Alma Rosé
Alma Maria Rosé (3 November 1906 – 4/5 April 1944) was an Austrian violinist and conductor. In July 1943, Rosé was deported to Auschwitz-Birkenau. Rosé directed the Women's Orchestra of Auschwitz and was the Kapo of the music block.
Also recorded as Alma Rose · Alma Maria Rosé
Alma Rosé

Georg Fayer · ÖNB, Bildarchiv Austria, Inventarnummer Pb 580.555-F 463 ( · Public domain
- Name
- Alma Rosé
- Born
- 3 November 1906
- Birthplace
- Vienna, Austria-Hungary
- Died
- 4/5 April 1944 (aged 37)
- Place of death
- Auschwitz-Birkenau
- Occupation
- * Violinist
- Nationality
- Austria · German Reich
- Languages
- German
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Documentary summary
Alma Maria Rosé (3 November 1906 – 4/5 April 1944) was an Austrian violinist and conductor. In July 1943, Rosé was deported to Auschwitz-Birkenau. Rosé directed the Women's Orchestra of Auschwitz and was the Kapo of the music block.
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wikidata · Q78905 · wikipedia · Alma Rosé
In this article
Key facts
Key facts
• Name — Alma Rosé • Born — 3 November 1906 • Birthplace — Vienna, Austria-Hungary • Died — 4/5 April 1944 (aged 37) • Place of death — Auschwitz-Birkenau • Occupation — * Violinist • conductor • Father — Arnold Rosé • Relatives — Alfred Rosé (brother) Gustav Mahler (uncle) Alma Mahler (aunt)
Early years
Early years
Alma Rosé was born on 3 November 1906 in Vienna, Austria-Hungary (present-day, Austria) to Arnold Rosé, a violinist, and Justine Rosé-Mahler. Rosé's older brother was the composer and conductor Alfred Rosé. The Rosé family were secular Jews. Through her mother Rosé was the niece of Gustav Mahler and Alma Mahler.
Career
Career
On 29 July 1922, at age 15, Rosé made her violin soloist debut. In 1932 she founded the woman's orchestra, Die Wiener Walzermädeln (The Waltzing Girls of Vienna). The concertmistress was Anny Kux, a friend. The ensemble played to a very high standard, undertaking concert tours in Austria, Germany, Czechoslovakia, and Poland.
Persecution
Persecution
In 1938, following the annexation of Austria into Nazi Germany, Rosé and her father fled to London. She went on her own to the Netherlands where she believed she could resume her musical career. When the Germans occupied the Netherlands, she was trapped. A fictitious marriage to a Dutch engineer named August van Leeuwen Boomkamp did not protect her; nor did her nominal status as a Christian convert. She fled to France, but in late 1942 when she tried to escape to neutral Switzerland, she was arrested by the Gestapo. After several months in the internment camp of Drancy, she was deported in July 1943 to the concentration camp at Auschwitz.
Auschwitz
Auschwitz
Upon arrival in Auschwitz, Rosé was quarantined and became very ill, but eventually recovered. She assumed leadership of the Mädchenorchester von Auschwitz (Girls Orchestra of Auschwitz). The orchestra had been in existence before Rosé's arrival, a pet project of SS-Oberaufseherin ("SS chief supervisor") Maria Mandl. Before Rosé, the orchestra was conducted by Zofia Czajkowska, a Polish teacher. The ensemble consisted mainly of amateur musicians, with a string section, but also accordions, percussion, guitars, flute, recorder and mandolins, but lacked a brass section. Singers and music-copyists rounded-out the membership of the Music Block. The orchestra's primary function was to play at the main gate each morning and evening as the prisoners left for and returned from their work assignments; the orchestra also gave weekend concerts for the prisoners and the SS and entertained at SS functions. Rosé conducted, orchestrated and sometimes played violin solos during its concerts. Apart from the official activity, she had the band rehearse and play forbidden music by Polish and Jewish composers to boost the spirits of band members and fellow inmates they trusted. She herself orchestrated Fryderyk Chopin's Etude in E major, Op. 10, No. 3 and combined it with the lyrics she wrote. The conductor's strict and perfectionistic teaching style helped mold the orchestra into an excellent ensemble, all of whose members survived during her tenure, and after her death, all except two (Lola Kroner and Julie Stroumsa) would live to see the end of the war. Rosé instructed orchestra members that they would "survive together or die together. There was no halfway road". Rosé died, aged 37, of a sudden illness at the camp, possibly food poisoning. During this illness, Josef Mengele signed an order for spinal tap on Rosé. The orchestra included several professional musicians, cellist Anita Lasker-Wallfisch and vocalist/pianist Fania Fénelon, each of whom wrote memoirs of their time in the orchestra, but also Claire Monis and Hélène Rounder, who both survived as well. Fénelon's account, Playing for Time, was made into a television film of the same name, and was decried by orchestra survivors as being misleading, and containing preposterous distortions of the truth.
Personal life
Personal life
In 1930, Rosé married the Czech violinist Váša Příhoda, before later divorcing in 1935.
