmmaking is evident in the exhaustive research process he brings to each project. In recent years, he has developed hybrid approaches that incorporate influences from theatre and documentary cinema. ----

• Illustration — Brechner receiving the Goya Award for Best Adapted Screenplay for A Twelve-Year Night at the 33rd Goya Awards ceremony In 2014 Brechner was highlighted by Variety as one of the Up Next 10, a list of the most interesting directors and producers emerging from Latin America. In 2017 he was one of several Latin American directors interviewed in A Companion to Latin American Cinema, which also included Alejandro González Iñárritu, Pablo Larraín, Diego Luna and Martín Rejtman. He has received numerous distinctions, including the Goya Award for Best Adapted Screenplay, and the Faro de Honor from the Festival Internacional de Santander (2022) and two Morosoli Awards for his contribution to national culture.

• Amazon Prime: El Presidente: Juego de corrupción (2022), Season 2 – Director • Netflix: La Liga: All Access (2023) – Director

• History Channel: La ley del ring – Director • History Channel: Sefarad – Director • History Channel: Testimonio de una ausencia – Director • History Channel: Papá, por qué somos del Atleti? – Director

• Don Giovanni (2023) – Stage director, Teatro Solís (Montevideo)

Brechner began his career directing and producing documentary films for broadcasters including Televisión Española (TVE), History Channel and Odisea, working on titles such as La ley del ring, Sefarad, Testimonio de una ausencia and Papá, por qué somos del Atleti? This early documentary work would later influence his interest in fiction rooted in real events. He wrote, directed and produced the 35mm short film The Nine Mile Walk (2003), based on a story by Harry Kemelman and shot in black and white in Toledo. The film screened widely on the international festival circuit and received multiple awards. He subsequently directed the short films Sofía (2005) and Second Anniversary (2007), collaborated on music videos for several artists including Jorge Drexler, and worked as a writer on the feature documentary One Dollar. In 2015, Variety named him one of the "10 Latin American talents to watch".

Brechner's feature films have been noted for their blend of literary influences, historical themes and character-driven narratives.

• Bad Day to Go Fishing (2009) – Director, writer, producer • Mr. Kaplan (2014) – Director, writer • A Twelve-Year Night (2018) – Director, writer, producer • Mägo de Oz: The Movie (2025) – Director, writer

• The Nine Mile Walk (2003) – Director, writer, producer • Sofía (2005) – Director, writer • Second Anniversary (2007) – Director, writer

• Award — Category — Year — Work — Result • Goya Awards — Best Adapted Screenplay — 2019 — A Twelve-Year Night • Best Ibero-American Film — 2019 — A Twelve-Year Night • Best Ibero-American Film — 2015 — Mr. Kaplan • Cairo International Film Festival — Golden Pyramid (Best Film) — 2018 — A Twelve-Year Night • FIPRESCI Award — 2018 — A Twelve-Year Night • Platino Awards — Best Ibero-American Film — 2019 — A Twelve-Year Night • Best Director — 2019 — A Twelve-Year Night • Best Film — 2015 — Mr. Kaplan • Best Director — 2015 — Mr. Kaplan • Best Screenplay — 2015 — Mr. Kaplan • Best Cinematography — 2015 — Mr. Kaplan • Best Editing — 2015 — Mr. Kaplan • Best Sound — 2015 — Mr. Kaplan • Best Art Direction — 2015 — Mr. Kaplan • Ariel Awards (Mexico) — Best Ibero-American Film — 2015 — Mr. Kaplan • José María Forqué Awards — Best Latin American Film — 2019 — A Twelve-Year Night

• Festival — Award — Year — Work — Result • Venice Film Festival — Official Selection (Orizzonti) — 2018 — A Twelve-Year Night — Selected • Cannes Film Festival — Critics' Week — 2009 — Bad Day to Go Fishing — Selected • Berlinale Co-Production Market — ARTE International Prize — 2016 — A Twelve-Year Night • San Sebastián International Film Festival — Co-Production Award — 2016 — A Twelve-Year Night • Huelva Ibero-American Film Festival — Best Director — 2018 — A Twelve-Year Night • Thessaloniki International Film Festival — Audience Award — 2018 — A Twelve-Year Night • TorinoFilmLab — Production Award (€100,000) — 2011 — Mr. Kaplan • Audience Award (€30,000) — 2011 — Mr. Kaplan • Warsaw Film Festival — Best Film (Free Spirit) — 2009 — Bad Day to Go Fishing • Los Angeles Latino International Film Festival — Best First Film (Opera Prima) — 2009 — Bad Day to Go Fishing • Mar del Plata International Film Festival — Best Actor (Jouko Ahola) — 2009 — Bad Day to Go Fishing • Best Ibero-American Film — 2009 — Bad Day to Go Fishing • Austin Film Festival — Best Film — 2009 — Bad Day to Go Fishing • Audience Award — 2009 — Bad Day to Go Fishing • Brooklyn Film Festival — Best Director — 2009 — Bad Day to Go Fishing • Sofia International Film Festival — FIPRESCI Award (Best Film) — 2009 — Bad Day to Go Fishing • Fribourg International Film Festival — Special Jury Award — 2009 — Bad Day to Go Fishing • Audience Award — 2009 — Bad Day to Go Fishing • Ecumenical Award — 2009 — Bad Day to Go Fishing

• Organization — Award — Year — Work — Result • Uruguayan Film Critics (FIPRESCI) — Best Film — 2018 — A Twelve-Year Night • Best Film, Best Director, Best Screenplay, Best International Film Debut (10 total) — 2009 — Bad Day to Go Fishing • CEC Cinema Writers Circle (Spain) — Best Screenplay — 2019 — A Twelve-Year Night • Best Film — 2010 — Bad Day to Go Fishing • Best Screenplay — 2010 — Bad Day to Go Fishing