Theater
Theater
• Claudio Tomati: Alma Rosé Sedizioni a Teatro (2006);
Identity and origins
Identity and origins
The authorities additionally record the headings Alma Rose and Alma Maria Rosé. Her recorded language was German. She was the child of Arnold Rosé and Justine Rosé. She married Váša Příhoda.
Identity
Identity
Alma Rosé is recorded as conductor, violinist, choir director and musician.

The violonist Alma Rosé with her orchestra, the „Walzermädeln“ (Waltz girls), 1934 Austrian National Library
Life and career
Dated record
Life and career
The full dated record · 1 entries
1944
Alma Rosé died at Auschwitz II-Birkenau concentration camp.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Vienna.
Birth place
Auschwitz II-Birkenau concentration camp.
Death place
Legacy
Her experiences in the camp were depicted in Playing for Time. Exilarte, the center for recovery, preservation and reintegration of music suppressed by National Socialism, decdicated its first concert in 2006 to Alma Rosé. Another concert dedicated to the musician took place on January 27th, 2026 in the Palais Ehrbar in Vienna, performing compositions by Gideon Klein, Viktor Ullmann, Hans Gál and Erwin Schulhoff. The Alma Rosé Quartett was founded in autumn of 2022.
Recordings
Arnold Rosé's performances together with Alma were eventually released on CD.
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Ottner, Carmen. Rosé [Rosenblum], Arnold. Grove Music Online. Oxford University Press. 2001. 10.1093/gmo/9781561592630.article.23827.
- 2.Alma Rosé: the violinist who brought music to Auschwitz. The Strad. 26 January 2014.
- 3.Aharony, Michal. Hannah Arendt and the Limits of Total Domination: The Holocaust, Plurality, and Resistance. Routledge. 12–36. 2015. 978-0-203-79566-8.
- 4.Arseneau, Rachel. Alma Rosé: The Violinist of Auschwitz. ACMLA Bulletin. Association of Canadian Map Libraries and Archives. 7. 173. 2024. 10.15353/acmla.n173.5683.
- 5.Newman, Richard and Karen Kirtley. Alma Rose: Vienna to Auschwitz. Amadeus Press, 2000, p. 82.
- 6.Newman, Richard and Karen Kirtley. Alma Rose: Vienna to Auschwitz. Amadeus Press, 2000, p. 17.
- 7.Newman, Richard and Karen Kirtley. Alma Rose: Vienna to Auschwitz. Amadeus Press, 2000, p. 206.
- 8.Amadeus Press. Alma Rosé : Vienna to Auschwitz. 382–383. 2000. 1-57467-051-4.
- 9.Brown, Kellie D. The Sound of Hope: Music as Solace, Resistance and Salvation During the Holocaust and World War II. McFarland. 46. 2020. 978-1-4766-7056-0.
- 10.Lebrecht, Norman. The true humanity of Alma Rosé. Telegraph. 5 April 2000.
- 11.Amadeus Press. Alma Rosé : Vienna to Auschwitz. 301. 2000. 1-57467-051-4.
- 12.Eischeid, Susan. The Truth about Fania Fénelon and the Women's Orchestra of Auschwitz-Birkenau. Palgrave Macmillan. 58. 2016. 978-3-319-31037-4.
- 13.Amadeus Press. Alma Rosé : Vienna to Auschwitz. 323–324. 2000. 1-57467-051-4.
- 14.Newman, Richard and Karen Kirtley. Alma Rose: Vienna to Auschwitz. Amadeus Press, 2000, p. 301.
- 15.Exilarte: Concert Series ” Echo of the Unheard” | January 27th, 2026 | Alma Rosé, retrieved on May 2, 2026
- 16.Alma Rosé Quartett, retrieved on May 2, 2026
- 17.The Penguin Guide to Compact Discs and Cassettes. Ivan March, Edward Greenfield, Robert Layton – 1996 "Arnold Rosé, (i) with Alma Rosé, Beethoven: String quartets Nos. 4, 10 & 14. (***) Biddulph mono LAB O56-7. The recordings were made from 1927–32. The issue is valuable in that it affords an insight into a style of playing that has long passed into history."
Bibliography printed in the source article · 6
- Richard Newman & Karen Kirtley: Alma Rosé: Vienna to Auschwitz. Amadeus Press
- Richard Newman & Karen Kirtley: Alma Rose Wien 1906 – Auschwitz 1944. Weidle Verlag.
- Fania Fénelon: Playing for Time Syracuse University Press (December 1997);
- Anita Lasker Wallfisch: Inherit the Truth, Thomas Dunne Books; 1st edition (April 22, 2000),
- Rachela Zelmanowicz Olewski: Crying is forbidden here!, Olewski Family; 1st edition (April 15, 2009),
- Helen Dunicz Niwinska "One Of The Girls In The Band: The Memoirs Of A Violinist from Birkenau (Panstwowe Muzeum Auschwitz-Birkenau 2014
References
Citations
References
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reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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